Back to the A to Z index screen
 Back up the list

 Note: This file lists unsorted daily additions and corrections to the Reading Room Index. -- Questions or concerns to Randy Scott, please: comics@msu.edu



-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 1, 2021
-----------------------------------------------------
Treasure Chest of Fun and Fact, v. 23, no. 17 (Apr. 18, 1968)
   CONTENTS: "Backtalk" (letters) p. 2, 35 -- "The Story of
   Patents" p. 3-7 -- "Clever Spider" p. 8 -- "Do You Know?"
   p. 9 -- "On the Edge of Death!" (Forty-Niner Fever, part 7)
   p. 10-15 -- "The Machine" 1 p. -- "Pirate Genie"* (Ali) p.
   17 -- "Pocketful of Pesos" text p. 18-19 -- "Frederic
   Tudor, the Ice King" p. 20-25 -- "Ball Retriever"* (Pup) p.
   26 -- "It's a Fact!" p. 27 -- "The Beanball and the Bully"*
   (Chuck White and His Friends) p. 28-33 -- "Donna's Doughnut
   Dunker" p. 34 -- Call no.: PN6728.1.P43T7v.23no.17
-----------------------------------------------------
Johnny-Cake / illustrated by Frederick Richardson. -- New York
   : The Designer, 1919. -- p. 14, 34 : col. ill. ; 41 cm. --
   Separated from The Designer, September 1919. -- A retelling
   of the fairy tale in panel-and caption comics (eight
   panels), with a prose telling of the story on page 34. --
   Call no.: folio PN6727.R475 D4 1919
Richardson, Frederick, 1862-1937.
-----------------------------------------------------
The Straw-Ox / illustrated by Frederick Richardson. -- New
   York : The Designer, 1919. -- p. 14, 38 : col. ill. ; 41
   cm. -- Separated from The Designer, October 1919. -- A
   retelling of the fairy tale in panel-and caption comics
   (nine panels), with a prose telling of the story on page
   38. -- Call no.: folio PN6727.R475 D4 1919b
-----------------------------------------------------
Superheroes Join the Free Press. -- Detroit, Mich. : Detroit
   Free Press, 1978-1980. -- 1 v. : ill. ; 34 cm. -- Scrapbook
   of daily "Superheroes" comic strips dated from April 3,
   1978 to early 1980. -- Superhero genre. -- Call no.:
   PN6728.S767 F6 1978
-----------------------------------------------------
Almost a Dance / by Clifford McBride. -- Detroit, Mich. : The
   Detroit News, 1927. -- 1 sheet : ill. ; 41 cm. -- A silent
   15-panel comic strip, in which a man flirts at a dance but
   ends up humiliated. -- Separated from The Detroit News
   Magazine Section, Sunday, December 4, 1927. -- Call no.:
   oversize PN6726.S79 1927
McBride, Clifford, 1901-1951.
-----------------------------------------------------
The Doctors Hold a Consultation / by Clifford McBride. --
   Detroit, Mich. : The Detroit News, 1928. -- 1 sheet : ill.
   ; 41 cm. -- A silent 10-panel comic strip, in which doctors
   argue about a diagnosis, and come to blows on the patient's
   bed. -- Separated from The Detroit News Magazine Section,
   Sunday, June 24, 1928. -- Call no.: oversize PN6726.S79
   1928
-----------------------------------------------------
Buttons and Fatty / MEB. -- Detroit, Mich. : The Detroit News,
   1927-1928. -- 17 sheets :: col. ill. ; 44 cm. -- An
   incomplete run of tear sheets from the Sunday tabloid Boys
   & Girls Section of The Detroit News, dated January 9, 1927
   to December 9, 1928. -- "MEB" is M.E. Brady, per
   strippersguide.blogspot.com. -- Funny kid genre. -- Call
   no.: folio PN6728.B877B7 1927
-----------------------------------------------------
"A Pup Named Nugget"* (The Pioneers, Sept. 16, 1928) / by
   Lovrien Gregory & Glenn Chaffin. -- Summary: A puppy is
   found and named, and the gold-rush expedition to California
   crosses the Genessee River at Rochester, N.Y. -- Call no.:
   oversize PN6726.S79 1928
Gregory, Lovrien, 1888-1972.
-----------------------------------------------------
Bandes Dessinées : a collection of tabloid tear-sheets of
   French-language comic strips. -- France?, 1937-1968. --
   col. ill. ; 41 cm. in 2 boxes 34 x 47 x 8 cm. -- Several
   hundred tear sheets and some complete issues of L'As, dated
   1937 to 1940, with some unrelated humor strips from 1968.
   -- Boxes are unsorted because most sheets are without dates
   and have at least two different strip titles. -- Adventure
   story genre. -- Call no.: oversize PN6746.B33 1937
-----------------------------------------------------
"Oh Why Did I Join This Secret Society"* (Charlie Chaplin's
   Comic Capers) / E.C. Segar. p. 9-10 in Charlie Chaplin's
   Funny Stunts (M.A. Donohue, 1917). -- Summary: Charlie
   joins a club that wears white hoods like the KKK and
   supplies round black bombs like the stereotypical cartoon
   anarchist. -- Call no.: oversize PN728.C47F8 1917 c.2
-----------------------------------------------------
Information for Attending Professionals : 29th Annual
   Comic-Con International : San Diego, August 13-16, 1998 :
   6th Annual Pro/con, August 11-12, 1998. -- San Diego CA :
   Comic-Con International, 1998. -- 23 p. ; 28 cm. -- Call
   no.: PN6702.S3 I45 1998
San Diego Comic-Con. (29th ; 1998)
Pro/Con (6th : 1998 : San Diego, Calif.)
-----------------------------------------------------
Hamster Catalog. -- Seattle, WA : Hamster Press, 1997- . --
   ill. ; 22 cm. -- Began with no. 1 (Sept. 1997). -- A
   catalog of works about comics. -- LIBRARY HAS: no. 1. --
   Call no.: PN6725.H306 C3
-----------------------------------------------------
Will Eisner Comic Industry Awards : 1997 Nominees. -- San
   Diego : San Diego Comic Convention, Inc., 1998. -- 4 p. ;
   28 cm. -- A listing of the nominations in all categories,
   for the 1998 awards. -- Call no.: PN6702.S3 W5 1998
-----------------------------------------------------
Catalog* -- Newport, Oregon : Jon McClure, 1997. --24 p. ; 20
   cm. -- A sale catalog of American comic book back issues.
   --  Begins: "Hello and welcome to the first catalog!" --
   Call no.: PN6725.M248 C3 1997
-----------------------------------------------------
"Backtalk" p. 2, 35 in Treasure Chest of Fun and Fact, v. 23,
   no. 17 (Apr. 18, 1968). -- Joke letters. -- Call no.:
   PN6728.1.P43T7v.23no.17
-----------------------------------------------------
"The Story of Patents" / by James Robinson ; illustrated by
   Pete Hironaka. p. 3-7 in Treasure Chest of Fun and Fact, v.
   23, no. 17 (Apr. 18, 1968). -- Call no.:
   PN6728.1.P43T7v.23no.17
-----------------------------------------------------
"Clever Spider" p. 8 in Treasure Chest of Fun and Fact, v. 23,
   no. 17 (Apr. 18, 1968). -- Illustrated facts. -- Full
   title: "Diver, Net Caster, Glider Pilot, Trap Maker, That's
   the Clever Spider." -- Call no.: PN6728.1.P43T7v.23no.17
-----------------------------------------------------
"Do You Know?" / by Mario DeMarco. p. 9 in Treasure Chest of
   Fun and Fact, v. 23, no. 17 (Apr. 18, 1968). -- Illustrated
   facts about pole vaulting, hunting in Alaska, college
   football, and sports careers.-- Call no.:
   PN6728.1.P43T7v.23no.17
-----------------------------------------------------
"On the Edge of Death!" (Forty-Niner Fever, part 7) / by F.E.
   Crandall ; illustrated by Lloyd Ostendorf. p. 10-15 in
   Treasure Chest of Fun and Fact, v. 23, no. 17 (Apr. 18,
   1968). -- "Continued next issue." -- Call no.:
   PN6728.1.P43T7v.23no.17
-----------------------------------------------------
"The Machine" / Baginski. 1 p. in Treasure Chest of Fun and
   Fact, v. 23, no. 17 (Apr. 18, 1968). -- Summary: A man
   experiences a stamp machine. -- Silent strip. -- Call no.:
   PN6728.1.P43T7v.23no.17
-----------------------------------------------------
"Pirate Genie"* (Ali) / Marvin Townsend. p. 17 in Treasure
   Chest of Fun and Fact, v. 23, no. 17 (Apr. 18, 1968). --
   Summary: Ali rubs a lamp, then kicks it, and gets a genie
   with an eye patch and a sore head. -- Call no.:
   PN6728.1.P43T7v.23no.17
-----------------------------------------------------
"Pocketful of Pesos" / by Bernadie Beatie. text p. 18-19 in
   Treasure Chest of Fun and Fact, v. 23, no. 17 (Apr. 18,
   1968). -- Call no.: PN6728.1.P43T7v.23no.17
-----------------------------------------------------
"Frederic Tudor, the Ice King : the Story of the Natural Ice
   Industry" / by Helen L. Gillum ; Joe Sinnott. p. 20-25 in
   Treasure Chest of Fun and Fact, v. 23, no. 17 (Apr. 18,
   1968). -- Call no.: PN6728.1.P43T7v.23no.17
-----------------------------------------------------
"Ball Retriever"* (Pup) / Baginski. p. 26 in Treasure Chest of
   Fun and Fact, v. 23, no. 17 (Apr. 18, 1968). -- Summary: A
   man sinks a putt, and Pup digs up the hole in a messy golf
   ball retrieval. -- Call no.: PN6728.1.P43T7v.23no.17
-----------------------------------------------------
"It's a Fact!" / by Mario DeMarco. p. 27 in Treasure Chest of
   Fun and Fact, v. 23, no. 17 (Apr. 18, 1968). -- Illustrated
   facts about the great sphinx, the Great Wall of China, and
   Buffalo Bill. -- Call no.: PN6728.1.P43T7v.23no.17
-----------------------------------------------------
"The Beanball and the Bully"* (Chuck White and His Friends) /
   story by Matt Christopher ; illustrated by Fran Matera. p.
   28-33 in Treasure Chest of Fun and Fact, v. 23, no. 17
   (Apr. 18, 1968). -- Begins: "During batting practice
   Chuck's pitch hits Ed Bell on the head." -- "To be
   continued." -- Call no.: PN6728.1.P43T7v.23no.17
-----------------------------------------------------
"Donna's Doughnut Dunker" p. 34 in Treasure Chest of Fun and
   Fact, v. 23, no. 17 (Apr. 18, 1968). -- Summary: A wacky
   invention sent in by a reader. -- Call no.:
   PN6728.1.P43T7v.23no.17
-----------------------------------------------------
FROM JASON'S tempjll5-1-21.txt
-----------------------------------------------------
"In Japan, Brutal Comics for Women : Mass-Market Rape
   Fantasies" / by Nicholas D. Kristof. p. 1E, 6E in the New
   York Times, Nov. 5, 1995. -- Article about the complexities
   of the portrayal of women in managa. -- Call no.: folio
   PN6710.S35 1995
-----------------------------------------------------
"Comic Books Loaded with Crime, Thievery, Sex and Horror May
   Be On Way to Eclipse : Citizens, Publishers Join Cleanup
   Crusade" / by Dan Ryan. p. 13 in the Kalamazoo Gazette,
   Jan. 15, 1955. -- Article about the role out of the Comics
   Code Authority. -- Call no.: folio PN6710.S35 1955
-----------------------------------------------------
Scarlet. -- Burbank, CA : DC Comics, 2018-2019. -- col. ill. ;
   26 cm. -- Published no. 1 (Oct. 2018) - no. 5 (Mar. 2019),
   per Grand Comics Database. -- Superheroine genre. --
   LIBRARY HAS: no. 5. -- Call No.: PN6728.8.D3 S356
-----------------------------------------------------
Sasquatch Detective Special. -- Burbank, CA : DC Comics, 2019.
   -- 64 p. : col. ill. ; 26 cm. -- "No. 1, February 2019,
   published as a one-shot per Grand Comics Database." --
   Funny animal and detective genres. -- Call no.: PN6728.8.D3
   S32 2019
-----------------------------------------------------
Sandman no. 1 (30th Anniversary Special Edition). -- Burbank,
   CA : DC Comics, 2019. -- 22 p. : col. ill. ; 26 cm. --
   Originally published as Sandman no. 1, 1988. -- Fantasy and
   horror genres. -- Call no.: PN6728.8.D3 S29 2019
-----------------------------------------------------
The Saga of the Swamp Thing. no. 21 Special Edition. --
   Burbank CA : DC Comics, 2019. -- 23 p. : col. ill. ; 26 cm.
   -- "Originally published as The Saga of the Swamp Thing no.
   21, 1983. -- Horror genre. -- Call no.: PN6728.8.D3 S15
   2019
-----------------------------------------------------
RWBY. -- Burbank, CA : DC Comics, 2019. -- 6 numbers : color
   illustrations ; 26 cm. -- Superheroine genre; video game
   content. -- LIBRARY HAS: no. 1. -- Call No.: PN6728.8.D3 R7
   2019
-----------------------------------------------------
The Riddler: Year of the Villain. no. 1 -- Burbank, CA : DC
   Comics, 2019. -- 40 p. : col. ill. ; 26 cm. -- "No. 1,
   September 2019, published as a one-shot," per Grand Comics
   Database. -- Superhero genre. -- Call No.: PN6728.8.D3 R5
   2019
-----------------------------------------------------
"Confirm the Cigarette Holder Man"* (Doonesbury, Dec. 2, 1993)
   / GB Trudeau. -- Summary: Eddie and his wife both died of
   cancer. -- Call no.: PN6726 f.B55 "cancer"
-----------------------------------------------------
"Beware of Amway Salesman"* (Mother Goose & Grimm, Dec. 2,
   1993) / by Mike Peters. -- Summary: The new sign works
   better than "beware of dog." -- Call no.: PN6726 f.B55
   "salesmen"
-----------------------------------------------------
"Audited for Bedtime"* (Calvin & Hobbes, Nov. 30, 1993) / by
   Watterson. -- Summary: Calvin's mom wants to know why he
   didn't get his homework done before bedtime. -- Call no.:
   PN6726 f.B55 "bedtime"
-----------------------------------------------------
"Imitating Daddy is Boring"* (Baby Blues, May 30, 2002) /
   Kirkman & Scott. -- Summary: Zoe asks Hammie why he stopped
   imitating their dad, to which Hammie notes he fell asleep
   doing so. -- Call no.: Call no.: PN6726 f.B55 "imitation"
-----------------------------------------------------
"Technical Training 101"* (Dilbert, June 7, 1993) / by S
   Adams. -- Summary: Dilbert shows the new employee their
   computer, notes that that completes their training, and any
   additional questions are inconvenient to him. -- Call no.:
   PN6725 f.B55 "training"
-----------------------------------------------------
"Office Treasure Hunting for Fun and Profit"* (Dilbert, May
   30, 2002) / Scott Adams. -- Summary: Dilbert checks in with
   Wally's office treasure hunting using a metal detector. --
   Call no.: PN6726 f.B55 "Loot"
-----------------------------------------------------
"The Little Bottles of Alcohol Aren't Free"* (Mary Worth, May
   30, 2002) / Saunders and Giella. -- Summary: Mrs. Hoag is
   told contents of a bar cabinet are not free and she will
   have to pay for all the bottles she drank. -- Call no.:
   PN6726 f.B55 "Bar Cabinents"
-----------------------------------------------------
"Assuming Makes an Ass...Well of Just You"* (Fox Trot, Nov.
   30, 1993) / by Bill Amend. -- Summary: Peter learns that
   relationships takes the input of both people for the
   upcoming holiday formal. -- Call no.: PN6726 f.B55
   "insults"
-----------------------------------------------------
"All Planned Up and Nowhere to Go"* (Fox Trot, Dec. 2, 1993) /
   by Bill Amend. -- Summary: Peter tells Paige that his
   girlfriend said no to going to the winter formal after he
   planned it all without her. His lamenting provokes some
   mocking from his sister. -- Call no.: PN6726 f.B55
   "Monogamy"
-----------------------------------------------------
"The One with the Cigarette Man in the Picture"* (Doonesbury,
   Nov. 30, 1993) / by Garry Trudeau. -- Summary: A lone
   conspiracy theorist thinks they have found a new piece to
   the assassination of JFK. -- Call no.: PN6726f.B55
   "Conspiracy"
-----------------------------------------------------
Alice in Wonderland Adult Coloring Book. -- Horsham,
   Pennsylvania : Zenescope Entertainment Inc 2016. -- 1
   volume : all ill. : 28 cm. -- Coloring books. Fantasy
   genre. -- Call no.: PN6728.8.Z4 A4 2016
-----------------------------------------------------
Short and Merciless Stories / writer Mario Taddei ; artist
   Simone Angelini ; translation from the Italian version
   Davide Gentile and Erin Dwight. -- Denver : Tinto Press
   LLC, 2014. -- 109 p. : ill. ; 24 cm. -- Translation of
   Storie brevi e senza pietà. -- Horror genre. -- Call no.:
   PN6767.A56 S7513 2014
Taddei, Mario, 1972-
Angelini, Simone, 1980-
-----------------------------------------------------
Red Hood : Outlaw. -- Burbank, CA : DC Comics, 2018. -- col.
   ill. ; 26 cm. -- Superhero genre. -- LIBRARY HAS: no. 29-38
   -- Call no.: PN6728.8.D3 R405
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 2, 2021
   
-----------------------------------------------------
Electro Comics. number zero / by Matt Broersma. -- Berkeley,
   Calif. : Volt Editions, 1991. -- 12 p. : ill. ; 22 cm. --
   "Thrilling tales of tomorrow." -- Story titles: The Fear
   from the Stars, a Romance in Three Parts, part one,
   Twilight. -- Art dated 9-9-91. -- Science fiction genre. --
   Call no.: PN6727.B663 E4 1991
-----------------------------------------------------
Vital Vertigo : Books for Mature Readers. -- New York : DC
   Comics, 1998. -- 1 sheet : col. ill. ; 86 x 56 cm. -- "25
   cutting-edge trade paperbacks, pick one up today!" --
   Advertising poster. -- Call no.: PN6725.D43 V5 1998
-----------------------------------------------------
Dark Horse and Studio Proteus : Celebrating Ten Years of the
   Best Manga. -- Oregon : Dark Horse Comics, ca. 1998. -- 1
   sheet : col. ill. ; 56 x 43 cm. -- Advertising poster for
   Japanese comic books in English translation, with a sales
   catalog of publications on verso. -- Call no.: PN6790.J3 D3
   1998
-----------------------------------------------------
Titanic : the Unsinkable Ship That Sank / story and art by
   Stephen Hanks & Richard Howell ; inks by Bill Anderson. --
   New York : The Archaeological Institute of America, 1999.
   -- p. 37-39 : col. ill. ; 27 cm. -- (The Adventures of Chip
   and Pliny the Platypus) -- Separated from: Archaeology's
   Dig, v. 1, no. 2 (June/July 1999). -- Historical genre. --
   Call no.: PN6727.H675 T5 1999
Howell, Richad, 1955-
-----------------------------------------------------
Summer of the Super-Heroes. -- Iola, WI : Krause Publications,
   Inc., 1999. -- 14 p. : ill. ; 26 cm. -- (Game Time ; no. 4)
   -- "Supplement to Comics Buyer's Guide #1342, August 6,
   1999." -- About superhero games. -- Call no.: GV1469.6
   .G2704 1999
-----------------------------------------------------
The Discovery of King Tut's Tomb! / story and art by Stephen
   Hanks & Richard Howell ; inks by Bill Anderson. -- New York
   : The Archaeological Institue of America, 1999. -- p. 37-39
   : col. ill. ; 27 cm. -- (The Adventures of Chip and Pliny
   the Platypus) -- Separated from: Archaeology's Dig, v. 1,
   no. 3 (Aug./Sept. 1999). -- Historical genre, about the
   tomb of Tutankhamen. -- Call no.: PN6727.H675 D5 1999
Tutankhamen, King of Egypt.
-----------------------------------------------------
Go Girl. -- California : Image, 1999. -- 8 p. : ill. ; 22 cm.
   -- Title also appears as: GoGirl. An ashcan style
   introduction to Go Girl, which is written by Trina Robbins
   and drawn by Anne Timmons. -- Superheroine genre. -- Call
   no.: PN6728.6 .I45 G6 1999
-----------------------------------------------------
1999 Will Eisner Comic Industry Awards. -- San Diego : San
   Diego Comic Convention, Inc., 1999. -- 4 p. ; 22 cm. -- A
   listing of the nominations in all categories. -- Call no.:
   PN6702.S3 W5 1999
-----------------------------------------------------
Noirs Desseins. -- Montréal, . -- ill. ; 22 cm. -- A
   periodical about French Canadian and Franco-Belgian comics.
   -- LIBRARY HAS: no. 18 (2002). -- Call no.: PN6731.N57
-----------------------------------------------------
The M561/M792 Gama Goat : Operation and Preventive
   Maintenance. -- Washington : United States Department of
   the Army, 1979? -- 59 p. : col. ill. ; 18 cm. -- (DA pam ;
   750-31) -- This pamphlet supersedes DA pamphlet 750-31,
   Nov. 23, 1970. -- Education algenre, about maintaining a
   military vehicle. -- Call no.: UG503.M2 1979
-----------------------------------------------------
Cottonwood Clarion. -- Helena, MT : Cottonwood Publishing,
   Inc., . -- ill. ; 34 cm. -- A newsletter about the works of
   writer and comics artist Stan Lynde. -- LIBRARY HAS: no. 13
   (1997). -- Call no.: PN6727.L9 Z5
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 7, 2021
   
-----------------------------------------------------
Creepy, no. 36 (Nov. 1970)
   CONTENTS: "The Body Snatchers Who Stole a Giant!" (Creepy's
   Loathsome Lore) p. 2 --  "Dear Uncle Creepy" (letters) p.
   4-5 -- "One Way to Break the Boredom" p. 6-14 -- "Weird
   World" p. 15-21 -- "The Creepy Fan Club" text p. 22-23 --
   "Frankenstein is a Clown" p. 35-32 -- "On the Wings of a
   Bird" p. 33-39 -- "Forbidden Journey!" p. 41-47 -- "If a
   Body Meet a Body" p. 48-54 -- "Frozen Beauty" p. 61-66 --
   Call no.: PN6728.3.W3C7no.36
-----------------------------------------------------
Supermag. -- Honesdale, PA : Davis-Delaney-Arrow, 1977- . --
   ill. ; 22 cm. -- A general magazine about popular culture,
   which includes items about comics and animation. -- LIBRARY
   HAS: v. 2, no. 11 (1978). -- Call no.: E168.1.S8
-----------------------------------------------------
Wow. -- New York : Scholastic Magazines, Inc., . -- col. ill.
   ; 28 cm. "The greatest kids' magazine in the world." -- A
   children's magazine that includes comics in some issues. --
   LIBRARY HAS: no. 60 (1982). -- Call no.: AP201.W63
-----------------------------------------------------
Holy Pop Culture! : Super Collectors Save 55,000 Comic Books,
   Grateful Library Thrilled! / by Zoë Ingalls. -- Durham, NC
   : Duke University, Office of Alumni Affairs, 2003. -- p.
   28-33: col. ill. ; 26 cm. -- Detached from Duke Magazine,
   v. 89, no. 6 (Sept.-Oct. 2003). -- Summary: Describes the
   comic book donation by Terry and Edwin Murray, to the Duke
   University libraries, with photographs of the donors and of
   sample comic books from the collection. -- Call no.: PN6705
   .I52 2003
-----------------------------------------------------
"The Body Snatchers Who Stole a Giant!" (Creepy's Loathsome
   Lore) / art and story by Tom Sutton. p. 2 in Creepy, no. 36
   (Nov. 1970). -- Call no.: PN6728.3.W3C7no.36
-----------------------------------------------------
"Dear Uncle Creepy" p. 4-5 in Creepy, no. 36 (Nov. 1970). --
   Letters to the editor from Winsor McNemo, Thomas Prehoda,
   Gene Barton, John Lightman, Donald Luther, Jay Gilbert,
   Louis Wilson, Jack Madeira, and Jim Bowser. -- Call no.:
   PN6728.3.W3C7no.36
-----------------------------------------------------
"One Way to Break the Boredom" / art by Jack Sparling ; story
   by James Haggenmiller. p. 6-14 in Creepy, no. 36 (Nov.
   1970). -- Summary (from contents page): "A deal with the
   Devil turns a playboy into a vampire." -- Dialogue begins:
   "The Devil take it! Friday again and I have nothing to do!"
   -- Call no.: PN6728.3.W3C7no.36
-----------------------------------------------------
"Weird World" / art by Tom Sutton ; story by Nicola Cuti. p.
   15-21 in Creepy, no. 36 (Nov. 1970). -- First in-panel
   caption: "Silas Dunn, pilot of the Luna, had one image
   frozen in his mind as he resisted the mounting G forces and
   fought for control of his ship. It was a picture of
   aboulder crushing a tin can and on that tin can was pained
   the letters L-U-N-A!"-- Call no.: PN6728.3.W3C7no.36
-----------------------------------------------------
"The Creepy Fan Club" text p. 22-23 in Creepy, no. 36 (Nov.
   1970). -- Fan art, fan poetry, and fan fiction, by Larry
   Dickison, Harry Balmforth, John Dearden, Paul E. King, and
   Rodney E. Hammack. -- Call no.: PN6728.3.W3C7no.36
-----------------------------------------------------
"Frankenstein is a Clown" / art by Carlos Garzón ; story by
   Bill Warren. p. 35-32 in Creepy, no. 36 (Nov. 1970). --
   Summary (from contents page): "A kiddie show host finds
   being a monster is no laughing matter." -- Call no.:
   PN6728.3.W3C7no.36
-----------------------------------------------------
"On the Wings of a Bird" / art by Jerry Grandenetti ; story by
   T. Casey Brennan. p. 33-39 in Creepy, no. 36 (Nov. 1970).
   -- Dialogue begins: "Do you ever dream, great statue?" --
   Call no.: PN6728.3.W3C7no.36
-----------------------------------------------------
"Forbidden Journey!" / art by Rich Buckler ; story by Greg
   Theakston. p. 41-47 in Creepy, no. 36 (Nov. 1970). --
   Summary (from contents page): "Four men defy all odds to
   invade a forbidden planet." -- First in-panel caption: "The
   space-buoys buzzed with interstellar radio communication. A
   stolen ship had entered a restricted zone and before it
   could be stopped by the disabling blasters, the ship
   penetrated 'warp space'."-- Call no.: PN6728.3.W3C7no.36
-----------------------------------------------------
"If a Body Meet a Body" / art by Jack Sparling ; story by R.
   Michael Rosen. p. 48-54 in Creepy, no. 36 (Nov. 1970). --
   Summary (from contents page): "The victim of a car wreck
   just refuses to believe he's dead." -- Call no.:
   PN6728.3.W3C7no.36
-----------------------------------------------------
"Frozen Beauty" / art and story by Richard Corben. p. 61-66 in
   Creepy, no. 36 (Nov. 1970). -- Summary (from contents
   page): "An evil countess forces her sorcerer to transform
   her into a beautiful young girl." -- Begins: "The castle
   overlooks a mountain pass. Its owner has grown rich on
   tariffs, but wealth alone does not satisfy all desires.
   Within the castle's owner was a terrible need that had long
   since decayed into evil monomania, and it was this unholy
   longing that now forced the sorcerer Darman to the castle
   of Countess Maleva." -- Call no.: PN6728.3.W3C7no.36
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 8, 2021
   
-----------------------------------------------------
Popular Teen-Agers. -- New York : Accepted Publications, 1958.
   -- col. ill. ; 26 cm. -- Published no. 5 - no. 6, per Grand
   Comics Database. -- Reprints of issues published in 1950
   and 1951 by Star Publications, cf. Overstreet. -- Teen
   humor genre. -- LIBRARY HAS: no. 5-6. -- Call no.:
   PN6728.2.A15P6
DATE CHANGE FROM GCD
-----------------------------------------------------
AND FROM JASON:
-----------------------------------------------------
Marvels Annotated. -- New York : Marvel Worldwide, Inc., 2019.
   -- 4 books : col. ill. ; 26 cm. -- Superhero genre. --
   LIBRARY HAS: book 1-4. -- Call no.: PN6728.8.M3 m375 2019
-----------------------------------------------------
Marvels Epilogue. -- New York : Marvel Worldwide, Inc., 2019.
   -- 4 books : col. ill. ; 26 cm. -- Superhero genre. -- Call
   no.: PN6728.8.M3 m376 2019
-----------------------------------------------------
Naomi. -- Burbank, CA : DC Comics, 2019. -- 6 numbers : col.
   ill. ; 26 cm. -- Superheroine genre. -- LIBRARY HAS: no.
   1-6. -- Call no.: PN6728.8.D3 N3 2019
-----------------------------------------------------
Old Lady Harley. -- Burbank, CA : DC Comics, 2018-2019. -- 5
   numbers : col. ill. ; 26 cm. -- Superheroine genre. --
   LIBRARY HAS: no. 3-5. -- Call no.: PN6728.8.D3 O55 2018
-----------------------------------------------------
Raven : Daughter of Darkness. -- Burbank, CA : DC Comics,
   2018-2019. -- 12 numbers : col. ill. ; 26 cm. --
   Superheroine genre. -- LIBRARY HAS: no. 11-12. -- Call no.:
   PN6728.8.D3 R335 2018
-----------------------------------------------------
Red Hood and the Outlaws Annual. -- Burbank, CA : DC Comics,
   2017-2019. -- 48 unnumbered pages : col. ill. ; 26 cm. --
   Superhero genre. -- LIBRARY HAS: no. 3. -- Call no.:
   PN6728.8.D3 R4045
-----------------------------------------------------
MY DOING:
The Children's Crusade Preview. -- New York : DC Comics, 1993.
   -- 37 leaves : ill. ; 28 cm. -- (Vertigo) -- "A preview
   copy of The Children's Crusade #1." -- "For display only,
   not for sale." -- Horror genre. -- Call no.: PN6728.6.D3
   C478 1993
-----------------------------------------------------
Frank Cho Interviewed / by Raymond A. Cuthbert. --
   Minneapolis, Minnesota : The Independent Press, 2000. -- 30
   p. : ill. ; 28 cm. -- Separated from the Newsletter of
   Artistic Influence, no. 33 (Apr. 2000). -- Extensive sample
   drawings, including pages of Liberty Meadows. -- Call no.:
   PN6727.C49 Z5 2000
-----------------------------------------------------
Crossgen Comics. -- Oldsmar, Florida : CrossGeneration Comics,
   Inc., 2000. -- ca. 40 p. : col. ill. ; in folder 31 cm. --
   An introduction the comic book publisher, its mission, its
   staff and its publications. -- Other title (inside front
   cover): Crossgen Mission Statement. -- Call no.: PN6714.C7
   C7 2000
-----------------------------------------------------
Reading Group Guide : Maus I, a Survivor's Tale: My Father
   Bleeds History. -- New York : Pantheon, 1990s? -- 6 p. :
   ill. ; 22 x 10 cm. -- Includes bibliographical referencres.
   -- Call no.: PN6727.S6 Z5 R4 1990z
-----------------------------------------------------
Sojourn : a Full Colour Monthly from Dreamer Comics Corp. --
   Canada : Dreamer Comics Corp., 1998. -- 1 sheet : col. ill.
   ; 76 x 49 cm. -- Prepublication advertising poster. --
   Horror genre. -- Call no.: PN6734 .S618 P6 1998
-----------------------------------------------------
Tales from the Bay : True Stories from the Archives of the
   Hudson's Bay Company / story adaptations by James Waley ;
   cover by Jeff Norwell. -- Toronto : CoEd Communications,
   1995. -- 28 p. : ill. ; 26 cm. -- "325th anniversary
   edition." -- Contents: "Thanadelthur: A Quest for Peace" /
   illustrated by Don Milligan. p. 1-10 ; "The Transit of
   William Wales" / illustrated by Pamela Mingo. p. 11-20 ;
   "The Birchbark Emperor" / illustrated by Paul McCusker. p.
   21-28. -- Historical genre, about Hudson's Bay Company and
   the fur trade. -- Call no.: PN6734 .T315 1995
-----------------------------------------------------
The John Glenn Story / writer, Peggy Brown ; artist, Steve
   Geiger. -- Melville, NY : Newsday, Inc., 1998. -- 44 p. :
   col. ill. ; 17 cm. -- (Comics on the News ; no. 1) --
   Charleen "Chip" Tracer is a reporter taking part in "an
   amazing experiment, to wear a cybersuit that allows her to
   go back in time or into the future to report stories as
   they happen." -- "Special Newseum issue." -- Superheroine
   and biographical genres, with time travel. -- Call no.:
   PN6727.G393 J6 1998
Glenn, John, 1921-2016.
-----------------------------------------------------
Millennium Misson : Turning Points in History, 1000-2000 A.D.
   / writer, Peggy Brown ; artists, Tom Grindberg, Steve
   Geiger, Anthony Casrillo, Steve Madden. -- Melville, NY :
   Newsday, Inc., 1999. -- 32 p. : col. ill. ; 17 cm. --
   (Comics on the News ; no. 2) -- Charleen "Chip" Tracer is a
   reporter. "Chip's experimental cyber-suit lets her travel
   through time to report stories as they happen!" -- "Special
   Newseum issue." -- "Chip Tracer artist, Steve Geiger." --
   Superheroine ahd historical genres, with time travel. --
   Call no.: PN6727.G393 M5 1999
-----------------------------------------------------
"The Toenail"* (The Little Man on Campus, Sept. 14, 1982) /
   Benton Jew. -- Summary: A artist shows off his new painting
   with lots of complicated words about visual interpretation,
   but Arnie sees it as a toenail. -- Published in Express
   (Sacramento City College), Oct. 14, 1982. -- Call no.:
   PN6726 f.B55 "toenails"
-----------------------------------------------------
NYAPA. -- United States : NYAPA, . -- The New York Amateur
   Press Alliance is a cooperative zine about general popular
   culure and comics. -- LIBRARY HAS: no. 72 (1983). -- Call
   no.: E169.12 .N9
-----------------------------------------------------
Zo Zo Zo Zombie-kun. -- New York : Yen Press, 2018. -- Call
   no.: PN6728.8.Y4 Z6 2018 -- 8 p. : ill. ; 21 cm. --
   (Halloween ComicFest ; 2018) -- Funny horror genre. --
   Cover title: Zo Zo Zombie 
Nagatoshi, Yasunari.
-----------------------------------------------------
ADDITIONS PARTIALLY EXPANDED:
-----------------------------------------------------
European Comic Art, v. 1, no. 1 (Spring 2008)
   CONTENTS: "Introduction" p. v-vii -- "Bande Dessinée and
   the Cinematograph : Visual Narrative in 1895" p. 1-19 --
   "De Luca and Hamlet : Thinking Outside the Box" p. 21-35 --
   "Family History and Social History : Étienne Davideau's
   Reportage of Reality in Les Mauvaises Gens" p. 37-55 --
   "Autobiographical Innovations : Edmond Baudoin's Éloge de
   la Poussière"  p. 57-85 -- "A Few Words about The System of
   Comics and More" p. 87-93 -- "News and Reviews" p. 95-107
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
"Introduction" / Laurence Grove, Mark McKinney, Ann Miller,
   Hugo Frey. p. v-vii in European Comic Art, v. 1, no. 1
   (Spring 2008). -- An introduction to the new journal. --
   Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
"Bande Dessinée and the Cinematograph : Visual Narrative in
   1895"/ Lance Rickman. p. 1-19 in European Comic Art, v. 1,
   no. 1 (Spring 2008). -- Abstract: "The Lumière brothers'
   L'Arroseur Arrosé (The Sprinkler Sprinkled) of 1895 was
   probably the first staged fiction film to be shown in
   public, but also the first cinematic adaptation of a comic
   strip, previous treatments of the subject including an
   Imagerie Quantin broadsheet by Hermann Vogel, a cartoon by
   Christophe in Le Petit Français Illustré and an illustrated
   sequence by Uzès in Le Chat Noir. What emerges from direct
   comparison is an appreciation of the sophisticated
   narrative devices that French comic illustrators employed
   by the 1880s, namely a dynamic combination of shot scales,
   angles and heights that still conforms to the diegetic
   demands of consistent spatial continuity. In short, these
   were techniques that, perversely, would come to be know as
   'cinematic'." -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
"De Luca and Hamlet : Thinking Outside the Box" / Paul
   Gravett. p. 21-35 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- Abstract begins: "Gianni De Luca's 1975
   adaptation of Hamlet converted 30,000 words into 48 pages
   of graphic novel. One of the key techniques De Luca drew
   upon was that of 'continuous narrative,' a historically
   tested method of 'thinking outside the box,' whereby the
   same character, at different stages of the action, can
   appear several times on a single page." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
"Family History and Social History : Étienne Davideau's
   Reportage of Reality in Les Mauvaises Gens" / Clare Tufts.
   p. 37-55 in European Comic Art, v. 1, no. 1 (Spring 2008).
   -- Abstract begins: "This article discusses a bande
   dessinée that recounts the life story of the artist's
   parents, factory workers in a deeply conservative milieu
   who became trade union militants." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
"Autobiographical Innovations : Edmond Baudoin's Éloge de la
   Poussière" / Matthew Screech. p. 57-85 in European Comic
   Art, v. 1, no. 1 (Spring 2008). -- Abstract begins: "This
   article analyses Éloge de la Poussière (In Praise of Dust)
   (1995), an auto biographical bande dessinée by French
   cartoonist Edmond Baudoin. The work is compared with
   autobiographical writings by Jean-Jacques Rousseau, Michel
   leiris and Roland Barthes, Alberto Giacometti's approach to
   painting, and comics by Baru, Hergé, Hugo Pratt, Jacques de
   Loustal and Philippe Paringaux." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
"A Few Words about The System of Comics and More" / Thierry
   Groensteen. p. 87-93 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- Abstract begins: "The following ext is
   the transcript of the presentation given by Thierry
   Groensteen at the conference of the International Bande
   Dessinée Society at the French Institute in London on 14
   April 2007, in which he outlined the key elements of his
   semiotic approach to the analysis of the comics medium in
   the recently translated System of Comics." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
"News and Reviews" / edited by Huto Frey. p. 95-107 in
   European Comic Art, v. 1, no. 1 (Spring 2008). -- Contents:
   Reviews of "Lire Tintin" p. 95-97 ; 'Unpopular Culture" p.
   97-100 ; "Father of the Comic Strip" and "Rodolphe Töpffer,
   the Complete Comic Strips" p. 100-193 ; "Web Journals" p
   104-107 -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
"Lire Tintin : Les Bijoux Ravis" p. 95-97 in European Comic
   Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews) -- A
   book written by Benoît Peeters is reviewed by Ann Miller.
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
'Unpopular Culture : Transforming the European Comic Book in
   the 1990s" p. 97-100 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- (News and Reviews) -- A book written by
   Bart Beaty is reviewed by Catherine Labio. -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
"Father of the Comic Strip : Rodolphe Töpffer" and "Rodolphe
   Töpffer : the Complete Comic Strips" p. 100-193 in European
   Comic Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews)
   -- Two books, written or edited by David Kunzle, are
   reviewed by Mark McKinney.-- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
"Web Journals" / Laurence Grove. p 104-107 in European Comic
   Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews) --
   Reviews three web journals about comics: Belphégor
   (Dalhousie University) ; "Image & Narrative" (Katholieke
   Universiteit Leuven) ; and "Textimage" (Olivier Leplatre).
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Grove, Laurence.
   "Introduction" / Laurence Grove, Mark McKinney, Ann Miller,
   Hugo Frey. p. v-vii in European Comic Art, v. 1, no. 1
   (Spring 2008). -- An introduction to the new journal. --
   Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
McKinney, Mark.
   "Introduction" / Laurence Grove, Mark McKinney, Ann Miller,
   Hugo Frey. p. v-vii in European Comic Art, v. 1, no. 1
   (Spring 2008). -- An introduction to the new journal. --
   Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Miller, Ann.
   "Introduction" / Laurence Grove, Mark McKinney, Ann Miller,
   Hugo Frey. p. v-vii in European Comic Art, v. 1, no. 1
   (Spring 2008). -- An introduction to the new journal. --
   Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Frey, Hugo.
   "Introduction" / Laurence Grove, Mark McKinney, Ann Miller,
   Hugo Frey. p. v-vii in European Comic Art, v. 1, no. 1
   (Spring 2008). -- An introduction to the new journal. --
   Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
European Comic Art--Articles About.
   "Introduction" / Laurence Grove, Mark McKinney, Ann Miller,
   Hugo Frey. p. v-vii in European Comic Art, v. 1, no. 1
   (Spring 2008). -- An introduction to the new journal. --
   Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Rickman, Lance.
   "Bande Dessinée and the Cinematograph : Visual Narrative in
   1895"/ Lance Rickman. p. 1-19 in European Comic Art, v. 1,
   no. 1 (Spring 2008). -- Abstract: "The Lumière brothers'
   L'Arroseur Arrosé (The Sprinkler Sprinkled) of 1895 was
   probably the first staged fiction film to be shown in
   public, but also the first cinematic adaptation of a comic
   strip, previous treatments of the subject including an
   Imagerie Quantin broadsheet by Hermann Vogel, a cartoon by
   Christophe in Le Petit Français Illustré and an illustrated
   sequence by Uzès in Le Chat Noir. What emerges from direct
   comparison is an appreciation of the sophisticated
   narrative devices that French comic illustrators employed
   by the 1880s, namely a dynamic combination of shot scales,
   angles and heights that still conforms to the diegetic
   demands of consistent spatial continuity. In short, these
   were techniques that, perversely, would come to be know as
   'cinematic'." -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Visual Narrative in 1895.
   "Bande Dessinée and the Cinematograph : Visual Narrative in
   1895"/ Lance Rickman. p. 1-19 in European Comic Art, v. 1,
   no. 1 (Spring 2008). -- Abstract: "The Lumière brothers'
   L'Arroseur Arrosé (The Sprinkler Sprinkled) of 1895 was
   probably the first staged fiction film to be shown in
   public, but also the first cinematic adaptation of a comic
   strip, previous treatments of the subject including an
   Imagerie Quantin broadsheet by Hermann Vogel, a cartoon by
   Christophe in Le Petit Français Illustré and an illustrated
   sequence by Uzès in Le Chat Noir. What emerges from direct
   comparison is an appreciation of the sophisticated
   narrative devices that French comic illustrators employed
   by the 1880s, namely a dynamic combination of shot scales,
   angles and heights that still conforms to the diagetic
   demands of consistent spatial continuity. In short, these
   were techniques that, perversely, would come to be know as
   'cinematic'." -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
L'Arroseur Arrosé.
   "Bande Dessinée and the Cinematograph : Visual Narrative in
   1895"/ Lance Rickman. p. 1-19 in European Comic Art, v. 1,
   no. 1 (Spring 2008). -- Abstract: "The Lumière brothers'
   L'Arroseur Arrosé (The Sprinkler Sprinkled) of 1895 was
   probably the first staged fiction film to be shown in
   public, but also the first cinematic adaptation of a comic
   strip, previous treatments of the subject including an
   Imagerie Quantin broadsheet by Hermann Vogel, a cartoon by
   Christophe in Le Petit Français Illustré and an illustrated
   sequence by Uzès in Le Chat Noir. What emerges from direct
   comparison is an appreciation of the sophisticated
   narrative devices that French comic illustrators employed
   by the 1880s, namely a dynamic combination of shot scales,a
   ngles and heights that still conforms to the diagetic
   demands of consistent spatial continuity. In short, these
   were techniques that, perversely, would come to be know as
   'cinematic'." -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Film and Comics.
   "Bande Dessinée and the Cinematograph : Visual Narrative in
   1895"/ Lance Rickman. p. 1-19 in European Comic Art, v. 1,
   no. 1 (Spring 2008). -- Abstract: "The Lumière brothers'
   L'Arroseur Arrosé (The Sprinkler Sprinkled) of 1895 was
   probably the first staged fiction film to be shown in
   public, but also the first cinematic adaptation of a comic
   strip, previous treatments of the subject including an
   Imagerie Quantin broadsheet by Hermann Vogel, a cartoon by
   Christophe in Le Petit Français Illustré and an illustrated
   sequence by Uzès in Le Chat Noir. What emerges from direct
   comparison is an appreciation of the sophisticated
   narrative devices that French comic illustrators employed
   by the 1880s, namely a dynamic combination of shot scales,
   angles and heights that still conforms to the diagetic
   demands of consistent spatial continuity. In short, these
   were techniques that, perversely, would come to be know as
   'cinematic'." -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Film and Video Adaptations of Comics--Articles About.
   "Bande Dessinée and the Cinematograph : Visual Narrative in
   1895"/ Lance Rickman. p. 1-19 in European Comic Art, v. 1,
   no. 1 (Spring 2008). -- Abstract: "The Lumière brothers'
   L'Arroseur Arrosé (The Sprinkler Sprinkled) of 1895 was
   probably the first staged fiction film to be shown in
   public, but also the first cinematic adaptation of a comic
   strip, previous treatments of the subject including an
   Imagerie Quantin broadsheet by Hermann Vogel, a cartoon by
   Christophe in Le Petit Français Illustré and an illustrated
   sequence by Uzès in Le Chat Noir. What emerges from direct
   comparison is an appreciation of the sophisticated
   narrative devices that French comic illustrators employed
   by the 1880s, namely a dynamic combination of shot scales,
   angles and heights that still conforms to the diagetic
   demands of consistent spatial continuity. In short, these
   were techniques that, perversely, would come to be know as
   'cinematic'." -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Thinking Outside the Box.
   "De Luca and Hamlet : Thinking Outside the Box" / Paul
   Gravett. p. 21-35 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- Abstract begins: "Gianni De Luca's 1975
   adaptation of Hamlet converted 30,000 words into 48 pages
   of graphic novel. One of the key techniques De Luca drew
   upon was that of 'continuous narrative,' a historically
   tested method of 'thinking outside the box,' whereby the
   same character, at different stages of the action, can
   appear several times on a single page." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Gravett, Paul.
   "De Luca and Hamlet : Thinking Outside the Box" / Paul
   Gravett. p. 21-35 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- Abstract begins: "Gianni De Luca's 1975
   adaptation of Hamlet converted 30,000 words into 48 pages
   of graphic novel. One of the key techniques De Luca drew
   upon was that of 'continuous narrative,' a historically
   tested method of 'thinking outside the box,' whereby the
   same character, at different stages of the action, can
   appear several times on a single page." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
De Luca, Gianni--Miscellanea..
   "De Luca and Hamlet : Thinking Outside the Box" / Paul
   Gravett. p. 21-35 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- Abstract begins: "Gianni De Luca's 1975
   adaptation of Hamlet converted 30,000 words into 48 pages
   of graphic novel. One of the key techniques De Luca drew
   upon was that of 'continuous narrative,' a historically
   tested method of 'thinking outside the box,' whereby the
   same character, at different stages of the action, can
   appear several times on a single page." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Hamlet--Articles About.
   "De Luca and Hamlet : Thinking Outside the Box" / Paul
   Gravett. p. 21-35 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- Abstract begins: "Gianni De Luca's 1975
   adaptation of Hamlet converted 30,000 words into 48 pages
   of graphic novel. One of the key techniques De Luca drew
   upon was that of 'continuous narrative,' a historically
   tested method of 'thinking outside the box,' whereby the
   same character, at different stages of the action, can
   appear several times on a single page." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Continuous Narrative.
   "De Luca and Hamlet : Thinking Outside the Box" / Paul
   Gravett. p. 21-35 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- Abstract begins: "Gianni De Luca's 1975
   adaptation of Hamlet converted 30,000 words into 48 pages
   of graphic novel. One of the key techniques De Luca drew
   upon was that of 'continuous narrative,' a historically
   tested method of 'thinking outside the box,' whereby the
   same character, at different stages of the action, can
   appear several times on a single page." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Adaptations to Comics.
   "De Luca and Hamlet : Thinking Outside the Box" / Paul
   Gravett. p. 21-35 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- Abstract begins: "Gianni De Luca's 1975
   adaptation of Hamlet converted 30,000 words into 48 pages
   of graphic novel. One of the key techniques De Luca drew
   upon was that of 'continuous narrative,' a historically
   tested method of 'thinking outside the box,' whereby the
   same character, at different stages of the action, can
   appear several times on a single page." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Étienne Davideau's Reportage of Reality in Les Mauvaises Gens.
   "Family History and Social History : Étienne Davideau's
   Reportage of Reality in Les Mauvaises Gens" / Clare Tufts.
   p. 37-55 in European Comic Art, v. 1, no. 1 (Spring 2008).
   -- Abstract begins: "This article discusses a bande
   dessinée that recounts the life story of the artist's
   parents, factory workers in a deeply conservative milieu
   who became trade union militants." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Tufts, Clare.
   "Family History and Social History : Étienne Davideau's
   Reportage of Reality in Les Mauvaises Gens" / Clare Tufts.
   p. 37-55 in European Comic Art, v. 1, no. 1 (Spring 2008).
   -- Abstract begins: "This article discusses a bande
   dessinée that recounts the life story of the artist's
   parents, factory workers in a deeply conservative milieu
   who became trade union militants." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Le Mauvaises Gens--Articles About.
   "Family History and Social History : Étienne Davideau's
   Reportage of Reality in Les Mauvaises Gens" / Clare Tufts.
   p. 37-55 in European Comic Art, v. 1, no. 1 (Spring 2008).
   -- Abstract begins: "This article discusses a bande
   dessinée that recounts the life story of the artist's
   parents, factory workers in a deeply conservative milieu
   who became trade union militants." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Davideau, Étienne--Miscellanea.
   "Family History and Social History : Étienne Davideau's
   Reportage of Reality in Les Mauvaises Gens" / Clare Tufts.
   p. 37-55 in European Comic Art, v. 1, no. 1 (Spring 2008).
   -- Abstract begins: "This article discusses a bande
   dessinée that recounts the life story of the artist's
   parents, factory workers in a deeply conservative milieu
   who became trade union militants." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Edmond Baudoin's Éloge de la Poussière.
   "Autobiographical Innovations : Edmond Baudoin's Éloge de
   la Poussière" / Matthew Screech. p. 57-85 in European Comic
   Art, v. 1, no. 1 (Spring 2008). -- Abstract begins: "This
   article analyses Éloge de la Poussière (In Praise of Dust)
   (1995), an autobiographical bande dessinée by French
   cartoonist Edmond Baudoin. The work is compared with
   autobiographical writings by Jean-Jacques Rousseau, Michel
   leiris and Roland Barthes, Alberto Giacometti's approach to
   painting, and comics by Baru, Hergé, Hugo Pratt, Jacques de
   Loustal and Philippe Paringaux." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Éloge de la Poussière--Articles About.
   "Autobiographical Innovations : Edmond Baudoin's Éloge de
   la Poussière" / Matthew Screech. p. 57-85 in European Comic
   Art, v. 1, no. 1 (Spring 2008). -- Abstract begins: "This
   article analyses Éloge de la Poussière (In Praise of Dust)
   (1995), an autobiographical bande dessinée by French
   cartoonist Edmond Baudoin. The work is compared with
   autobiographical writings by Jean-Jacques Rousseau, Michel
   leiris and Roland Barthes, Alberto Giacometti's approach to
   painting, and comics by Baru, Hergé, Hugo Pratt, Jacques de
   Loustal and Philippe Paringaux." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Screech, Matthew.
   "Autobiographical Innovations : Edmond Baudoin's Éloge de
   la Poussière" / Matthew Screech. p. 57-85 in European Comic
   Art, v. 1, no. 1 (Spring 2008). -- Abstract begins: "This
   article analyses Éloge de la Poussière (In Praise of Dust)
   (1995), an autobiographical bande dessinée by French
   cartoonist Edmond Baudoin. The work is compared with
   autobiographical writings by Jean-Jacques Rousseau, Michel
   leiris and Roland Barthes, Alberto Giacometti's approach to
   painting, and comics by Baru, Hergé, Hugo Pratt, Jacques de
   Loustal and Philippe Paringaux." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Autobiographical Comic Books, Strips, Etc.--Articles About.
   "Autobiographical Innovations : Edmond Baudoin's Éloge de
   la Poussière" / Matthew Screech. p. 57-85 in European Comic
   Art, v. 1, no. 1 (Spring 2008). -- Abstract begins: "This
   article analyses Éloge de la Poussière (In Praise of Dust)
   (1995), an autobiographical bande dessinée by French
   cartoonist Edmond Baudoin. The work is compared with
   autobiographical writings by Jean-Jacques Rousseau, Michel
   leiris and Roland Barthes, Alberto Giacometti's approach to
   painting, and comics by Baru, Hergé, Hugo Pratt, Jacques de
   Loustal and Philippe Paringaux." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
The System of Comics--Articles About.
   "A Few Words about The System of Comics and More" / Thierry
   Groensteen. p. 87-93 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- Abstract begins: "The following ext is
   the transcript of the presentation given by Thierry
   Groensteen at the conference of the International Bande
   Dessinée Society at the French Institute in London on 14
   April 2007, in which he outlined the key elements of his
   semiotic approach to the analysis of the comics medium in
   the recently translated System of Comics." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Groensteen, Thierry.
   "A Few Words about The System of Comics and More" / Thierry
   Groensteen. p. 87-93 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- Abstract begins: "The following ext is
   the transcript of the presentation given by Thierry
   Groensteen at the conference of the International Bande
   Dessinée Society at the French Institute in London on 14
   April 2007, in which he outlined the key elements of his
   semiotic approach to the analysis of the comics medium in
   the recently translated System of Comics." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Semiotic Analysis of Comics--Articles About.
   "A Few Words about The System of Comics and More" / Thierry
   Groensteen. p. 87-93 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- Abstract begins: "The following ext is
   the transcript of the presentation given by Thierry
   Groensteen at the conference of the International Bande
   Dessinée Society at the French Institute in London on 14
   April 2007, in which he outlined the key elements of his
   semiotic approach to the analysis of the comics medium in
   the recently translated System of Comics." -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Frey, Hugo.
   "News and Reviews" / edited by Hugo Frey. p. 95-107 in
   European Comic Art, v. 1, no. 1 (Spring 2008). -- Contents:
   Reviews of "Lire Tintin" p. 95-97 ; 'Unpopular Culture" p.
   97-100 ; "Father of the Comic Strip" and "Rodolphe Töpffer,
   the Complete Comic Strips" p. 100-193 ; "Web Journals" p
   104-107 -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Books About Comics--Reviews.
   "News and Reviews" / edited by Hugo Frey. p. 95-107 in
   European Comic Art, v. 1, no. 1 (Spring 2008). -- Contents:
   Reviews of "Lire Tintin" p. 95-97 ; 'Unpopular Culture" p.
   97-100 ; "Father of the Comic Strip" and "Rodolphe Töpffer,
   the Complete Comic Strips" p. 100-193 ; "Web Journals" p
   104-107 -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Les Bijoux Ravis.
   "Lire Tintin : Les Bijoux Ravis" p. 95-97 in European Comic
   Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews) -- A
   book written by Benoît Peeters is reviewed by Ann Miller.
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Peeters, Benoît--Miscellanea.
   "Lire Tintin : Les Bijoux Ravis" p. 95-97 in European Comic
   Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews) -- A
   book written by Benoît Peeters is reviewed by Ann Miller.
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Miller, Ann.
   "Lire Tintin : Les Bijoux Ravis" p. 95-97 in European Comic
   Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews) -- A
   book written by Benoît Peeters is reviewed by Ann Miller.
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Tintin--Articles About.
   "Lire Tintin : Les Bijoux Ravis" p. 95-97 in European Comic
   Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews) -- A
   book written by Benoît Peeters is reviewed by Ann Miller.
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Lire Tintin--Reviews.
   "Lire Tintin : Les Bijoux Ravis" p. 95-97 in European Comic
   Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews) -- A
   book written by Benoît Peeters is reviewed by Ann Miller.
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Transforming the European Comic Book in the 1990s.
   "Unpopular Culture : Transforming the European Comic Book
   in the 1990s" p. 97-100 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- (News and Reviews) -- A book written by
   Bart Beaty is reviewed by Catherine Labio. -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
The European Comic Book in the 1990s.
   "Unpopular Culture : Transforming the European Comic Book
   in the 1990s" p. 97-100 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- (News and Reviews) -- A book written by
   Bart Beaty is reviewed by Catherine Labio. -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Beaty, Bart--Miscellanea.
   "Unpopular Culture : Transforming the European Comic Book
   in the 1990s" p. 97-100 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- (News and Reviews) -- A book written by
   Bart Beaty is reviewed by Catherine Labio. -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Labio, Catherine.
   "Unpopular Culture : Transforming the European Comic Book
   in the 1990s" p. 97-100 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- (News and Reviews) -- A book written by
   Bart Beaty is reviewed by Catherine Labio. -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
1990s Comics. "Unpopular Culture : Transforming the European
   Comic Book in the 1990s" p. 97-100 in European Comic Art,
   v. 1, no. 1 (Spring 2008). -- (News and Reviews) -- A book
   written by Bart Beaty is reviewed by Catherine Labio. --
   Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Unpopular Culture--Reviews.
   "Unpopular Culture : Transforming the European Comic Book
   in the 1990s" p. 97-100 in European Comic Art, v. 1, no. 1
   (Spring 2008). -- (News and Reviews) -- A book written by
   Bart Beaty is reviewed by Catherine Labio. -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Father of the Comic Strip : Rodolphe Töpffer--Reviews.
   "Father of the Comic Strip : Rodolphe Töpffer" and
   "Rodolphe Töpffer : the Complete Comic Strips" p. 100-193
   in European Comic Art, v. 1, no. 1 (Spring 2008). -- (News
   and Reviews) -- Two books, written or edited by David
   Kunzle, are reviewed by Mark McKinney.-- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Rodolph Töpffer : the Complete Comic Strips--Reviews.
   "Father of the Comic Strip : Rodolphe Töpffer" and
   "Rodolphe Töpffer : the Complete Comic Strips" p. 100-193
   in European Comic Art, v. 1, no. 1 (Spring 2008). -- (News
   and Reviews) -- Two books, written or edited by David
   Kunzle, are reviewed by Mark McKinney.-- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Kunzle, David--Miscellanea.
   "Father of the Comic Strip : Rodolphe Töpffer" and
   "Rodolphe Töpffer : the Complete Comic Strips" p. 100-193
   in European Comic Art, v. 1, no. 1 (Spring 2008). -- (News
   and Reviews) -- Two books, written or edited by David
   Kunzle, are reviewed by Mark McKinney.-- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
McKinney, Mark.
   "Father of the Comic Strip : Rodolphe Töpffer" and
   "Rodolphe Töpffer : the Complete Comic Strips" p. 100-193
   in European Comic Art, v. 1, no. 1 (Spring 2008). -- (News
   and Reviews) -- Two books, written or edited by David
   Kunzle, are reviewed by Mark McKinney.-- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Grove, Laurence.
   "Web Journals" / Laurence Grove. p 104-107 in European
   Comic Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews)
   -- Reviews three web journals about comics: Belphégor
   (Dalhousie University) ; "Image & Narrative" (Katholieke
   Universiteit Leuven) ; and "Teximage" (Olivier Leplatre).
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Belphégor--Reviews.
   "Web Journals" / Laurence Grove. p 104-107 in European
   Comic Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews)
   -- Reviews three web journals about comics: Belphégor
   (Dalhousie University) ; "Image & Narrative" (Katholieke
   Universiteit Leuven) ; and "Teximage" (Olivier Leplatre).
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Dalhousie University.
   "Web Journals" / Laurence Grove. p 104-107 in European
   Comic Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews)
   -- Reviews three web journals about comics: Belphégor
   (Dalhousie University) ; "Image & Narrative" (Katholieke
   Universiteit Leuven) ; and "Teximage" (Olivier Leplatre).
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Image & Narrative--Reviews. "Web Journals" / Laurence Grove. p
   104-107 in European Comic Art, v. 1, no. 1 (Spring 2008).
   -- (News and Reviews) -- Reviews three web journals about
   comics: Belphégor (Dalhousie University) ; "Image &
   Narrative" (Katholieke Universiteit Leuven) ; and
   "Teximage" (Olivier Leplatre). -- Call no.:
   PN6700.E85v.1no.1
-----------------------------------------------------
Katholieke Universiteit Leuven.
   "Web Journals" / Laurence Grove. p 104-107 in European
   Comic Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews)
   -- Reviews three web journals about comics: Belphégor
   (Dalhousie University) ; "Image & Narrative" (Katholieke
   Universiteit Leuven) ; and "Teximage" (Olivier Leplatre).
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Textimage--Reviews.
   "Web Journals" / Laurence Grove. p 104-107 in European
   Comic Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews)
   -- Reviews three web journals about comics: Belphégor
   (Dalhousie University) ; "Image & Narrative" (Katholieke
   Universiteit Leuven) ; and "Teximage" (Olivier Leplatre).
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
Leplatre, Olivier--Miscellanea.
   "Web Journals" / Laurence Grove. p 104-107 in European
   Comic Art, v. 1, no. 1 (Spring 2008). -- (News and Reviews)
   -- Reviews three web journals about comics: Belphégor
   (Dalhousie University) ; "Image & Narrative" (Katholieke
   Universiteit Leuven) ; and "Teximage" (Olivier Leplatre).
   -- Call no.: PN6700.E85v.1no.1
-----------------------------------------------------
ADDITIONS FROM JASON (ALREADY EXPANDED): 
-----------------------------------------------------
European Comic Art, v. 13, no. 1 (Autumn 2020)
   CONTENTS: "Introduction : Mise en abyme" p. 1-5 -- "The
   Bunker and the Desert : On the Motif of the Cube-panel in
   Inside Moebius" p. 6-36 -- "Five Years of Editing Les
   Cahiers de la Bande Dessinée" p. 37-63 -- "El Perdón y la
   furia and José de Ribera's Journey from Faith to Magic :
   Historical Fiction by Altarriva and Keko" p. 64-90 --
   "Schemata in the Graphic Novel Persepolis : Accomodation,
   Combination, Integration" p. 91-119 -- "Book Reviews"
   p.120-126 -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
"Introduction : Mise en abyme" / Laurence Grove, Anne
   Magnussen, Ann Miller. p. 1-5 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- An explanation around the theme of
   the issue being mise en abyme, which means "the use of an
   image within an image, or text within text, whereby the
   inner picture or story illuminates the outer work." -- Call
   no.: PN6700.E85v.13no.2
-----------------------------------------------------
"The Bunker and the Desert : On the Motif of the Cube-panel in
   Inside Moebius" / Renaud Chavanne. p. 6-36 in European
   Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract:
   "Dispensing with semiological terms inappropriately applied
   to comics, this article uses the concept of the
   'cube-panel' to show the comics panel is indissociable from
   drawing itself. There is no 'code', only drawing. The
   cube-panel is exemplified in Inside Moebius. Rather than
   sampling from a wider, out-of-frame space, it represents a
   retreat from that space, a prison or refuge, both
   suggestive of an inner life. The title promises just such a
   revelation, but it is in the nature of a Moebius strip, and
   a graphic representation of the author's self, for that
   inside to be inseparable from an outside. Two examples of
   the inside-outside pairing recur throughout: the desert,
   representing a creative void, and the bunker, in which the
   artist externalises himself." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
"Five Years of Editing Les Cahiers de la Bande Dessinée" /
   Thierry Groensteen. p. 37-63 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- Abstract: "Thierry Groensteen looks
   back over the years during which he edited Les Cahiers de
   la Bande Dessinée, transformed from the earlier Schtroumpf
   into a publication that promoted analysis and brought
   challenging and ambitious comics to the attention of
   readers, in a context where an earlier generation of comics
   studies pioneers had deserted the medium, and the
   experimentation of 1970s comics had given way to the
   dominance of more commercially viable series. Groensteen
   details the complex labour or putting a journal together,
   the recruiting of contributors, the coexistence of
   disparate theoretical approaches, and the hostility from
   certain quarters of the comics milieu that considered the
   journal pretentiously intellectual. The legacy of Les
   Cahiers endures in the form of major works for which it
   laid the foundations." -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
"El Perdón y la furia and José de Ribera's Journey from Faith
   to Magic : Historical Fiction by Altarriva and Keko" /
   Francisca Lladó. p. 64-90 in European Comic Art, v. 13, no.
   1 (Autumn 2020). -- Abstract begins: "This article analyses
   the various components of a graphic novel, El Perdón y la
   furia [Forgiveness and Fury] by Antonio Altrarriba and
   Keko, about the Baroque painter José de Ribera. It does so
   within the framework drawn from art history and studies in
   transgressive role of images through citation, intertextual
   borrowing, or creation by Keko in the manner of Ribera. --
   Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
"Schemata in the Graphic Novel Persepolis : Accomodation,
   Combination, Integration" / Fredrik Strömberg. p. 91-119 in
   European Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract
   begins: "It has repeatedly been suggested that the art in
   the graphic novel Persepolis by Iranian French artist
   Marjane Satrapi contains numerous connections to ancient
   Persian art forms, to the point of this becoming a
   'truism', although the claim has not been subjected to
   in-depth analysis. The present formal analyis employs
   Gombrichian schema theory to identify visual elements in
   the graphic novel potentially connected to Persian visual
   cultures to discern if and how they might relate to their
   proposed influences and how they integrate with styles and
   visual conventions in comics." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
"Book Reviews" / edited by Armelle Blin-Rolland, Catriona
   MacLeod. p. 120-126 in European Comic Art, v. 13, no. 1
   (Autumn 2020). -- Contents: Reviews of "Graphic Satire in
   the Soviet Union: Krokodil's Political Cartoons" p. 120-123
   ; "Pierre La Police : Une esthétique de la malfaçon"
   p.123-126 -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Grove, Laurence.
   "Introduction : Mise en abyme" / Laurence Grove, Anne
   Magnussen, Ann Miller. p. 1-5 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- An explanation around the theme of
   the issue being mise en abyme, which means "the use of an
   image within an image, or text within text, whereby the
   inner picture or story illuminates the outer work." -- Call
   no.: PN6700.E85v.13no.2
-----------------------------------------------------
Magnussen, Anne.
   "Introduction : Mise en abyme" / Laurence Grove, Anne
   Magnussen, Ann Miller. p. 1-5 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- An explanation around the theme of
   the issue being mise en abyme, which means "the use of an
   image within an image, or text within text, whereby the
   inner picture or story illuminates the outer work." -- Call
   no.: PN6700.E85v.13no.2
-----------------------------------------------------
Mise en Abyme. "Introduction : Mise en abyme" / Laurence
   Grove, Anne Magnussen, Ann Miller. p. 1-5 in European Comic
   Art, v. 13, no. 1 (Autumn 2020). -- An explanation around
   the theme of the issue being mise en abyme, which means
   "the use of an image within an image, or text within text,
   whereby the inner picture or story illuminates the outer
   work." -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Miller, Ann.
   "Introduction : Mise en abyme" / Laurence Grove, Anne
   Magnussen, Ann Miller. p. 1-5 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- An explanation around the theme of
   the issue being mise en abyme, which means "the use of an
   image within an image, or text within text, whereby the
   inner picture or story illuminates the outer work." -- Call
   no.: PN6700.E85v.13no.2
-----------------------------------------------------
European Comic Art--Articles About.
   "Introduction : Mise en abyme" / Laurence Grove, Anne
   Magnussen, Ann Miller. p. 1-5 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- An explanation around the theme of
   the issue being mise en abyme, which means "the use of an
   image within an image, or text within text, whereby the
   inner picture or story illuminates the outer work." -- Call
   no.: PN6700.E85v.13no.2
-----------------------------------------------------
Chavenne, Renaud.
   "The Bunker and the Desert : On the Motif of the Cube-panel
   in Inside Moebius" / Renaud Chavanne. p. 6-36 in European
   Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract:
   "Dispensing with semiological terms inappropriately applied
   to comics, this article uses the concept of the
   'cube-panel' to show the comics panel is indissociable from
   drawing itself. There is no 'code', only drawing. The
   cube-panel is exemplified in Inside Moebius. Rather than
   sampling from a wider, out-of-frame space, it represents a
   retreat from that space, a prison or refuge, both
   suggestive of an inner life. The title promises just such a
   revelation, but it is in the nature of a Moebius strip, and
   a graphic representation of the author's self, for that
   inside to be inseparable from an outside. Two examples of
   the inside-outside pairing recur throughout: the desert,
   representing a creative void, and the bunker, in which the
   artist externalises himself." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Cube-Panels.
   "The Bunker and the Desert : On the Motif of the Cube-panel
   in Inside Moebius" / Renaud Chavanne. p. 6-36 in European
   Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract:
   "Dispensing with semiological terms inappropriately applied
   to comics, this article uses the concept of the
   'cube-panel' to show the comics panel is indissociable from
   drawing itself. There is no 'code', only drawing. The
   cube-panel is exemplified in Inside Moebius. Rather than
   sampling from a wider, out-of-frame space, it represents a
   retreat from that space, a prison or refuge, both
   suggestive of an inner life. The title promises just such a
   revelation, but it is in the nature of a Moebius strip, and
   a graphic representation of the author's self, for that
   inside to be inseparable from an outside. Two examples of
   the inside-outside pairing recur throughout: the desert,
   representing a creative void, and the bunker, in which the
   artist externalises himself." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Motif of the Cube-Panel in Inside Moebius.
   "The Bunker and the Desert : On the Motif of the Cube-panel
   in Inside Moebius" / Renaud Chavanne. p. 6-36 in European
   Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract:
   "Dispensing with semiological terms inappropriately applied
   to comics, this article uses the concept of the
   'cube-panel' to show the comics panel is indissociable from
   drawing itself. There is no 'code', only drawing. The
   cube-panel is exemplified in Inside Moebius. Rather than
   sampling from a wider, out-of-frame space, it represents a
   retreat from that space, a prison or refuge, both
   suggestive of an inner life. The title promises just such a
   revelation, but it is in the nature of a Moebius strip, and
   a graphic representation of the author's self, for that
   inside to be inseparable from an outside. Two examples of
   the inside-outside pairing recur throughout: the desert,
   representing a creative void, and the bunker, in which the
   artist externalises himself." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Inside Moebius.
   "The Bunker and the Desert : On the Motif of the Cube-panel
   in Inside Moebius" / Renaud Chavanne. p. 6-36 in European
   Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract:
   "Dispensing with semiological terms inappropriately applied
   to comics, this article uses the concept of the
   'cube-panel' to show the comics panel is indissociable from
   drawing itself. There is no 'code', only drawing. The
   cube-panel is exemplified in Inside Moebius. Rather than
   sampling from a wider, out-of-frame space, it represents a
   retreat from that space, a prison or refuge, both
   suggestive of an inner life. The title promises just such a
   revelation, but it is in the nature of a Moebius strip, and
   a graphic representation of the author's self, for that
   inside to be inseparable from an outside. Two examples of
   the inside-outside pairing recur throughout: the desert,
   representing a creative void, and the bunker, in which the
   artist externalises himself." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Out-of-Frame.
   "The Bunker and the Desert : On the Motif of the Cube-panel
   in Inside Moebius" / Renaud Chavanne. p. 6-36 in European
   Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract:
   "Dispensing with semiological terms inappropriately applied
   to comics, this article uses the concept of the
   'cube-panel' to show the comics panel is indissociable from
   drawing itself. There is no 'code', only drawing. The
   cube-panel is exemplified in Inside Moebius. Rather than
   sampling from a wider, out-of-frame space, it represents a
   retreat from that space, a prison or refuge, both
   suggestive of an inner life. The title promises just such a
   revelation, but it is in the nature of a Moebius strip, and
   a graphic representation of the author's self, for that
   inside to be inseparable from an outside. Two examples of
   the inside-outside pairing recur throughout: the desert,
   representing a creative void, and the bunker, in which the
   artist externalises himself." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Panels.
   "The Bunker and the Desert : On the Motif of the Cube-panel
   in Inside Moebius" / Renaud Chavanne. p. 6-36 in European
   Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract:
   "Dispensing with semiological terms inappropriately applied
   to comics, this article uses the concept of the
   'cube-panel' to show the comics panel is indissociable from
   drawing itself. There is no 'code', only drawing. The
   cube-panel is exemplified in Inside Moebius. Rather than
   sampling from a wider, out-of-frame space, it represents a
   retreat from that space, a prison or refuge, both
   suggestive of an inner life. The title promises just such a
   revelation, but it is in the nature of a Moebius strip, and
   a graphic representation of the author's self, for that
   inside to be inseparable from an outside. Two examples of
   the inside-outside pairing recur throughout: the desert,
   representing a creative void, and the bunker, in which the
   artist externalises himself." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Moebius Strips.
   "The Bunker and the Desert : On the Motif of the Cube-panel
   in Inside Moebius" / Renaud Chavanne. p. 6-36 in European
   Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract:
   "Dispensing with semiological terms inappropriately applied
   to comics, this article uses the concept of the
   'cube-panel' to show the comics panel is indissociable from
   drawing itself. There is no 'code', only drawing. The
   cube-panel is exemplified in Inside Moebius. Rather than
   sampling from a wider, out-of-frame space, it represents a
   retreat from that space, a prison or refuge, both
   suggestive of an inner life. The title promises just such a
   revelation, but it is in the nature of a Moebius strip, and
   a graphic representation of the author's self, for that
   inside to be inseparable from an outside. Two examples of
   the inside-outside pairing recur throughout: the desert,
   representing a creative void, and the bunker, in which the
   artist externalises himself." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Groensteen, Thierry.
   "Five Years of Editing Les Cahiers de la Bande Dessinée" /
   Thierry Groensteen. p. 37-63 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- Abstract: "Thierry Groensteen looks
   back over the years during which he edited Les Cahiers de
   la Bande Dessinée, transformed from the earlier Schtroumpf
   into a publication that promoted analysis and brought
   challenging and ambitious comics to the attention of
   readers, in a context where an earlier generation of comics
   studies pioneers had deserted the medium, and the
   experimentation of 1970s comics had given way to the
   dominance of more commercially viable series. Groensteen
   details the complex labour or putting a journal together,
   the recruiting of contributors, the coexistence of
   disparate theoretical approaches, and the hostility from
   certain quarters of the comics milieu that considered the
   journal pretentiously intellectual. The legacy of Les
   Cahiers endures in the form of major works for which it
   laid the foundations." -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Editing.
   "Five Years of Editing Les Cahiers de la Bande Dessinée" /
   Thierry Groensteen. p. 37-63 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- Abstract: "Thierry Groensteen looks
   back over the years during which he edited Les Cahiers de
   la Bande Dessinée, transformed from the earlier Schtroumpf
   into a publication that promoted analysis and brought
   challenging and ambitious comics to the attention of
   readers, in a context where an earlier generation of comics
   studies pioneers had deserted the medium, and the
   experimentation of 1970s comics had given way to the
   dominance of more commercially viable series. Groensteen
   details the complex labour or putting a journal together,
   the recruiting of contributors, the coexistence of
   disparate theoretical approaches, and the hostility from
   certain quarters of the comics milieu that considered the
   journal pretentiously intellectual. The legacy of Les
   Cahiers endures in the form of major works for which it
   laid the foundations." -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Les Cahiers de la Bande Dessinée--Articles About. "Five Years
   of Editing Les Cahiers de la Bande Dessinée" / Thierry
   Groensteen. p. 37-63 in European Comic Art, v. 13, no. 1
   (Autumn 2020). -- Abstract: "Thierry Groensteen looks back
   over the years during which he edited Les Cahiers de la
   Bande Dessinée, transformed from the earlier Schtroumpf
   into a publication that promoted analysis and brought
   challenging and ambitious comics to the attention of
   readers, in a context where an earlier generation of comics
   studies pioneers had deserted the medium, and the
   experimentation of 1970s comics had given way to the
   dominance of more commercially viable series. Groensteen
   details the complex labour or putting a journal together,
   the recruiting of contributors, the coexistence of
   disparate theoretical approaches, and the hostility from
   certain quarters of the comics milieu that considered the
   journal pretentiously intellectual. The legacy of Les
   Cahiers endures in the form of major works for which it
   laid the foundations." -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Schtroumpf--Articles About. "Five Years of Editing Les Cahiers
   de la Bande Dessinée" / Thierry Groensteen. p. 37-63 in
   European Comic Art, v. 13, no. 1 (Autumn 2020). --
   Abstract: "Thierry Groensteen looks back over the years
   during which he edited Les Cahiers de la Bande Dessinée,
   transformed from the earlier Schtroumpf into a publication
   that promoted analysis and brought challenging and
   ambitious comics to the attention of readers, in a context
   where an earlier generation of comics studies pioneers had
   deserted the medium, and the experimentation of 1970s
   comics had given way to the dominance of more commercially
   viable series. Groensteen details the complex labour or
   putting a journal together, the recruiting of contributors,
   the coexistence of disparate theoretical approaches, and
   the hostility from certain quarters of the comics milieu
   that considered the journal pretentiously intellectual. The
   legacy of Les Cahiers endures in the form of major works
   for which it laid the foundations." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Comics Studies.
   "Five Years of Editing Les Cahiers de la Bande Dessinée" /
   Thierry Groensteen. p. 37-63 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- Abstract: "Thierry Groensteen looks
   back over the years during which he edited Les Cahiers de
   la Bande Dessinée, transformed from the earlier Schtroumpf
   into a publication that promoted analysis and brought
   challenging and ambitious comics to the attention of
   readers, in a context where an earlier generation of comics
   studies pioneers had deserted the medium, and the
   experimentation of 1970s comics had given way to the
   dominance of more commercially viable series. Groensteen
   details the complex labour or putting a journal together,
   the recruiting of contributors, the coexistence of
   disparate theoretical approaches, and the hostility from
   certain quarters of the comics milieu that considered the
   journal pretentiously intellectual. The legacy of Les
   Cahiers endures in the form of major works for which it
   laid the foundations." -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
1970s Comics.
   "Five Years of Editing Les Cahiers de la Bande Dessinée" /
   Thierry Groensteen. p. 37-63 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- Abstract: "Thierry Groensteen looks
   back over the years during which he edited Les Cahiers de
   la Bande Dessinée, transformed from the earlier Schtroumpf
   into a publication that promoted analysis and brought
   challenging and ambitious comics to the attention of
   readers, in a context where an earlier generation of comics
   studies pioneers had deserted the medium, and the
   experimentation of 1970s comics had given way to the
   dominance of more commercially viable series. Groensteen
   details the complex labour or putting a journal together,
   the recruiting of contributors, the coexistence of
   disparate theoretical approaches, and the hostility from
   certain quarters of the comics milieu that considered the
   journal pretentiously intellectual. The legacy of Les
   Cahiers endures in the form of major works for which it
   laid the foundations." -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Lladó, Francisca.
   "El Perdón y la furia and José de Ribera's Journey from
   Faith to Magic : Historical Fiction by Altarriva and Keko"
   / Francisca Lladó. p. 64-90 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- Abstract begins: "This article
   analyses the various components of a graphic novel, El
   Perdón y la furia [Forgiveness and Fury] by Antonio
   Altrarriba and Keko, about the Baroque painter José de
   Ribera. It does so within the framework drawn from art
   history and studies in transgressive role of images through
   citation, intertextual borrowing, or creation by Keko in
   the manner of Ribera. -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
El Perdón y la Furia--Articles About.
   "El Perdón y la furia and José de Ribera's Journey from
   Faith to Magic : Historical Fiction by Altarriva and Keko"
   / Francisca Lladó. p. 64-90 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- Abstract begins: "This article
   analyses the various components of a graphic novel, El
   Perdón y la furia [Forgiveness and Fury] by Antonio
   Altrarriba and Keko, about the Baroque painter José de
   Ribera. It does so within the framework drawn from art
   history and studies in transgressive role of images through
   citation, intertextual borrowing, or creation by Keko in
   the manner of Ribera. -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Historical Fiction by Altarriva and Keko.
   "El Perdón y la furia and José de Ribera's Journey from
   Faith to Magic : Historical Fiction by Altarriva and Keko"
   / Francisca Lladó. p. 64-90 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- Abstract begins: "This article
   analyses the various components of a graphic novel, El
   Perdón y la furia [Forgiveness and Fury] by Antonio
   Altrarriba and Keko, about the Baroque painter José de
   Ribera. It does so within the framework drawn from art
   history and studies in transgressive role of images through
   citation, intertextual borrowing, or creation by Keko in
   the manner of Ribera. -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Altrarriba, Antonio--Miscellanea.
   "El Perdón y la furia and José de Ribera's Journey from
   Faith to Magic : Historical Fiction by Altarriva and Keko"
   / Francisca Lladó. p. 64-90 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- Abstract begins: "This article
   analyses the various components of a graphic novel, El
   Perdón y la furia [Forgiveness and Fury] by Antonio
   Altrarriba and Keko, about the Baroque painter José de
   Ribera. It does so within the framework drawn from art
   history and studies in transgressive role of images through
   citation, intertextual borrowing, or creation by Keko in
   the manner of Ribera. -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Keko, 1963- --Miscellanea.
   "El Perdón y la furia and José de Ribera's Journey from
   Faith to Magic : Historical Fiction by Altarriva and Keko"
   / Francisca Lladó. p. 64-90 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- Abstract begins: "This article
   analyses the various components of a graphic novel, El
   Perdón y la furia [Forgiveness and Fury] by Antonio
   Altrarriba and Keko, about the Baroque painter José de
   Ribera. It does so within the framework drawn from art
   history and studies in transgressive role of images through
   citation, intertextual borrowing, or creation by Keko in
   the manner of Ribera. -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Baroque Painters.
   "El Perdón y la furia and José de Ribera's Journey from
   Faith to Magic : Historical Fiction by Altarriva and Keko"
   / Francisca Lladó. p. 64-90 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- Abstract begins: "This article
   analyses the various components of a graphic novel, El
   Perdón y la furia [Forgiveness and Fury] by Antonio
   Altrarriba and Keko, about the Baroque painter José de
   Ribera. It does so within the framework drawn from art
   history and studies in transgressive role of images through
   citation, intertextual borrowing, or creation by Keko in
   the manner of Ribera. -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Ribera, Jusepe de, 1591-1652--Miscellanea.
   "El Perdón y la furia and José de Ribera's Journey from
   Faith to Magic : Historical Fiction by Altarriva and Keko"
   / Francisca Lladó. p. 64-90 in European Comic Art, v. 13,
   no. 1 (Autumn 2020). -- Abstract begins: "This article
   analyses the various components of a graphic novel, El
   Perdón y la furia [Forgiveness and Fury] by Antonio
   Altrarriba and Keko, about the Baroque painter José de
   Ribera. It does so within the framework drawn from art
   history and studies in transgressive role of images through
   citation, intertextual borrowing, or creation by Keko in
   the manner of Ribera. -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Strömberg, Fredrik.
   "Schemata in the Graphic Novel Persepolis : Accomodation,
   Combination, Integration" / Fredrik Strömberg. p. 91-119 in
   European Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract
   begins: "It has repeatedly been suggested that the art in
   the graphic novel Persepolis by Iranian French artist
   Marjane Satrapi contains numerous connections to ancient
   Persian art forms, to the point of this becoming a
   'truism', although the claim has not been subjected to
   in-depth analysis. The present formal analyis employs
   Gombrichian schema theory to identify visual elements in
   the graphic novel potentially connected to Persian visual
   cultures to discern if and how they might relate to their
   proposed influences and how they integrate with styles and
   visual conventions in comics." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Persepolis--Articles About.
   "Schemata in the Graphic Novel Persepolis : Accomodation,
   Combination, Integration" / Fredrik Strömberg. p. 91-119 in
   European Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract
   begins: "It has repeatedly been suggested that the art in
   the graphic novel Persepolis by Iranian French artist
   Marjane Satrapi contains numerous connections to ancient
   Persian art forms, to the point of this becoming a
   'truism', although the claim has not been subjected to
   in-depth analysis. The present formal analyis employs
   Gombrichian schema theory to identify visual elements in
   the graphic novel potentially connected to Persian visual
   cultures to discern if and how they might relate to their
   proposed influences and how they integrate with styles and
   visual conventions in comics." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Satrapi, Marjane--Miscellanea.
   "Schemata in the Graphic Novel Persepolis : Accomodation,
   Combination, Integration" / Fredrik Strömberg. p. 91-119 in
   European Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract
   begins: "It has repeatedly been suggested that the art in
   the graphic novel Persepolis by Iranian French artist
   Marjane Satrapi contains numerous connections to ancient
   Persian art forms, to the point of this becoming a
   'truism', although the claim has not been subjected to
   in-depth analysis. The present formal analyis employs
   Gombrichian schema theory to identify visual elements in
   the graphic novel potentially connected to Persian visual
   cultures to discern if and how they might relate to their
   proposed influences and how they integrate with styles and
   visual conventions in comics." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Persian Art.
   "Schemata in the Graphic Novel Persepolis : Accomodation,
   Combination, Integration" / Fredrik Strömberg. p. 91-119 in
   European Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract
   begins: "It has repeatedly been suggested that the art in
   the graphic novel Persepolis by Iranian French artist
   Marjane Satrapi contains numerous connections to ancient
   Persian art forms, to the point of this becoming a
   'truism', although the claim has not been subjected to
   in-depth analysis. The present formal analyis employs
   Gombrichian schema theory to identify visual elements in
   the graphic novel potentially connected to Persian visual
   cultures to discern if and how they might relate to their
   proposed influences and how they integrate with styles and
   visual conventions in comics." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Gombrichian Schema Theory.
   "Schemata in the Graphic Novel Persepolis : Accomodation,
   Combination, Integration" / Fredrik Strömberg. p. 91-119 in
   European Comic Art, v. 13, no. 1 (Autumn 2020). -- Abstract
   begins: "It has repeatedly been suggested that the art in
   the graphic novel Persepolis by Iranian French artist
   Marjane Satrapi contains numerous connections to ancient
   Persian art forms, to the point of this becoming a
   'truism', although the claim has not been subjected to
   in-depth analysis. The present formal analyis employs
   Gombrichian schema theory to identify visual elements in
   the graphic novel potentially connected to Persian visual
   cultures to discern if and how they might relate to their
   proposed influences and how they integrate with styles and
   visual conventions in comics." -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Blin-Rolland, Armelle.
   "Book Reviews" / edited by Armelle Blin-Rolland, Catriona
   MacLeod. p. 120-126 in European Comic Art, v. 13, no. 1
   (Autumn 2020). -- Contents: Reviews of "Graphic Satire in
   the Soviet Union: Krokodil's Political Cartoons" p. 120-123
   ; "Pierre La Police: Une esthétique de la malfaçon"
   p.123-126 -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
MacLeod, Catriona.
   "Book Reviews" / edited by Armelle Blin-Rolland, Catriona
   MacLeod. p. 120-126 in European Comic Art, v. 13, no. 1
   (Autumn 2020). -- Contents: Reviews of "Graphic Satire in
   the Soviet Union: Krokodil's Political Cartoons" p. 120-123
   ; "Pierre La Police: Une esthétique de la malfaçon" p.
   123-126 -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Books About Comics--Reviews.
   "Book Reviews" / edited by Armelle Blin-Rolland, Catriona
   MacLeod. p.120-126 in European Comic Art, v. 13, no. 1
   (Autumn 2020). -- Contents: Reviews of "Graphic Satire in
   the Soviet Union: Krokodil's Political Cartoons" p. 120-123
   ; "Pierre La Police: Une esthétique de la malfaçon"
   p.123-126 -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Krokodil's Political Cartoons. "Graphic Satire in the Soviet
   Union : Krokodil's Political Cartoons" p. 120-123 in
   European Comic Art, v. 13, no. 1 (Autumn 2020). -- (Book
   Reviews) -- A book wrtten by John Etty is reviewed by
   Ekaterina Tikhonyuk. -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Graphic Satire in the Soviet Union--Reviews.
   "Graphic Satire in the Soviet Union: Krokodil's Political
   Cartoons" p. 120-123 in European Comic Art, v. 13, no. 1
   (Autumn 2020). -- (Book Reviews) -- A book wrtten by John
   Etty is reviewed by Ekaterina Tikhonyuk. -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Political Cartoons.
   "Graphic Satire in the Soviet Union : Krokodil's Political
   Cartoons" p. 120-123 in European Comic Art, v. 13, no. 1
   (Autumn 2020). -- (Book Reviews) -- A book wrtten by John
   Etty is reviewed by Ekaterina Tikhonyuk. -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Etty, John, 1979- --Miscellanea.
   "Graphic Satire in the Soviet Union : Krokodil's Political
   Cartoons" p. 120-123 in European Comic Art, v. 13, no. 1
   (Autumn 2020). -- (Book Reviews) -- A book wrtten by John
   Etty is reviewed by Ekaterina Tikhonyuk. -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Tikhonyuk, Ekaterina.
   "Graphic Satire in the Soviet Union : Krokodil's Political
   Cartoons" p. 120-123 in European Comic Art, v. 13, no. 1
   (Autumn 2020). -- (Book Reviews) -- A book wrtten by John
   Etty is reviewed by Ekaterina Tikhonyuk. -- Call no.:
   PN6700.E85v.13no.2
-----------------------------------------------------
Pierre La Police--Reviews.
   "Pierre La Police : Une esthétique de la malfaçon" p.
   123-126 in European Comic Art, v. 13, no. 1 (Autumn 2020).
   -- A book wrtten by Livio Belloï and Fabrice Leroy is
   reviewed by Mark McKinney. -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Belloï, Livio--Miscellanea.
   "Pierre La Police: Une esthétique de la malfaçon" p.
   123-126 in European Comic Art, v. 13, no. 1 (Autumn 2020).
   -- A book wrtten by Livio Belloï and Fabrice Leroy is
   reviewed by Mark McKinney. -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
Leroy, Fabrice--Miscellanea.
   "Pierre La Police: Une esthétique de la malfaçon" p.
   123-126 in European Comic Art, v. 13, no. 1 (Autumn 2020).
   -- A book wrtten by Livio Belloï and Fabrice Leroy is
   reviewed by Mark McKinney. -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
McKinney, Mark.
   "Pierre La Police: Une esthétique de la malfaçon" p.
   123-126 in European Comic Art, v. 13, no. 1 (Autumn 2020).
   -- A book wrtten by Livio Belloï and Fabrice Leroy is
   reviewed by Mark McKinney. -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
La Police, Pierre--Miscellanea.
   "Pierre La Police: Une esthétique de la malfaçon" p.
   123-126 in European Comic Art, v. 13, no. 1 (Autumn 2020).
   -- A book wrtten by Livio Belloï and Fabrice Leroy is
   reviewed by Mark McKinney. -- Call no.: PN6700.E85v.13no.2
-----------------------------------------------------
FROM JASON ALREADY EXPANDED: 
-----------------------------------------------------
Popular Teen-Agers, no. 5 (1958)
   CONTENTS: "The Brat Race" (Toni Gay) 7 p. -- "Buoy Crazy!"
   (Ginger Bunn) 7 p. -- "Potions of Love" (Midge Martin Girl
   Reporter) 6 p. -- "Rajah Dodger!" (Eve Adams) 7 p. -- Call
   no.:  PN6728.2.A15 P6no.5
-----------------------------------------------------
"The Brat Race" (Toni Gay) 7 p. in Popular Teen-Agers, no. 5
   (1958). -- First caption begins: "It looked to Eve Ardor
   like a real chance to strut her stuff, the time she found
   Toni Gay  and Butch Dykman in the heated argument." -- Call
   no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
"Buoy Crazy!" (Ginger Bunn) / by Manny Stallman. 7 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "Come on, kids, there's a bus waiting to whisk you off for
   a two weekvacation in those American alps, the Catskill
   Mountains..." -- Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
"Potions of Love" (Midge Martin Girl Reporter) 6 p. in Popular
   Teen-Agers, no. 5 (1958). -- First caption begins: "It's
   L-day in Glenview: love invades and conquers all from
   teen-age to    old-age with a brand new powerful weapon."
   -- Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
"Rajah Dodger!" (Eve Adams) 7 p. in Popular Teen-Agers, no. 5
   (1958). -- First caption begins: "Ah New Dehli, bewitching
   country, rich in Moslem mysteries, maharajahs, and Indian
   nuts!" -- Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Toni Gay (1958)
  "The Brat Race" (Toni Gay) 7 p. in Popular Teen-Agers, no. 5
   (1958). -- First caption begins: "It looked to Eve Ardor
   like a real chance to strut her stuff, the time she found
   Toni Gay and Butch Dykman in the heated argument." -- Call
   no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Brats.
   "The Brat Race" (Toni Gay) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "It looked to Eve Ardor
   like a real chance to strut her stuff, the time she found
   Toni Gay and Butch Dykman in the heated argument." -- Call
   no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Races.
   "The Brat Race" (Toni Gay) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "It looked to Eve Ardor
   like a real chance to strut her stuff, the time she found
   Toni Gay and Butch Dykman in the heated argument." -- Call
   no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Ardor, Eve.
   "The Brat Race" (Toni Gay) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "It looked to Eve Ardor
   like a real chance to strut her stuff, the time she found
   Toni Gay and Butch Dykman in the heated argument." -- Call
   no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Strutting Stuff.
   "The Brat Race" (Toni Gay) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "It looked to Eve Ardor
   like a real chance to strut her stuff, the time she found
   Toni Gay and Butch Dykman in the heated argument." -- Call
   no.: PN6728.2.A15 P6no.5 
-----------------------------------------------------
Dykman, Butch.
   "The Brat Race" (Toni Gay) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "It looked to Eve Ardor
   like a real chance to strut her stuff, the time she found
   Toni Gay and Butch Dykman in the heated argument." -- Call
   no.: PN6728.2.A15 P6no.5 
-----------------------------------------------------
Arguments.
   "The Brat Race" (Toni Gay) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "It looked to Eve Ardor
   like a real chance to strut her stuff, the time she found
   Toni Gay and Butch Dykman in the heated argument." -- Call
   no.: PN6728.2.A15 P6no.5 
-----------------------------------------------------
Ginger Bunn (1958)
   "Buoy Crazy!" (Ginger Bunn) / by Manny Stallman. 7 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "Come on, kids, there's a bus waiting to whisk you off for
   a two week vacation in those American alps, the Catskill
   Mountains..." -- Call no.: PN6728.2.A15P6no.5
-----------------------------------------------------
Stallman, Manny.
   "Buoy Crazy!" (Ginger Bunn) / by Manny Stallman. 7 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "Come on, kids, there's a bus waiting to whisk you off for
   a two week vacation in those American alps, the Catskill
   Mountains..." -- Call no.: PN6728.2.A15P6no.5
-----------------------------------------------------
Busses.
   "Buoy Crazy!" (Ginger Bunn) / by Manny Stallman. 7 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "Come on, kids, there's a bus waiting to whisk you off for
   a two week vacation in those American alps, the Catskill
   Mountains..." -- Call no.: PN6728.2.A15P6no.5
----------------------------------------------------
Vacations.
   "Buoy Crazy!" (Ginger Bunn) / by Manny Stallman. 7 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "Come on, kids, there's a bus waiting to whisk you off for
   a two week vacation in those American alps, the Catskill
   Mountains..." -- Call no.: PN6728.2.A15P6no.5
-----------------------------------------------------
American Alps.
   "Buoy Crazy!" (Ginger Bunn) / by Manny Stallman. 7 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "Come on, kids, there's a bus waiting to whisk you off for
   a two week vacation in those American alps, the Catskill
   Mountains..." -- Call no.: PN6728.2.A15P6no.5
-----------------------------------------------------
Alps.
   "Buoy Crazy!" (Ginger Bunn) / by Manny Stallman. 7 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "Come on, kids, there's a bus waiting to whisk you off for
   a two week vacation in those American alps, the Catskill
   Mountains..." -- Call no.: PN6728.2.A15P6no.5
-----------------------------------------------------
Catskill Mountains.
   "Buoy Crazy!" (Ginger Bunn) / by Manny Stallman. 7 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "Come on, kids, there's a bus waiting to whisk you off for
   a two week vacation in those American alps, the Catskill
   Mountains..." -- Call no.: PN6728.2.A15P6no.5
-----------------------------------------------------
Love.
   "Potions of Love" (Midge Martin Girl Reporter) 6 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "It's L-day in Glenview: love invades and conquers all from
   teen-age to old-age with a brand new powerful weapon." --
   Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Midge Martin (1958)
   "Potions of Love" (Midge Martin Girl Reporter) 6 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "It's L-day in Glenview: love invades and conquers all from
   teen-age to old-age with a brand new powerful weapon." --
   Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Girl Reporters.
   "Potions of Love" (Midge Martin Girl Reporter) 6 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "It's L-day in Glenview: love invades and conquers all from
   teen-age to old-age with a brand new powerful weapon." --
   Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
L-day.
   "Potions of Love" (Midge Martin Girl Reporter) 6 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "It's L-day in Glenview: love invades and conquers all from
   teen-age to old-age with a brand new powerful weapon." --
   Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Glenview.
   "Potions of Love" (Midge Martin Girl Reporter) 6 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "It's L-day in Glenview: love invades and conquers all from
   teen-age to old-age with a brand new powerful weapon." --
   Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Invasions.
   "Potions of Love" (Midge Martin Girl Reporter) 6 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "It's L-day in Glenview: love invades and conquers all from
   teen-age to old-age with a brand new powerful weapon." --
   Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Conquering.
   "Potions of Love" (Midge Martin Girl Reporter) 6 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "It's L-day in Glenview: love invades and conquers all from
   teen-age to old-age with a brand new powerful weapon." --
   Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Teen-Agers.
   "Potions of Love" (Midge Martin Girl Reporter) 6 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "It's L-day in Glenview: love invades and conquers all from
   teen-age to old-age with a brand new powerful weapon." --
   Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Old Age.
   "Potions of Love" (Midge Martin Girl Reporter) 6 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "It's L-day in Glenview: love invades and conquers all from
   teen-age to old-age with a brand new powerful weapon." --
   Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Weapons.
   "Potions of Love" (Midge Martin Girl Reporter) 6 p. in
   Popular Teen-Agers, no. 5 (1958). -- First caption begins:
   "It's L-day in Glenview: love invades and conquers all from
   teen-age to old-age with a brand new powerful weapon." --
   Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Dodgers.
   "Rajah Dodger!" (Eve Adams) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "Ah New Dehli,
   bewitching country, rich in Moslem mysteries, maharajahs,
   and Indian nuts!" -- Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Eve Adams (1958)
   "Rajah Dodger!" (Eve Adams) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "Ah New Dehli,
   bewitching country, rich in Moslem mysteries, maharajahs,
   and Indian nuts!" -- Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
New Dehli.
   "Rajah Dodger!" (Eve Adams) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "Ah New Dehli,
   bewitching country, rich in Moslem mysteries, maharajahs,
   and Indian nuts!" -- Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Bewitching.
   "Rajah Dodger!" (Eve Adams) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "Ah New Dehli,
   bewitching country, rich in Moslem mysteries, maharajahs,
   and Indian nuts!" -- Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Countries.
   "Rajah Dodger!" (Eve Adams) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "Ah New Dehli,
   bewitching country, rich in Moslem mysteries, maharajahs,
   and Indian nuts!" -- Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Moslem Mysteries.
   "Rajah Dodger!" (Eve Adams) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "Ah New Dehli,
   bewitching country, rich in Moslem mysteries, maharajahs,
   and Indian nuts!" -- Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Mysteries.
   "Rajah Dodger!" (Eve Adams) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "Ah New Dehli,
   bewitching country, rich in Moslem mysteries, maharajahs,
   and Indian nuts!" -- Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Maharajahs.
   "Rajah Dodger!" (Eve Adams) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "Ah New Dehli,
   bewitching country, rich in moslem mysteries, maharajahs,
   and Indian nuts!" -- Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Indian Nuts.
   "Rajah Dodger!" (Eve Adams) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "Ah New Dehli,
   bewitching country, rich in Moslem mysteries, maharajahs,
   and Indian nuts!" -- Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
Nuts.
   "Rajah Dodger!" (Eve Adams) 7 p. in Popular Teen-Agers, no.
   5 (1958). -- First caption begins: "Ah New Dehli,
   bewitching country, rich in Moslem mysteries, maharajahs,
   and Indian nuts!" -- Call no.: PN6728.2.A15 P6no.5
-----------------------------------------------------
ADDITIONS ALREADY EXPANDED:
-----------------------------------------------------
Popular Teen-Agers, no. 6 (1958)
   CONTENTS: "No Royal Road to Perfect Posture"* (Toni Gay) 7
   p. -- "The Showoff Showdown" 7 p. -- "Midge Martin Mixes
   Men in a Masquerade Melee" 7 p. -- "Villain's Villa" (Eve
   Adams) 7 p. -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
"No Royal Road to Perfect Posture"* (Toni Gay) / M. Nodel. 7
   p. in Popular Teen-Agers, no. 6 (1958). -- Begins: "The new
   gymnasium classes looked like fun to Tony Gay, until she
   realized that there was no royal road to perfect posture."
   -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
"The Showoff Showdown" / Manny Stallman. 7 p. in Popular
   Teen-Agers, no. 6 (1958). -- Begins; "Look, Rookie, this
   bench is reserved for the star of th' team, meaning me, so
   shove off." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
"Midge Martin Mixes Men in a Masquerade Melee" 7 p. in Popular
   Teen-Agers, no. 6 (1958). -- Begins: "Meet Midge Martin,
   heart-throb of Glenview high school and pulse beat of City
   Press, where Midge has an afternoon reporting job." -- Call
   no.: PN6728.2.A15P6no.6
-----------------------------------------------------
"Villain's Villa" (Eve Adams) 7 p. in Popular Teen-Agers, no.
   6 (1958). -- Begins: Just give any girl a Venetian gondola,
   and she's bound to find herself drifting right into romance
   and danger." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Toni Gay (1958)
   "No Royal Road to Perfect Posture"* (Toni Gay) / M. Nodel.
   7 p. in Popular Teen-Agers, no. 6 (1958). -- Begins: "The
   new gymnasium classes looked like fun to Tony Gay, until
   she realized that there was no royal road to perfect
   posture." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Royal Roads.
   "No Royal Road to Perfect Posture"* (Toni Gay) / M. Nodel.
   7 p. in Popular Teen-Agers, no. 6 (1958). -- Begins: "The
   new gymnasium classes looked like fun to Tony Gay, until
   she realized that there was no royal road to perfect
   posture." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Perfect Posture.
   "No Royal Road to Perfect Posture"* (Toni Gay) / M. Nodel.
   7 p. in Popular Teen-Agers, no. 6 (1958). -- Begins: "The
   new gymnasium classes looked like fun to Tony Gay, until
   she realized that there was no royal road to perfect
   posture." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Posture.
   "No Royal Road to Perfect Posture"* (Toni Gay) / M. Nodel.
   7 p. in Popular Teen-Agers, no. 6 (1958). -- Begins: "The
   new gymnasium classes looked like fun to Tony Gay, until
   she realized that there was no royal road to perfect
   posture." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Nodel, M.
   "No Royal Road to Perfect Posture"* (Toni Gay) / M. Nodel.
   7 p. in Popular Teen-Agers, no. 6 (1958). -- Begins: "The
   new gymnasium classes looked like fun to Tony Gay, until
   she realized that there was no royal road to perfect
   posture." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Gymnasium Classes.
   "No Royal Road to Perfect Posture"* (Toni Gay) / M. Nodel.
   7 p. in Popular Teen-Agers, no. 6 (1958). -- Begins: "The
   new gymnasium classes looked like fun to Tony Gay, until
   she realized that there was no royal road to perfect
   posture." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Showdowns.
   "The Showoff Showdown" / Manny Stallman. 7 p. in Popular
   Teen-Agers, no. 6 (1958). -- Begins; "Look, Rookie, this
   bench is reserved for the star of th' team, meaning me, so
   shove off." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Stallman, Manny.
   "The Showoff Showdown" / Manny Stallman. 7 p. in Popular
   Teen-Agers, no. 6 (1958). -- Begins; "Look, Rookie, this
   bench is reserved for the star of th' team, meaning me, so
   shove off." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Rookies.
   "The Showoff Showdown" / Manny Stallman. 7 p. in Popular
   Teen-Agers, no. 6 (1958). -- Begins; "Look, Rookie, this
   bench is reserved for the star of th' team, meaning me, so
   shove off." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Benches.
   "The Showoff Showdown" / Manny Stallman. 7 p. in Popular
   Teen-Agers, no. 6 (1958). -- Begins; "Look, Rookie, this
   bench is reserved for the star of th' team, meaning me, so
   shove off." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Stars.
   "The Showoff Showdown" / Manny Stallman. 7 p. in Popular
   Teen-Agers, no. 6 (1958). -- Begins; "Look, Rookie, this
   bench is reserved for the star of th' team, meaning me, so
   shove off." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Martin, Midge.
   "Midge Martin Mixes Men in a Masquerade Melee" 7 p. in
   Popular Teen-Agers, no. 6 (1958). -- Begins: "Meet Midge
   Martin, heart-throb of Glenview high school and pulse beat
   of City Press, where Midge has an afternoon reporting job."
   -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Mixing Men.
   "Midge Martin Mixes Men in a Masquerade Melee" 7 p. in
   Popular Teen-Agers, no. 6 (1958). -- Begins: "Meet Midge
   Martin, heart-throb of Glenview high school and pulse beat
   of City Press, where Midge has an afternoon reporting job."
   -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Men.
   "Midge Martin Mixes Men in a Masquerade Melee" 7 p. in
   Popular Teen-Agers, no. 6 (1958). -- Begins: "Meet Midge
   Martin, heart-throb of Glenview high school and pulse beat
   of City Press, where Midge has an afternoon reporting job."
   -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Masquerade Melees.
   "Midge Martin Mixes Men in a Masquerade Melee" 7 p. in
   Popular Teen-Agers, no. 6 (1958). -- Begins: "Meet Midge
   Martin, heart-throb of Glenview high school and pulse beat
   of City Press, where Midge has an afternoon reporting job."
   -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Melees.
   "Midge Martin Mixes Men in a Masquerade Melee" 7 p. in
   Popular Teen-Agers, no. 6 (1958). -- Begins: "Meet Midge
   Martin, heart-throb of Glenview high school and pulse beat
   of City Press, where Midge has an afternoon reporting job."
   -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Heartthrobs.
   "Midge Martin Mixes Men in a Masquerade Melee" 7 p. in
   Popular Teen-Agers, no. 6 (1958). -- Begins: "Meet Midge
   Martin, heart-throb of Glenview high school and pulse beat
   of City Press, where Midge has an afternoon reporting job."
   -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Glenview High School.
   "Midge Martin Mixes Men in a Masquerade Melee" 7 p. in
   Popular Teen-Agers, no. 6 (1958). -- Begins: "Meet Midge
   Martin, heart-throb of Glenview high school and pulse beat
   of City Press, where Midge has an afternoon reporting job."
   -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
City Press.
   "Midge Martin Mixes Men in a Masquerade Melee" 7 p. in
   Popular Teen-Agers, no. 6 (1958). -- Begins: "Meet Midge
   Martin, heart-throb of Glenview high school and pulse beat
   of City Press, where Midge has an afternoon reporting job."
   -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Reporters.
   "Midge Martin Mixes Men in a Masquerade Melee" 7 p. in
   Popular Teen-Agers, no. 6 (1958). -- Begins: "Meet Midge
   Martin, heart-throb of Glenview high school and pulse beat
   of City Press, where Midge has an afternoon reporting job."
   -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Villas.
   "Villain's Villa" (Eve Adams) 7 p. in Popular Teen-Agers,
   no. 6 (1958). -- Begins: Just give any girl a Venetian
   gondola, and she's bound to find herself drifting right
   into romance and danger." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Eve Adams (1958)
   "Villain's Villa" (Eve Adams) 7 p. in Popular Teen-Agers,
   no. 6 (1958). -- Begins: Just give any girl a Venetian
   gondola, and she's bound to find herself drifting right
   into romance and danger." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Venetian Gondolas.
   "Villain's Villa" (Eve Adams) 7 p. in Popular Teen-Agers,
   no. 6 (1958). -- Begins: Just give any girl a Venetian
   gondola, and she's bound to find herself drifting right
   into romance and danger." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Drifting.
   "Villain's Villa" (Eve Adams) 7 p. in Popular Teen-Agers,
   no. 6 (1958). -- Begins: Just give any girl a Venetian
   gondola, and she's bound to find herself drifting right
   into romance and danger." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Romance.
   "Villain's Villa" (Eve Adams) 7 p. in Popular Teen-Agers,
   no. 6 (1958). -- Begins: Just give any girl a Venetian
   gondola, and she's bound to find herself drifting right
   into romance and danger." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
Danger.
   "Villain's Villa" (Eve Adams) 7 p. in Popular Teen-Agers,
   no. 6 (1958). -- Begins: Just give any girl a Venetian
   gondola, and she's bound to find herself drifting right
   into romance and danger." -- Call no.: PN6728.2.A15P6no.6
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 9, 2021
   
-----------------------------------------------------
Mizna : Opinion, Poetry, Short Stories, Essays, and Art by
   Arab Americans. -- Minneapolis, MN : Mizna, Inc., 1999- .
   -- Began with v. 1, no. 1 (Winter 1999). -- LIBRARY HAS: v.
   21, no. 2 (2020) -- Call no.: PS508.A67 M59
-----------------------------------------------------
The Comix Issue : a New World Order / guest edited and cover
   art by Leila Abdelrazaq. -- Minneapolis, MN : Mizna, Inc.,
   2020. -- 107 p. : ill. (some col.) ; 22 cm. -- (Mizna ; v.
   21, no. 2) -- Cover title: Mizna : the Comix Issue. --
   Spine numbering: "volume 21.1." -- Alternative genre,
   comics by and about Arab Americans. -- Call no.: PS508.A67
   M59 v.21no.2
-----------------------------------------------------
"The New American Hero : Made in Japan" / Antonio Levi. p.
   68-83 in The Soul of Popular Culture (Chicago : Open Court,
   1998). -- Summary: An article about Japanese comics. --
   Includes bibliographical references. -- Call no.: folio
   PN6710.S35 1998
-----------------------------------------------------
"Roger Sabin : Comics, Comix and Graphic Novels : a History of
   Comic Art" p. 694-697 in Media Culture and Society, v. 19,
   no. 4 (Oct. 1997). -- A review by Jane Stokes of the Roger
   Sabin Book. -- Call no.: folio PN6710.S35 1997
-----------------------------------------------------
Unique Carl Barks & Disney Original Art & Collectibles. --
   Prescott, AZ : Another Rainbow/Gladstone/The Bruce Hamilton
   Company, 1997. -- 6 p. : col. ill. ; 22 cm. -- "Summer
   product catalog dated July 1, 1997." -- Call no.:
   PN6727.B35 Z9U5 1997
-----------------------------------------------------
Disney's Beauty and the Beast : Frame-Tray Puzzle. -- Racine,
   Wis. : Western Publishing Company, Inc., between 1991 and
   1997. -- 1 jigsaw puzzle : col. ill. ; 28 x 21 cm. --
   "8225." -- "Ages 3 to 7." -- Call no.: PN1997.5.B37 P8
   1990z
-----------------------------------------------------
Disney's Pocahontas : 12 Piece Puzzle. -- Springfield, MA :
   Parker Brothers, between 1995 and 1997. -- 1 jigsaw puzzle
   : col. ill. ; 28 x 21 cm. -- "Ages 3 to 5." -- Call no.:
   PN1997.5.P57 P8 1990z
-----------------------------------------------------
"Emancipated Anime : Girls Just Wanna Read (and Create)
   Manga"/ Melissa Maerz. p. 24, 26 in Utne (Mar./Apr. 2005).
   -- Article about girl readers and comics for girls (shojo).
   -- Call no.: folio PN6710 .S35 2005
-----------------------------------------------------
Ben Capozzi's Book. -- Christianburg, VA : Dreamsmith Studios,
   1997. -- 24 p. : ill. ; 31 cm. -- Stories previewed are:
   Norse Saga ; Chimera ; Anna. -- "Vol. 1, no. 1, June 1997."
   -- Fantasy genre. -- Indicia title: Book Preview Book. --
   Call no.: PN6728.6.D735 B4 1997
Capozzi, Ben Patrick.
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 10,
   2021 
-----------------------------------------------------
Captain America : Transformation and Triumph. -- New York :
   Marvel Worldwide, Inc., 2013. -- 12 p. : col. ill. ; 26 cm.
   -- (Marvel Custom Edition) -- Created as a giveaway for
   Kiehl's since 1851. -- "No. 1, published as a one-shot." --
   Superhero genre. -- Call no.: PN6728.8.M3 C266 2013
-----------------------------------------------------
'Hardboiled Egg Hunt" / by Art Spiegelman. cover of The New
   Yorker, v. 73, no. 6 (Mar. 31, 1997). -- Summary: Police
   are looking for Easter eggs like it's a crime scene, with
   flashlights, bubble-gum flashers and a search dog. -- Call
   no.: AP2.N52v.73no.6
-----------------------------------------------------
Heftig, Heftig! -- Erlangen : Greenpeace-Erlangen, 2014. -- 1
   sheet : col. ill. ; 22 x 30 cm -- A comics-format leaflet
   about waste paper recycling. -- Educational genre. -- Call
   no.: PN6758.H38 2014
-----------------------------------------------------
Almost American Girl : an Illustrated Memoir / Robin Ha. --
   New York : Balzer + Bray/Harper Alley, 2020. -- 227 p. :
   col. ill. ; 24 cm. -- Summary (from publisher via OCLC): "A
   powerful and moving teen graphic novel memoir about
   immigration, belonging, and how arts can save a
   life--perfect for fans of American Born Chinese and Hey,
   Kiddo. For as long as she can remember, it's been Robin and
   her mom against the world. Growing up as the only child of
   a single mother in Seoul, Korea, wasn't always easy, but it
   has bonded them fiercely together. So when a vacation to
   visit friends in Huntsville, Alabama, unexpectedly becomes
   a permanent relocation--following her mother's announcement
   that she's getting married--Robin is devastated. Overnight,
   her life changes. She is dropped into a new school where
   she doesn't understand the language and struggles to keep
   up. She is completely cut off from her friends in Seoul and
   has no access to her beloved comics. At home, she doesn't
   fit in with her new stepfamily, and worst of all, she is
   furious with the one person she is closest to--her mother.
   Then one day Robin's mother enrolls her in a local comic
   drawing class, which opens the window to a future Robin
   could never have imagined." -- Autobiographical genre. --
   Call no.: PN6727.H202 A4 2020
-----------------------------------------------------
"Not To Be Sneezed At I Suppose!"* (Livvy, Aug. 19, 1998) /
   Bob Maher. -- Summary: Mom has gotten a lot of pepper
   cheap. -- Call no.: PN6727 f.B55 "pepper"
-----------------------------------------------------
"When They Come Down To Our Level They Can Work Harder for
   Longer Periods"* (Bristow, Aug. 18, 1998) / Frank Dickens.
   -- Summary: Discovering that people who work on the top
   floor have more red cells and more oxygen, management has
   begun to put something called "Pep-o-Clerk" in the tea. --
   Call no.: PN6726 f.B55 "pep
-----------------------------------------------------
"I'm Glad I'll be Stuck in the Office"* (Bristow, Aug. 17,
   1998) / Frank Dickens. -- Summary: He looks on the bright
   side, and being indoors will help him not get skin cancer.
   -- Call no.: PN6726 f.B55 "skin cancer"
-----------------------------------------------------
"A New Strain of Anthrax, an Indesructable Strain!"* (Psycops,
   Aug. 19, 1998) / Wilbur. -- Summary: The abattoir workers
   got antibiotics right away, but died anyhow. -- Call no.:
   PN6726 f.B55 "anthrax"
-----------------------------------------------------
Nubia : Real One / written by L.L. McKinney ; illustrated by
   Robyn Smith ; cover color by Bex Glendining ; interior
   color by Brie Henderson with Robyn Smith and Bex Glendining
   ; lettered by Ariana Maher. -- Burbank, CA : DC Comics,
   2021. -- 205 p. : col. ill. ; 23 cm. Introduction by
   Dhonielle Clayton. -- "Nubia has always been a little bit
   different. As a baby she showcased Amazonian-like strength
   by pushing over a tree to rescue her neighbor's cat. But
   despite her having similar abilities, the world has no
   problem telling her that she's no Wonder Woman. And even if
   she were, they wouldn't want her. Every time she comes to
   the rescue, she's reminded of how people see her: as a
   threat. Her moms do their best to keep her safe, but Nubia
   can't deny the fire within her, even if she's a little
   awkward about it sometimes. Even if it means people assume
   the worst. When Nubia's best friend, Quisha, is threatened
   by a boy who thinks he owns the town, Nubia will risk it
   all--her safety, her home, and her crush on that cute kid
   in English class--to become the hero society tells her she
   isn't." -- Superheroin genre, about an African American
   teenage girl. -- Call no.: PN6790.J253 S53 N8 2021
McKinney, L. L. (Leatrice L.).
-----------------------------------------------------
"What Does the Chairman of a Depressing Two-Bob Club like this
   Actually Do?"* (Striker, Aug. 19, 1998) / Nash, Walker &
   Cooper. -- Summary: Eric shows his negotiating skill. --
   Call no.: PN6726 f.B55 "negotiations" 
-----------------------------------------------------
Small Publishers Co-Op Zine & Comic Catalog. -- Sarasota, Fl :
   Small Publishers Co-Op, 1997. -- 15 p. : ill. ; 28 cm. --
   "Summer 1997 : the first ever!" -- Catalog/adzine includes
   alternative genre comic books. -- Call no.: PN6725.F57 Z5
   1997
-----------------------------------------------------
Legion of Stupid Heroes. #2. -- Battle Creek, MI : Alternate
   Concepts, 1997. -- 32 p. : ill. ; 26 cm. -- "Sept. 1997."
   -- Parody and superhero genres. -- Call no.: PN6728.6.A416
   L402 1997
-----------------------------------------------------
Burger. -- Brooklyn, N.Y., 1994- . -- ill. ; 26-28 cm. --
   Editors: Drew Curtis, Eben Dodd, Denisé Ozker, Tim Whidden.
   -- An anthology series, alternative genre. -- LIBRARY HAS:
   no. 2 (1997). -- Call no.: PN6726.B77
-----------------------------------------------------
Fear Itself Sketchbook. -- New York : Marvel Worldwide, Inc.,
   2011.-- 16 p. : col. ill. ; 25 cm. -- "No. 1, published as
   a one-shot." -- Superhero genre. -- Call no.: PN6728.8.M3
   F38Z5 2011b 
-----------------------------------------------------
Cairo : a Modern Fable / written by G. Willow Wilson ; art by
   M.K. Perker. -- New York : DC Comics, 2007. -- 12 p. : ill.
   ; 23 cm. -- Sneak previews of two forthcoming Vertigo
   graphic novels. -- A double sided ed. with Sentences: the
   life of M.F. Grimm / written by Percy Carey ; illustrated
   by Ronald Wimberly. -- Call no.: PN6790.T83 P4C32 2007
-----------------------------------------------------
Crouching Tiger Hidden Dragon. Crayon Shinchan. -- United
   States : Comics One, 2002. -- 8 p. : ill. ; 28 cm. --
   Preview samples of two series forthcoming from ComicsOne,
   translations from Chinese and Japanese respectively. -- A
   four-page preview sample of Storm Riders is laid in. --
   Call no.: PN6790.C43 S4W613 2002b
-----------------------------------------------------
Marvel Voices : Legacy. -- New York : Marvel, 2020. -- 1 sheet
   : col. ill. ; 91 x 61 cm. -- Prepublication advertising
   poster. -- Superhero genre. -- Call no.: PN6728.9.M3 M3302
   2020
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 14,
   2021 
-----------------------------------------------------
Jim Chadwick's Rennin Comics. -- Malibu, Calif. : Restless
   Muse, 1997. -- 29 leaves: ill. ; 28 cm. -- A preview
   printing, pencil art only after leaf 21. -- Alternative
   genre. -- Call no.: PN6728.6.R378 J502 1997
-----------------------------------------------------
Ninja Duck. -- United States : Duc Comics, 1997- . -- ill. ;
   22 cm. -- "Art and story by Josh Ellingson." -- New wave
   and funny animal genres. -- LIBRARY HAS: no. 1. -- Call
   no.: PN6728.55.D77 N5
-----------------------------------------------------
The Story of the Expendable Writer. -- New York : The Art
   Directors Club, 1997. -- 1 sheet : ill. ; 58 x 87 cm. fold.
   to 29 cm. -- A mailing soliciting nominations for the The
   Art Directors Club 1997 annual awards, on the verso of
   which is a large 18-panel comic strip with word balloons
   but no words. -- Story without words. -- Call no.: NX412.A7
   1997
-----------------------------------------------------
Bone. -- Los Gatos, CA : Cartoon Books, 1991-2004. -- ill. ;
   26 cm. -- Published no. 1 (July 1991) - no. 55 (June 2004).
   -- By Jeff Smith. -- During this run the title moved to
   Image Comics, but returned to Cartoon Books to have the
   Image issues reprinted with the Cartoon Books imprint. --
   Fantasy genre. -- LIBRARY HAS: no. 1-55. -- Call no.:
   PN6728.6.C32B6
COMPLETE HOLDINGS
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 15,
   2021 
-----------------------------------------------------
Revista Latinoamericana de Estudios Sobre la Historieta, no.
   28 (Dec. 2007)
   CONTENTS: "La Historieta Popular Mexicana en la Hora de su
   Arqueología" p. 185-197 -- "Nuez : Premio a la Caricatura"
   p. 198-204 -- "La Construcción del Héroe en El Eternauta
   (2)" p. 205-224 -- "La Historieta Uruguaya" p. 225-236 --
   "Breve Aproximación a una Historia de la Historieta
   Boliviana" p. 237-244 -- "El Boom de la Historieta
   Boliviana" p. 245-248 -- Call no.: PN6790.L29R4no.28
-----------------------------------------------------
Treasure Chest of Fun and Fact, v. 23, no. 18 (May 2, 1968)
   CONTENTS: "Backtalk" (letters) p. 2, 34 -- "Nathan Hale,
   Patriot" p. 3-8 -- "Did You Know?" p. 9 -- "Slot Cars"*
   (Chuck White and His Friends) p. 10-15 -- "The Hunter"  1
   p. -- "Oasis Pool"* (Ali) p. 17 -- "It's Knuckles Down
   Time!" text p. 18-19 -- "Escape from the Arctic Ice Trap"
   p. 20-25 -- "Just Browsing"* (Randy) p. 26 -- "It's a
   Fact!" p. 27 -- "Gruder's Treachery" (Forty-Niner Fever,
   pt. 8) p. 28-33 -- "One Bull Power Buzz Saw" p. 35 --
   "Sammy Snacker" p. 36 -- Call no.: PN6728.1.P43T7v.23no.18
-----------------------------------------------------
World Famous Comics Convention Special. #1. -- Columbus, OH :
   World Famous Comics, 1996. -- 12 p. : ill. ; 22 cm. --
   Introduces an online comics store. -- Call no.: PN6714.W587
   1996
-----------------------------------------------------
Pigeon-Man, the Birdbrain : the Extra Special Story for
   Pigeon-Man's Second Issue! -- Dayton, OH : Ferry Tail
   Studio, 1993. -- 4 p. : ill. ; 22 cm. -- "This is an
   excerpt from Pigeon-Man #2." -- Superhero genre. -- Call
   no.: PN6728.6.F42 P502 1993
-----------------------------------------------------
Friends of Lulu Presents Comics are for Everyone! -- San
   Diego, CA : Friends of Lulu, 1995. -- 4 p. : ill. ; 22 cm.
   -- Call no.: PN6726.F7C6 1995
-----------------------------------------------------
Jesus Comic Convention Special. vol. 1, no. 1. -- Gonzales, LA
   : Drippan Comix Studios, 1996. -- 8 p. : ill. ; 14 cm. --
   Cover title: John E. Thompson's Jesus Comix. -- Published
   "in cooperation with Didactic Chocolate Press." -- New wave
   genre. -- Call no.: PN6728.55.D733 J4 1996
-----------------------------------------------------
2 Vatos in "Vato's Dinner" / by Thomas Mansell. -- United
   States? : Thomas Mansell, 1996. -- 1 sheet : ill. ; 28 cm.
   -- Summary: A 4-tier strip, in which Mexican skeletons
   discuss dining at Taco Bell. -- New wave genre. -- Call
   no.: PN6728.55.M3357 D6 1996
-----------------------------------------------------
Yankee Doodle and His Dandy Interns! -- Chicago, Illinois :
   Killeen and Bernstein, 1996. -- 4 p. : ill. ; 28 cm. --
   Written by David Bernstein & Dan Killeen, illustrated by
   Don Killeen. -- Description and cast of characters of a
   forthcoming comic book. -- Superhero genre. -- Call no.:
   PN6728.Y3 B4 1996
-----------------------------------------------------
No Está Todo Dicho : Cultura y Politica en Caricaturas / Jaime
   Clara. -- Montevideo : Planeta, 2020. -- 175 p. : col. ill.
   ; 26 cm. -- Call no.: NC1460.C55 N6 2020
Clara, Jaime, 1965-
-----------------------------------------------------
Chicago Comicon 1996 : Schedule of Events. -- Chicago, Ill. :
   Chicago Comicon, 1996. -- 4 p. : ill. ; 43 cm. -- Call no.:
   PN6702.C47 1996b
Chicago Comicon (21st : 1996)
-----------------------------------------------------
The Chicago Comicon Program Book. -- Chicago, Ill. : Chicago
   Comicon, 1996. -- 30 p. : ill. ; 28 cm. -- Other title: The
   1996 Chicago Comicon. -- Call no.: PN6702 .C47 1996
Chicago Comicon (21st : 1996)
-----------------------------------------------------
The World's Greatest Graphic Novels : Essentials. -- New York
   : DC Entertainment, 2013. -- 1 sheet : col. ill. ; 56 cm x
   76 cm --	"75 years of Batman." -- Summary (from OCLC):
   Batman appears, feet up and reading a graphic novel,
   outside a jail cell, keys close at hand. Batgirl is there
   in the prison librarian role, while multiple classic Batman
   villains appear inside cell and Catwoman hangs upside-down
   from the outside. Each of the characters is reading a
   graphic novel (Catwoman on a tablet reader). Appearing in
   the cell are: Harley Quinn, Poison Ivy, Two-Face, Mr.
   Freeze, etc. Many graphic novels lie stacked on the table
   before Batman and on Batgirl's book truck. -- Call no.:
   PN6725.D34 W6 2013
-----------------------------------------------------
"Backtalk" p. 2, 34 in Treasure Chest of Fun and Fact, v. 23,
   no. 18 (May 2, 1968). -- Joke letters. -- Call no.:
   PN6728.1.P43T7v.23no.18
-----------------------------------------------------
"Nathan Hale, Patriot" / written by Jean E. Taggart ;
   illustrated by Bill Walsh. p. 3-8 in Treasure Chest of Fun
   and Fact, v. 23, no. 18 (May 2, 1968). -- Call no.:
   PN6728.1.P43T7v.23no.18
-----------------------------------------------------
"Did You Know?" / by Mario DeMarco. p. 9 in Treasure Chest of
   Fun and Fact, v. 23, no. 18 (May 2, 1968). -- Illustrated
   sports facts, about Don Bowden and the 4-minute mile,
   Rogers Hornsby and batting averages, golf, and Jim Brown of
   the Cleveland Browns football team. -- Call no.:
   PN6728.1.P43T7v.23no.18
-----------------------------------------------------
"Slot Cars"* (Chuck White and His Friends) / Matt Christopher
   ; Fran Matera. p. 10-15 in Treasure Chest of Fun and Fact,
   v. 23, no. 18 (May 2, 1968). -- Begins: "Chuck is racing
   slot cars with Ed Bell and Cookie Jones." -- "To be
   continued." -- Call no.: PN6728.1.P43T7v.23no.18
-----------------------------------------------------
"The Hunter" / Baginski. 1 p. in Treasure Chest of Fun and
   Fact, v. 23, no. 18 (May 2, 1968). Summary: A hunter with a
   rifle follows strange tracks, and finds a frogman. --
   Silent strip.-- Call no.: PN6728.1.P43T7v.23no.18
-----------------------------------------------------
"Oasis Pool"* (Ali) / Marvin Townsend. p. 17 in Treasure Chest
   of Fun and Fact, v. 23, no. 18 (May 2, 1968). -- Summary:
   Ali is in a desert, and finds a pond to soak his feet in.
   -- Silent strip. -- Call no.: PN6728.1.P43T7v.23no.18
-----------------------------------------------------
"It's Knuckles Down Time!" / by Thomas R. Lane. text p. 18-19
   in Treasure Chest of Fun and Fact, v. 23, no. 18 (May 2,
   1968). -- About playing marbles. -- Call no.:
   PN6728.1.P43T7v.23no.18
-----------------------------------------------------
"Escape from the Arctic Ice Trap : the Story of Elisha Kent
   Kane" / by George Straley. p. 20-25 in Treasure Chest of
   Fun and Fact, v. 23, no. 18 (May 2, 1968). -- Call no.:
   PN6728.1.P43T7v.23no.18
Kane, Elisha Kent, 1820-1857.
-----------------------------------------------------
"Just Browsing"* (Randy) p. 26 in Treasure Chest of Fun and
   Fact, v. 23, no. 18 (May 2, 1968). -- Summary: Randy works
   out in a sporting goods department every day after school.
   -- Call no.: PN6728.1.P43T7v.23no.18
-----------------------------------------------------
"It's a Fact!" / by Mario DeMarco. p. 27 in Treasure Chest of
   Fun and Fact, v. 23, no. 18 (May 2, 1968). -- Illustrated
   facts about peace pipes, the archer fish, cobras, and the
   Statue of Liberty. -- Call no.: PN6728.1.P43T7v.23no.18
-----------------------------------------------------
"Gruder's Treachery" (Forty-Niner Fever, pt. 8) / by F.E.
   Crandall ; illustrated by Lloyd Ostndorf. p. 28-33 in
   Treasure Chest of Fun and Fact, v. 23, no. 18 (May 2,
   1968). -- "Continued next issue." -- Call no.:
   PN6728.1.P43T7v.23no.18
-----------------------------------------------------
"One Bull Power Buzz Saw" p. 35 in Treasure Chest of Fun and
   Fact, v. 23, no. 18 (May 2, 1968). -- An elaborate
   invention sent in by readers Linda and Stephen Sabatini. --
   Call no.: PN6728.1.P43T7v.23no.18
-----------------------------------------------------
"Sammy Snacker" p. 36 in Treasure Chest of Fun and Fact, v.
   23, no. 18 (May 2, 1968). -- Describes a classmate who eats
   in class. -- Call no.: PN6728.1.P43T7v.23no.18
-----------------------------------------------------
"La Historieta Popular Mexicana en la Hora de su Arqueología"
   / Juan Manuel Aurrecoechea. p. 185-197 in Revista
   Latinoamericana de Estudios Sobre la Historieta, no. 28
   (Dec. 2007). -- "Resumen: Entre las décadas del cuarenta y
   del noventa del siglo pasado la historieta fue la lectura
   popular por excelencia, cuando no la única, de la inmensa
   mayoría de los mexicanos. A mediados de la década del
   ochenta la cantidad de lecturas de historieta alcanzó en
   México la increíble cifra de los dos mil milliones de
   lecturas anuales. Pese a su importancia, los círculos
   cultos y académicos despreciaron durante años a la
   historieta popular y cuando más le dedicaron fáciles
   déscalificaciones, considerándola lectura despreciable. Hoy
   que el prejudicio parece superado y las nuevas generaciones
   la valoran de una manera mucho más abierta, la historieta
   mexicana se encuentra en franco proceso de extinción y
   apenas quedan huellas de su presencia, omnipresente e
   insoslayable tan solo unos años atrás." -- Abstract: During
   the forties and nineties of last century the comic was the
   most important popular reading, when not the only one, of
   the immense majority of Mexicans. By the middle of the
   eighties the comic-reading quantity reached the incredible
   figure of two thousand million per year in Mexico. In spide
   of their importance, the learned and academic circles
   rejected popular comics for years, considering them easily
   dismissed as worthless reading. Today when that prejudice
   is overcome and new generations value comics in a much more
   open way, the Mexican comic is becoming extinct, leaving
   only signs of its presence, though it was omnipresent and
   unavoidable just a few years before." -- Abstracts as
   printed with article, with some editing of the English. --
   Call no.: PN6790.L29R4no.28
-----------------------------------------------------
"Nuez : Premio a la Caricatura" / Adelaida de Juan. p. 198-204
   in Revista Latinoamericana de Estudios Sobre la Historieta,
   no. 28 (Dec. 2007). -- "Resumen: El texto recorre
   sintéticamente la trayectoria artística y profesional del
   caricaturista cubano René de la Nuez Robaina subrayando
   especialmente la trandencía histórica y política de su
   personaje El Loquito." -- "Abstract: The text analyses
   synthetically the artistic and professional trajectory of
   the Cuban caricaturist René de la Nuez Robaina, underlining
   especially the historical and political importance of his
   character El Loquito." -- Abstracts as printed with
   article. -- Call no.: PN6790.L29R4no.28
Nuez.
-----------------------------------------------------
"La Construcción del Héroe en El Eternauta (2)" / Luis Mauro
   Sujatovich. p. 205-224 in Revista Latinoamericana de
   Estudios Sobre la Historieta, no. 28 (Dec. 2007). --
   "Resumen: Esta segunda parte comienza dando precisiones
   acerca del contexto en que emerge la obra. Luego se
   introduce en la historieta y narra las acontecimientos que
   convierten a Juan Salvo, su familia y sus amigos en el
   grupo de sobrevivientes que  peleará par defender a Buenos
   Aires de la invasión. -- "Abstract: This second part begins
   giving details about the context in which the work
   appeared. Then the comic is introduced and the events
   narrated that convert Juan Salvo, his family and his
   friends into the group of survivors that will fight to
   defend Buenos Aires against the invasion." -- Abstracts as
   printed with article, with some editing of the English. --
   Call no.: PN6790.L29R4no.28
-----------------------------------------------------
"La Historieta Uruguaya" / Hernán Ostumi Rocca. p. 225-236 in
   Revista Latinoamericana de Estudios Sobre la Historieta,
   no. 28 (Dec. 2007). -- "Resumen: El desarrollo de la
   historieta uruguaya ha sido lento y la probable causa de
   esta morosidad ha sido la emigración de sus artistas
   nativos hacia otras paises en los que triunfaron
   artisticamente. Como ejemplos podemos citar a Alberto
   Breccia, Emilio Cortinas y Eduardo Barreto. A lo largo de
   esta investigación se han puesto de manifiesto varias
   caracteristicas: la calidad, la cantidad y el compromiso de
   la historieta charrúa. Este trabajo no pretende ser la
   historia oficial, apenas es un compilado de datos,
   reordenados para darle forma de ensayo; creo que la
   historia todavia está por escribirse." -- "Abstract: The
   development of the Uruguayan comic has been slow and the
   probably cause of this delay has been the emigration of its
   native artists toward other countries where they triumphed
   artistically. As examples we can mention Alberto Breccia,
   Emilio Cortinas and Eduarto Barreto. Throughout this
   investigation several characteristics are show: the
   quality, the quantity and the commitment of the Uruguayan
   comic. This work doesn't seek to be the official history,
   it is merely a data compilation reordered to give it the
   form of an article; I believe that the history is still to
   be written." -- Abstracts as printed with article, with
   some editing of the English. -- Call no.: PN6790.L29R4no.28
Cortinas, Emilio, 1916-1955.
-----------------------------------------------------
"Breve Aproximación a una Historia de la Historieta Boliviana"
   / Joaquín Cuevas. p. 237-244 in Revista Latinoamericana de
   Estudios Sobre la Historieta, no. 28 (Dec. 2007). --
   "Resumen: En Bolivia nunca ha existado una industria
   editorial y no se tiene suficiente documentación histórica
   sobre su historieta, pero se puede afirmar que hasta
   mediados de la década del noventa la temática más
   recurrente fue el humor político. A partir de entonces
   aparecen publicaciones de historieta de temas diversos.
   Cuanto comienza el siglo XXI, gracias a muchos factores,
   entre ellos la existencia de un Encuentro Internacional de
   Historietas en la ciudad de La Paz, comienzan a publicarse
   más de una treintena de titulos autogestionados y con una
   diversidad de estilo." -- "Abstract: In Bolivia a
   publishing industry has never existed and there is not
   enough historical documentation on its comics, but we can
   affirm that until the middle of the nineties political
   humor was the most recurrent theme. -- Starting from that
   period publications of comics on diverse topics appear.
   When the XXI century began, because of many factors, among
   them the holding of an International Meeting on Comics in
   the city of La Paz, more than thirty self-published titles
   with a diversity of styles began to be published." --
   Abstracts as printed with article, with some editing of the
   English. -- Call no.: PN6790.L29R4no.28
-----------------------------------------------------
"El Boom de la Historieta Boliviana" / Jorge Siles. p. 245-248
   in Revista Latinoamericana de Estudios Sobre la Historieta,
   no. 28 (Dec. 2007). -- "Resumen: Estamos ante un análisis
   del logro de la identidad boliviana en la historieta a
   través de los Encuentros Internacionales de Historieta que
   ya suman cinco ediciones, y veremos cómo el autor afianza
   un recorrido por los distintos momentos de la publicación
   del género en el pais y los avatares que han debido sortear
   los promotores para conducir por buen camino el arte
   secuencial." -- "Abstract: We have here an analysis of the
   achievement of Bolivian identity in comics through the
   International Meetings of Comics that have already happened
   five times in the country. We will see as the author guides
   a journey through the different moments of the publication
   of the genre in the country, and the changes that the
   promoters should have made to put sequential art on a good
   path." -- Abstracts as printed with article, with some
   editing of the English. -- Call no.: PN6790.L29R4no.28
-----------------------------------------------------
BELOW IS THE EDITED VERSION MOVED FROM TEMPJJL6-15-21:
-----------------------------------------------------
Rough Age / Max de Radiguès. -- Buffalo, New York : One
   Percent Press, 2014. -- 1 v. : ill. ; 18 cm. -- Translation
   of: "L'Age Dur. -- Call no.: PN6747.R308 A3413 2014
Radiguès, Max de, 1982-
-----------------------------------------------------
Amerika : based on the novel by Franz Kafka / Réal Godbout. --
   Greenwich, Nova Scotia, Canada : Conundrum Press, 2014. --
   176 pages : ill. ; 26 cm. - (BDAng ; 13) -- Translation of:
   L'Amérique, ou Le Disparu. -- Summary (from OCLC): In this
   graphic novel adaptation of Franz Kafka's unfinished novel
   Amerika, young immigrant Karl Rossmann is sent to New York
   to redeem himself following an embarrassing sexual
   misadventure. -- Call no.: PN6747.G6 A513 2014
Godbout, Réal.
Dascher, Helge, 1965-
-----------------------------------------------------
Quodlibet / text by Sebastian Gievert ; illustrations by Katja
   Spitzer ; translation by Michael Routledge. -- London :
   Nobrow Press, 2011. -- 1 volume (unpaged) : col. ill. ; 25
   cm. -- Alphabet book. -- Call no.: PN6757.G5 Q8 2011
Gievert, Sebastian.
Routledge, Michael J.
Spitzer, Katja.
-----------------------------------------------------
Schmo / Jeff Ladouceur ; avec une postface de Lee Henderson.
   -- Montréal : Oie de Cravan, 2004. -- 1 volume : ill. ; 24
   cm. -- Summary (from OCLC): Compendium of poetic works to
   surreal flavor, made with pen and black ink, by this artist
   from British Columbia. Brilliantly, he directed a fantasy
   world populated and hallucinated by tiny elephants, huge
   fluffy clouds and human arms so long that they intermingle.
   -- Underground genre. -- Call no.: PN6733.L31 S35 2004
Henderson, Lee, 1974-
Ladouceur, Jeff.
-----------------------------------------------------
Pawn Shop / creators, Joey Esposito & Sean Von Gorman ; cover,
   colors chapters 2-4, Jonathan Moore ; letters, Adam Pruett.
   -- New York City : Z2 Comics, 2015. -- 1 v. : col. ill. ;
   26 cm. -- Summary (from publisher via OCLC): "A widower. A
   nurse. A punk. A Long Island Railroad employee. New York
   City is an ecosystem where everybody is connected, if only
   by the streets they walk on. This original graphic novel is
   the story of four people, in a city of eight million, whose
   lives unknowingly intersect through a Manhattan pawn shop."
   -- Call no.: PN6727.E81 P3 2015
Esposito, Joey.
Von Gorman, Sean.
Moore, Jonathan.
Pruett, Adam O.
-----------------------------------------------------
How About a Slow Ride Through the Township / Xolisa Pezisa,
   inspired by Ex-creation. -- Cape Town : Kollektivo
   Illuminoso Fresco, 2016. -- 1 v. : ill. ; 21 x 31 cm. --
   Call no.: PN6790.S6 P4H4 2016
Pezisa, Xolisa, 1988-
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 16,
   2021
-----------------------------------------------------
Journal of Graphic Novels and Comics, v. 5, no. 1 (Mar. 2014)
   CONTENTS: "Editorial" p. 1-2 -- "Thinking in Cartoons :
   Reclaiming Spiegelman's In the Shadow of No Towers" p. 3-14
   -- "Beyond the Photograph : a Graphic History of Lynching"
   p. 15-28 -- "Abstract-Sequential Art" p. 29-41 -- "Mirrored
   Discourse in Alison Bechdel's Fun Home" p. 42-57 --
   "Reconsidering International Comics : Foreignness,
   Locality, and the Third Space" p. 58-69 -- "Art
   Spiegelman's In the Shadow of No Towers and the Art of
   Graphic Autofiction" p. 70-78 -- "And the Negro Thinks in
   Hieroglyphics : Comics, Visual Metonymy, and the Spectacle
   of Blackness" p. 79-100 -- "Stuck in Tights : Mainstream
   Superhero Comics' Habitual Limitations on Social
   Consructions of Male Superheroes" p. 101-117 -- "Batman is
   All About Contingency Planning : an Interview with American
   Comic-Book Writer Chuck Dixon" p. 118-122 -- Call no.:
   PN6700.J68v.5no.1
-----------------------------------------------------
MU 1996 Catalog. Æon 1996 Catalog. -- Seattle, WA : MU Press,
   1996. -- 12 p. : ill. ; 19 cm. -- Two catalogs of
   alternative comics, printed back-to-back inverted. -- Call
   no.: PN6725.M76 C3 1996
-----------------------------------------------------
The Big Bang Bulletin : the Official Publication of Big Bang
   Comics! : Summer 1996. -- Appleton, WI : Big Bang Comics,
   1996. -- 5 p. : ill. ; 29 cm. -- Call no.: PN6714.B49 B8
   1996
-----------------------------------------------------
Courage Inc. : Chicago Comicon Special. -- United States :
   Shocktrauma Comics/Shocktrauma Studios, 1996. -- 9 p. :
   ill. ; 22 cm. -- Science fiction genre. -- Call no.:
   PN6728.6.S457 C6 1996
-----------------------------------------------------
Led Balloons / by Dave Kocher. -- Erie, PA : Dave Kocher,
   1996. -- 18 p. : ill. ; 28 cm. -- Cartoons. -- Call no.:
   NC1429.K6 L4 1996
-----------------------------------------------------
"Editorial" / David Huxley and Joan Ormrod. p. 1-2 in Journal
   of Graphic Novels and Comics, v. 5, no. 1 (Mar. 2014). --
   Introduces the issue. -- Call no.: PN6700.J68v.5no.1
-----------------------------------------------------
"Thinking in Cartoons : Reclaiming Spiegelman's In the Shadow
   of No Towers" / Julie Reiner. p. 3-14 in Journal of Graphic
   Novels and Comics, v. 5, no. 1 (Mar. 2014). -- Abstract
   begins: "In this essay, I try to reclaim Art Spiegelman's
   In the Shadow of No Towers from critics who have tried,
   since Maus, to read his work solely through the lens of
   trauma- or affect-based theory. Situating In the Shadow of
   No Towers intertextually against his earlier Breakdowns:
   Portrait of the Artist as a Young %@*}! and his published
   interviews, I trace out Spiegelman's theorization of the
   'grammar' of comics as a 'medium of thought'..." -- Call
   no.: PN6700.J68v.5no.1
-----------------------------------------------------
"Beyond the Photograph : a Graphic History of Lynching" /
   Megha Anwer. p. 15-28 in Journal of Graphic Novels and
   Comics, v. 5, no. 1 (Mar. 2014). -- Abstract begins: "This
   paper studies the 2008 graphic novel Incognegro in
   conjunction with the surviving lynching photographs. It
   argues that Johnson and Pleece's work gives us a
   behind-the-scenes documentation of lynching, an 'inside
   view' that the photographs, despite their claimed reliance
   on a facticist projection of 'objective reality,' often
   fail to do." -- Call no.: PN6700.J68v.5no.1
-----------------------------------------------------
"Abstract-Sequential Art" / Kym Tabulo. p. 29-41 in Journal of
   Graphic Novels and Comics, v. 5, no. 1 (Mar. 2014). --
   Abstract begins: "What is abstract sequential art? The
   paper contains answers to this question by defining this
   genre and scrutinizing the sub-genres of abstract comics
   and abstract polyptychs." -- Call no.: PN6700.J68v.5no.1
-----------------------------------------------------
"Mirrored Discourse in Alison Bechdel's Fun Home" / Michael J.
   Kelley. p. 42-57 in Journal of Graphic Novels and Comics,
   v. 5, no. 1 (Mar. 2014). -- Abstract begins: "In their
   introduction to Modern Fiction Studies' 2006 special issue
   on graphic narratives, Hillary Chute and Marianne DeKoven
   direct attention to the unique powers of the genre's
   layered language of text and image, calling these
   narratives works that are 'in their very structure and
   grammar, cross-discursive." -- Call no.: PN6700.J68v.5no.1
-----------------------------------------------------
"Reconsidering International Comics : Foreignness, Locality,
   and the Third Space" / Juan Meneses. p. 58-69 in Journal of
   Graphic Novels and Comics, v. 5, no. 1 (Mar. 2014). --
   Abstract begins: "In this article, I propose the label
   'inter-national comics' as an alternative to 'international
   comics.' As it is currently understood, the notion of
   'international comics' places a particular emphasis on the
   foreignness of works produced in other countries to the
   detriment of their reception by new readerships." -- Call
   no.: PN6700.J68v.5no.1
-----------------------------------------------------
"Art Spiegelman's In the Shadow of No Towers and the Art of
   Graphic Autofiction" / Jenn Brandt. p. 70-78 in Journal of
   Graphic Novels and Comics, v. 5, no. 1 (Mar. 2014). --
   Abstract begins: "This essay discusses Art Spiegelman's
   2004 publication In the Shadow of No Towers as a graphic
   representation of 9/11, Spiegelman's reaction to the event
   and its political consequences, and a metafiction of
   Spiegelman's creative process." -- Call no.:
   PN6700.J68v.5no.1
-----------------------------------------------------
"And the Negro Thinks in Hieroglyphics : Comics, Visual
   Metonymy, and the Spectacle of Blackness" / Qiana Whitted.
   p. 79-100 in Journal of Graphic Novels and Comics, v. 5,
   no. 1 (Mar. 2014). -- Abstract begins: "This essay examines
   how comics grapple with transnational racial discourses
   that have historically marked an muted blackness, and
   identifies a series of visual and verbal strategies in
   recent texts that seek to restore the agence of a black
   speaking, seeing subject. Using as examples the American
   graphic novel Nat Turner, by Kyke Baker, and the first
   volume of the West African francophone comic series Aya, by
   Marguerite Abouet and Clément Oubrerie, my analysis
   demonstrates how these comics incorporate metonymy and its
   contiguous associations to experiment with subversive acts
   of black speech and spectatorship." -- Call no.:
   PN6700.J68v.5no.1
-----------------------------------------------------
"Stuck in Tights : Mainstream Superhero Comics' Habitual
   Limitations on Social Consructions of Male Superheroes" /
   Robert Voelker-Morris & Julie Voelker-Morris. p. 101-117 in
   Journal of Graphic Novels and Comics, v. 5, no. 1 (Mar.
   2014). -- Abstract begins: "Mainstream superhero comics,
   such as Batman, Superman and Spider-Man, rarely ask their
   predominantly male readers the question: 'What is our role
   as men in the everyday world?' By overlooking this
   question, such typical superhero comics struggle with
   exploring the 'normal, average' roles of ordinary men:
   husband, father, son, worker, lover. Rather, superhero
   comics most often explore men in the public, political
   realm, creating narratives about the political climate of
   the times." -- Call no.: PN6700.J68v.5no.1
-----------------------------------------------------
"Batman is All About Contingency Planning : an Interview with
   American Comic-Book Writer Chuck Dixon" / Jeffrey Klaehn.
   p. 118-122 in Journal of Graphic Novels and Comics, v. 5,
   no. 1 (Mar. 2014). -- Abstract begins: "Chuck Dixon has
   been working for more than 20 years as a full-time
   comic-book writer. His first regular assignments were
   Airboy, for Eclipse, and the lead feature on Savage Sword
   of Conan, for Marvel Comics."  -- Call no.:
   PN6700.J68v.5no.1
-----------------------------------------------------
Atland-Atlantico Weekly. -- Brooklyn, New York :
   Atland-Atlantico Publications, . -- ill. ; 28 cm. -- A
   comics adzine, with some articles about comics. -- LIBRARY
   HAS: v. 1, no. 2 (1972). -- Call no.: PN6725.A78
-----------------------------------------------------
Heckzapoppin. -- Saugus, MA : Btoom Pubs., 1970?- . -- ill. ;
   28 cm. -- A periodical about comics. -- LIBRARY HAS: v. 1,
   no. 3 (1971). -- Call no.: PN6725.H393
-----------------------------------------------------
Graphic Story Journal. -- Ann Arbor, Mich. : The Ann Arbor
   Pioneer High Society for the Appreciation of the Graphic
   Story, 1970?-1972. -- ill. ; 28 cm. -- Published #1 - #10.
   -- Other title: Graphik Story Journal. -- Fan comics. --
   LIBRARY HAS: no. 1, 10 (1970-1972). -- Call no.:
   PN6728.35.A52 G7
-----------------------------------------------------
Cement. -- Los Alamitos, Calif. : P.P. Pub., 1971- . -- il. ;
   28 cm. -- Other title: Cement Magazine. -- Fan comics. --
   LIBRARY HAS: no. 1. -- Call no.: PN6728.35.P2 C4
-----------------------------------------------------
Solar Pencil of Destiney. -- Plainwell, Mi. : Michael Stevens,
   . -- ill. ; 28 cm. -- "NG : a Noxious Gas production." --
   Fan comics. -- LIBRARY HAS: no. 2a (1972). -- Call no.:
   PN6728.35.N6 S6
-----------------------------------------------------
Bugbaer. -- St. Louis, Mo. : Dis Corporation, 1972- . -- ill.
   ; 28 cm. -- Began with vol. 1, #1 (May 1972). -- Fan
   comics. -- LIBRARY HAS: v. 1, no. 1. -- Call no.:
   PN6728.35.D54 B8
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 18,
   2021 
-----------------------------------------------------
The New Yorker, v. 92, no. 26 (Aug. 29, 2016)
   COMICS CONTENTS: "Wave" (cover) / J.J. Sempé -- "Lost" /
   Art Spiegelman. p. 69 -- Call no.: AP2.N52v.92no.26
-----------------------------------------------------
 "Things I'm Afraid My Daughter Will Be Doing in 2026" / by
   Emily Flake. p. 54 in The New Yorker, v. 93, no. 20 (July
   10 & 17, 2017). -- Mainly negative prognostications about
   digital media. -- Call no: AP2.N52v.93no.20
-----------------------------------------------------
"Small Victories : Ant-Man, and, The Look of Silence" / by
   Anthony Lane. p. 74-75 in The New Yorker, v. 91, no. 21
   (July 27, 2015) -- Movie reviews. -- Call no.:
   AP2.N52v.91no.21
-----------------------------------------------------
"Wave" / J.J. Sempé. cover of The New Yorker, v. 92, no. 26
   (Aug. 29, 2016). -- Characters at the seashore see an
   intimidating sea. -- Call no.: AP2.N52v.92no.26
-----------------------------------------------------
"Lost" / Art Spiegelman. p. 69 in The New Yorker, v. 92, no.
   26 (Aug. 29, 2016). -- Begins: "Have you seen my ball?" --
   Call no.: AP2.N52v.92no.26
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 21,
   2021 
-----------------------------------------------------
European Comic Art, v. 12, no. 2 (Autumn 2019)
   CONTENTS: "Editorial : A Historical Focus on Comics" p.
   v-ix -- "Bande Dessinée and the Penal Imaginary : Graphic
   Constructions of the Carceral Archipelago" p. 1-16 --
   "Edward Lear : a Life in Pictures" p. 17-44 -- "Fresh off
   the Boat and Off to the Presses : The Origins of Argentine
   Comics Between the United States and Europe (1907-1945)" p.
   45-76 -- "Women's Liberation : Swedish Feminist Comics and
   Cartoons from the 1970s and 1980s" p. 77-105 -- "Simon
   Grennan, Roger Sabin and Julian Waite : Marie Duval"
   (review) p. 106-113 -- "David Kunzle : Cham, the Best Comic
   Strips and Graphic Novelettes, 1839-1862" (review) p.
   114-117 -- "Tatiana Prorokova and Nimrod Tal, eds. :
   Cultures of War in Graphic Novels : Violence, Trauma and
   Memory" (review) p. 118-121 -- "Stephen E. Tabachnick, ed.
   : The Cambridge Companion to the Graphic Novel" (review) p.
   121-123 -- "Louie Dean Valencia-Garcia : Antiauthoritarian
   Youth Culture in Francoist Spain : Clashing with Fascism"
   (review) p. 123-124 -- Call no.: PN6700.E85v.12no.2
-----------------------------------------------------
Satyr. -- New Milford, Connecticut : Jim Main, 1974- . -- ill.
   ; 28 cm. -- Began with no. 1 (Winter 1974). -- Fan comics,
   with some articles. -- LIBRARY HAS: no. 1-2 (1974-1975). --
   Call no.: PN6728.35.M273 S3
-----------------------------------------------------
Nova. -- Humboldt, Tenn. : Joel Wood, 1975- . -- ill. ; 28 cm.
   -- Began with no. 1 (Winter-Spring 1975). -- A fanzine
   about comics. -- LIBRARY HAS: no. 1. -- Call no.:
   PN6725.N633
-----------------------------------------------------
Glorm. -- Cincinnati, Ohio : Jim Crawford, 1975?- . -- ill. ;
   28 cm. -- "Glorm will be a fanzine series dealing with the
   technical aspects of comicdom." -- LIBRARY HAS: no. 1. -
   Call no.: PN6725.G56
-----------------------------------------------------
Mysterious Adventures. -- Bellston Spa, N.Y. : Larry Johnson,
   1974-  . -- ill. ; 28 cm. -- Began with no. 1 (Jan. 1974).
   - A fanzine about comics. -- LIBRARY HAS: no. 1. -- Call
   no.: PN6725.M885
-----------------------------------------------------
Assorted Superlatives. -- United States : Charles E. Spanier,
   . -- ill. ; 28 cm. -- A fanzine about comics. -- LIBRARY
   HAS: no. 3 (1971). -- Call no.: PN6725.A733
-----------------------------------------------------
The National Advisor. -- United States : Gabriel Quintanilla,
   1971?- . -- ill. ; 28 cm. -- A fanzine about comics. --
   LIBRARY HAS: no. 1. -- Call no.: PN6725.N325
-----------------------------------------------------
Comic City Monthly. -- Lancaster, Pa. : Comic City, . -- 28
   cm. -- A fanzine about comics, edited by Don Cartwright. --
   LIBRARY HAS: no. 44 (1973). -- Call no.: PN6725.C5408
-----------------------------------------------------
Bum Steer. -- Staten Island, N.Y. : Brooklyn Bums Pubs, . --
   28 cm. -- A fanzine about comics, produced by Charles E.
   Spanier and distributed through CAPA-alpha. -- LIBRARY HAS:
   no. 7-10 (1972-1973). -- Call no.: PN6725.B763
-----------------------------------------------------
Nostalgia News. -- Dallas, Tex. : Fearsome Foursome, 1971- .
   -- ill. ; 28 cm. -- Began with unnumbered no. 11. --
   Caontinues Dallascon Bulletin. -- Editors: Larry Herndon,
   Joe Bob Williams, Steve Utley, Don Maris. -- A fanzine
   about comics. -- LIBRARY HAS: no. 19-21 (1973). -- Call
   no.: PN6725.N632
-----------------------------------------------------
Foreign Comic Reviews / edited by Carsten Søndergaard. --
   Herlev, Denmark : Det Lillie Forlag, 1973- . -- ill. ;
   24-28 cm. -- Began with no. 1 (Jan./Mar. 1973). -- A
   reviewzine with an international scope. -- LIBRARY HAS: no.
   3 (1973). -- Call no.: PN6710.F622
-----------------------------------------------------
Comic Report. -- Woodstock, Ontario, Canada : Jeff Zinger, .
   -- ill. ; 28 cm. -- A fanzine about comics. -- LIBRARY HAS:
   no. 3 (1976). -- Call no.: PN6731.C58
-----------------------------------------------------
"A Historical Focus on Comics" / the Editors. p. v-ix in
   European Comic Art, v. 12, no. 2 (Autumn 2019). --
   Editorial. -- Call no.: PN6700.E85v.12no.2
-----------------------------------------------------
"Bande Dessinée and the Penal Imaginary : Graphic
   Constructions of the Carceral Archipelago" / Charles
   Forsdick. p. 1-16 in European Comic Art, v. 12, no. 2
   (Autumn 2019). -- Call no.: PN6700.E85v.12no.2
-----------------------------------------------------
"Edward Lear : a Life in Pictures" / Marco Graziosi. p. 17-44
   in European Comic Art, v. 12, no. 2 (Autumn 2019). -- Call
   no.: PN6700.E85v.12no.2
-----------------------------------------------------
"Fresh off the Boat and Off to the Presses : The Origins of
   Argentine Comics Between the United States and Europe
   (1907-1945)" / Amadeo Gandolfo and Pablo Turnes. p. 45-76
   in European Comic Art, v. 12, no. 2 (Autumn 2019). -- Call
   no.: PN6700.E85v.12no.2
-----------------------------------------------------
"Women's Liberation : Swedish Feminist Comics and Cartoons
   from the 1970s and 1980s" / Anna Nordenstam and Margareta
   Wallin Wictorin. p. 77-105 in European Comic Art, v. 12,
   no. 2 (Autumn 2019). -- Call no.: PN6700.E85v.12no.2
-----------------------------------------------------
"Simon Grennan, Roger Sabin and Julian Waite : Marie Duval" /
   David Kunzle. p. 106-113 in European Comic Art, v. 12, no.
   2 (Autumn 2019). -- David Kunzle reviews the book Marie
   Duval. -- Call no.: PN6700.E85v.12no.2
-----------------------------------------------------
"David Kunzle : Cham, the Best Comic Strips and Graphic
   Novelettes, 1839-1862" / mark McKinney. p. 114-117 in
   European Comic Art, v. 12, no. 2 (Autumn 2019). -- Mark
   McKinney reviews the book Cham. -- Call no.:
   PN6700.E85v.12no.2
-----------------------------------------------------
"Tatiana Prorokova and Nimrod Tal, eds. : Cultures of War in
   Graphic Novels : Violence, Trauma and Memory" /Jennifer
   Howell. p. 118-121 in European Comic Art, v. 12, no. 2
   (Autumn 2019). -- Jennifer Howell reviews the book Cultures
   of War in Graphic Novels. -- Call no.: PN6700.E85v.12no.2
-----------------------------------------------------
"Stephen E. Tabachnick, ed. : The Cambridge Companion to the
   Graphic Novel" / Ross William Smith. p. 121-123 in European
   Comic Art, v. 12, no. 2 (Autumn 2019). -- Smith reviews the
   Cambridge Companion. -- Call no.: PN6700.E85v.12no.2
-----------------------------------------------------
"Louie Dean Valencia-Garcia : Antiauthoritarian Youth Culture
   in Francoist Spain : Clashing with Fascism" / David Miranda
   Barreiro. p. 123-124 in European Comic Art, v. 12, no. 2
   (Autumn 2019). Miranda Barreiro reviews the book
   Antiauthoritarian Youth Culture in Francoist Spain, in
   which chapter four especially is about comics. -- Call no.:
   PN6700.E85v.12no.2
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 22,
   2021 
-----------------------------------------------------
The Funny Wonder, no. 72 (Aug. 7, 1915)
   COMICS CONTENTS: "The Scream of the Earth" (Charlie
   Chaplin)  p. 1 -- "Uncle Poppem's Pop-Shop" p. 4 -- "Dan
   the Railwayman" p. 4 -- "It Did Come Down!" p. 4 -- "Our
   Funny Wondrous Boys Willie & Wally" p. 4-5 -- "Hidden
   Meaning" p. 4-5 -- "Mortar-ly Offended Him" p. 5 -- "Quite
   Cowed Him!" p. 5 -- "Ned the Navvy" p. 5 -- "The Doings of
   Denny O'Dowd" p. 8 -- "He Felt Quite Boughed Down!" p. 8 --
   Call no.: PN6738.H24no.72
-----------------------------------------------------
Illustrated Chips, no. 1477 (Dec. 21, 1918)
   COMICS CONTENTS: "The Merry Adventures of Weary Willie and
   Tired Tim, the World-Famed Tramps" 1 p. -- "A Trip to
   Toyland" 4 tiers -- "Sunbeam, Our Innocent Imp" 1 tier --
   "Toddles, the Big-Booted Comedian, Drops a Passenger" 2
   tiers -- "A Fancy Bit" 1 tier -- "Sambo, the Jolly Nig" 1
   tier -- "Dr. Canem's Boys" 1 tier -- "Tom Bowline, our
   Jolly Jack Tar's Rush to Russia" 2 tiers -- "Homeless
   Hector" 1 tier -- "The Casey Court Rabbit and Poultry Farm
   Prepares for Christmas" 1 panel -- "Black and White" 1 tier
   -- "Water Pup!" 1 tier -- "Some Bounce!" 1 tier -- "Making
   Him Comb-ly" 1 tier -- Call no.: PN6738 .I43no.1477
-----------------------------------------------------
Picture Fun, no. 307 (Dec. 26, 1914)
   COMICS CONTENTS: "Brimstone Bobs and that Brick Billy
   Belgium Spoil the Kaiser's X'mas Box" p. 1 -- "How Birdie
   and Napoleon Earned their Christmas Dinner" p. 3 -- "He Let
   Her Went" p. 4 -- "Patsy's Christmas Piggy Takes Him Home
   Again" p. 4 -- "Cuffy, the Colonial, and Sinjin, the Sikh,
   Pinch the Kaiser's Christmas Pudding" p. 4-5 -- "Slippery
   Pudden" p. 4-5 -- "Dead People Shouldn't Speak" p. 4-5 --
   "What a 'Orrid Sell" p. 5 -- "A Little Bit of Xmas" p. 5 --
   "A Fair 'Cop'" p. 8 -- "Mrs. Sudds's Merry Christmas" p. 8
   -- "Uncle Jack's Ghost" p. 8 -- Call no.: PN6738.P477no.307
-----------------------------------------------------
Blast! -- Vancouver, B.C., Canada : Harland Ronning, . -- ill.
   ; 28 cm. -- Ceased with no. 10 (Feb. 1976). -- A fanzine
   about comics. -- LIBRARY HAS: no. 10 (1976). -- Call no.:
   PN6731.B55z
-----------------------------------------------------
The New Comic News. -- Skokie, Ill. : Bruce Williams
   Enterprises, . -- ill. ; 28 cm. -- A fanzine about comics.
   -- LIBRARY HAS: no. 5 (1968). -- Call no.: PN6725.N445
-----------------------------------------------------
Fan-Thing. -- Springfield, IL : Dancing Potato Publications,
   1975?- . -- ill. ; 28 cm. -- Began with no. 1 (June). --
   Fan comics in fading ditto. -- LIBRARY HAS: no. 1. -- Call
   no.: PN6728.35.D3 F3
-----------------------------------------------------
Ozark Fandom. -- Mtn. Grove, Mo. : Chris Rock, . -- ill. ; 36
   cm. -- A fanzine about comics. -- LIBRARY HAS: no. 7
   (1978). -- Call no.: folio PN6725 .O95
-----------------------------------------------------
Unreal -- Austin, Tx. : Unreal Publications, . -- ill. ; 28
   cm. -- A fanzine about comics. -- LIBRARY HAS: no. 2
   (1973). -- Call no.: PN6725.U53
-----------------------------------------------------
Spectragrams. -- Hamilton, Ont. : Spectrum Publishers, . -- 13
   cm. -- A collection of letters of comment about the
   publisher and its comic book Spectrum. 
-----------------------------------------------------
With Pen and Brush. -- Hamilton, Ont. : Spectrum Publications,
   . -- ill. ; 13 cm. -- Cover title: Spectrum Publications
   Present With Pen and Brush. -- New wave genre. -- LIBRARY
   HAS: no. 5 (1972). -- Call no.: PN6734.W54
-----------------------------------------------------
Our Boarding House / by Ahern. -- 1935-1966. -- col. ill. ; 38
   - 45 cm. -- Most strips have a topper included: The Nut
   Bros, Ches & Wal. -- Other title starting in 1964: Our
   Boarding House with Major Hoople. -- Later strips signed:
   Braucher & Freyse, then Bill Freyse. -- Scrapbooks of
   Sunday comic strips dated from January 27, 1935 to July 10,
   1960. -- Contents:
      Jan. 27, 1935 to Feb. 25, 1937
      Mar. 7, 1937 to July 3, 1938
      July 17, 1938 to Mar. 31, 1940
      Apr. 7, 1940 to Dec. 21, 1941
      Dec. 28, 941 to Sept. 12, 1943
      Spt. 19, 1943 to June 3, 1945
      June 10, 1945 to Feb. 23, 1947
      Mar. 2, 1947 to Nov. 14, 1948
      Nov. 21, 1948 to Aug. 6, 1950
      Aug. 13, 1950 to Apr. 27, 1952
      May 4, 1952 to Jan. 17, 1954
      Jan. 24, 1954 to Oct. 9, 1955
      Oct. 16, 1955 to June 30, 1957
      July 7, 1957 to March 22, 1959
      March 29, 1959 to Dec. 11, 1960
      May 31, 1964 to July 10, 1966
   -- LIBRARY HAS: vols. beginning in 1935, 1937, 1938, 1940,
   1941, 1943, 1945, 1947, 1948, 1950, 1952, 1954, 1955, 1957,
   1959, 1964. -- Call no.: oversize PN6728 .O8L4
INCREASE HOLDINGS
-----------------------------------------------------
The Funny Pages. -- Tigard, OR : The Funny Pages, 1998. -- 12
   p. : ill. ; 26 cm. -- A prototype for a planned cartoon and
   comics anthology tabloid to appear twice a month. --
   Alternative genre. -- Call no.: PN6726.F795 1998
-----------------------------------------------------
"Art is Cartoonist's Weapon of Choice" / By Anne
   Zacharias-Walsh. p. 5 in the Pioneer Press, Oct. 1, 1992).
   -- Summary: An article about Mark Braun, Adrienne Sioux
   Koopersmith, and the founding of Cartoonists Against Crime.
   -- Call no.: folio PN6710.S35 1992
-----------------------------------------------------
The Zulu Chronicle. -- Atlanta, Ga. : Dark Zulu Lies Comics
   Inc., 1992. -- 4 p. : col. ill. ; 26 cm. -- "Black comics
   are in!" -- An advertising leaflet for comics publisher
   Dark Zulu Lies, and for ANIA, the Association of Black
   Comic Book Publishers. -- Call no.: PN6714.D265 Z8 1992
-----------------------------------------------------
Illustrated Chips. -- London : B.W. Young, 1890-1952. -- ill.
   ; 38 cm. -- Published no. 1 (July 26, 1890) to no. 2947
   (Aug. 23, 1952). Cf. British Library catalogue. -- A story
   paper with pages of comics. -- Publisher varies. -- LIBRARY
   HAS: no. 1477 (1918). -- Call no.: PN6738 .I43
-----------------------------------------------------
"The Merry Adventures of Weary Willie and Tired Tim, the
   World-Famed Tramps" 1 p. in Illustrated Chips, no. 1477
   (Dec. 21, 1918). -- Panel and caption style. -- First
   caption begins: "Our merry adventurers went out and did
   some early Christmas shopping on the nod last Stewsday." --
   Call no.: PN6738 .I43no.1477
-----------------------------------------------------
"A Trip to Toyland" 4 tiers in Illustrated Chips, no. 1477
   (Dec. 21, 1918). -- A topper strip that frames the center
   spread. -- Begins: "The mistletoe bow-wow!" -- Call no.:
   PN6738 .I43no.1477
-----------------------------------------------------
"Sunbeam, Our Innocent Imp" 1 tier in Illustrated Chips, no.
   1477 (Dec. 21, 1918). -- Vertical panel and caption style.
   -- First caption begins: "Imagine Sunbeam's delight on
   Christmas morning when auntie pesented her with a beautiful
   box of paints." -- Call no.: PN6738 .I43no.1477
-----------------------------------------------------
"Toddles, the Big-Booted Comedian, Drops a Passenger" 2 tiers
   in Illustrated Chips, no. 1477 (Dec. 21, 1918). -- Panel
   and caption style. -- First caption begins: "'Aha!,' said
   Toddles, as he saw a roll of stair-carpet marked fifteen
   shillings." -- Call no.: PN6738 .I43no.1477
-----------------------------------------------------
"A Fancy Bit" 1 tier in Illustrated Chips, no. 1477 (Dec. 21,
   1918). -- Vertical panel and caption style. -- First
   caption: "The gee-gee in the stable wanted that turnip
   badly, so he asked the gee-gee in the paddock to get it for
   him. -- Call no.: PN6738 .I43no.1477
-----------------------------------------------------
"Sambo, the Jolly Nig" 1 tier in Illustrated Chips, no. 1477
   (Dec. 21, 1918). -- Vertical panel and caption style. --
   First caption: "'Golly,' chuckled Sambo. 'Here am a pelican
   habin' a doss, while a fish jumps up before is bery nose!
   Hi, dere!" -- Call no.: PN6738 .I43no.1477
-----------------------------------------------------
"Dr. Canem's Boys" 1 tier in Illustrated Chips, no. 1477 (Dec.
   21, 1918). -- Vertical panel and caption style. -- First
   caption begins: "While larking the other day, Curly and his
   pal Perky knockd over the plant-stand, which did it a bit
   of no good." -- Call no.: PN6738 .I43no.1477
------------------------------------------------------
"Tom Bowline, our Jolly Jack Tar's Rush to Russia" 2 tiers in
   Illustrated Chips, no. 1477 (Dec. 21, 1918). -- Panel and
   caption style. -- First caption begins: "Dear Readers, I
   had a commish the other day." -- Call no.: PN6738
   .I43no.1477
-----------------------------------------------------
"Homeless Hector" 1 tier in Illustrated Chips, no. 1477 (Dec.
   21, 1918). -- Vertical panel and caption style. -- First
   caption begins: "'Hoots!' said MacTavish, who was suffering
   severely from toothache." -- Call no.: PN6738 .I43no.1477
-----------------------------------------------------
"The Casey Court Rabbit and Poultry Farm Prepares for
   Christmas" 1 panel in Illustrated Chips, no. 1477 (Dec. 21,
   1918). -- Call no.: PN6738 .I43no.1477
-----------------------------------------------------
"Black and White" 1 tier in Illustrated Chips, no. 1477 (Dec.
   21, 1918). -- Vertical panel and caption style. -- First
   caption begins: "Bet you can't lift me up!" -- Call no.:
   PN6738 .I43no.1477
-----------------------------------------------------
"Water Pup!" 1 tier in Illustrated Chips, no. 1477 (Dec. 21,
   1918). -- Vertical panel and caption style. -- First
   caption: "Johnny couldn't fill the pail, and no wonder.
   There was a hole in it, and it wouldn't hold water." --
   Call no.: PN6738 .I43no. 1477
-----------------------------------------------------
"Some Bounce!" 1 tier in Illustrated Chips, no. 1477 (Dec. 21,
   1918). -- Vertical panel and caption style. -- First
   caption: "Just as Bill was about to raise his road-rammer,
   Baby climbed of its cot and fell out of the window.
   Horror!" -- Call no.: PN6738 .I43no.1477
-----------------------------------------------------
"Making Him Comb-ly" 1 tier in Illustrated Chips, no. 1477
   (Dec. 21, 1918). -- Vertical panel and caption style. --
   First caption begins: "'What a lovely comb you've got,'
   remarked the youngest Miss Pullet to Mr. Cockerel." -- Call
   no.: PN6738 .I43no.1477
-----------------------------------------------------
Picture Fun. -- London : Trapps, Holmes & Co., 1909-1920. --
   ill. ; 38 cm. -- Published no. 1 - no. 595, per Grand
   Comics Database. -- "The brightest paper on Earth." -- A
   story paper with pages of comics. -- LIBRARY HAS: no. 307
   (1914). -- Call no.: PN6738.P477
-----------------------------------------------------
"Brimstone Bobs and that Brick Billy Belgium Spoil the
   Kaiser's X'mas Box" p. 1 in Picture Fun, no. 307 (Dec. 26,
   1914). -- Panel and caption style. -- First caption begins:
   "Professor Von Swank the great German scientist, hit upon a
   splendid idea." -- Call no.: PN6738.P477no.307
-----------------------------------------------------
"How Birdie and Napoleon Earned their Christmas Dinner" p. 3
   in Picture Fun, no. 307 (Dec. 26, 1914). -- Panel and
   caption style. -- First caption begins: "On Christmas Eve,
   Birdie and Nap attended a fancy dress ball, and as Birdie's
   rich uncle in Australia made him a Christmas present of a
   real live kangaroo, Birdie decided to go as an Australian
   bushman, taking the kangaroo with him, being properly
   trained, whilst Nap went as a common or garden policeman."
   -- Call no.: PN6738.P477no.307
-----------------------------------------------------
"He Let Her Went" p. 4 in Picture Fun, no. 307 (Dec. 26,
   1914). -- Vertical panel and caption style. -- First
   caption: "Mr. and Mrs. Gummidge were out for a day's
   skating, and Mr. G. was doing his best to push his better
   three-quarter over the ice." -- Call no.: PN6738.P477no.307
-----------------------------------------------------
"Patsy's Christmas Piggy Takes Him Home Again" p. 4 in Picture
   Fun, no. 307 (Dec. 26, 1914). -- Verticl panel and caption
   style. -- First caption begins: "'Twas a cowid marnin' when
   little Patsey Breen stharted yut for the market wid his fat
   porker. But he had armed hiself wid a bottle of potheen to
   keep out the cowid, begorrah." -- Call no.:
   PN6738.P477no.307
-----------------------------------------------------
"Cuffy, the Colonial, and Sinjin, the Sikh, Pinch the Kaiser's
   Christmas Pudding" p. 4-5 in Picture Fun, no. 307 (Dec. 26,
   1914). -- Panel and caption style. -- First caption begins:
   "The Kaiser had sent all his officers a Xmas pudding, and
   Cuffy spotted a German getting one ready to serve up to his
   General." -- Call no.: PN6738.P477no.307
-----------------------------------------------------
"Slippery Pudden" p. 4-5 in Picture Fun, no. 307 (Dec. 26,
   1914). -- Panel and caption style. -- First caption: "Tommy
   was watching cook dish up the plum pudding, and when he saw
   it his mouth watered thirteen to the dozen." -- Call no.:
   PN6738.P477no.307
-----------------------------------------------------
"Dead People Shouldn't Speak" p. 4-5 in Picture Fun, no. 307
   (Dec. 26, 1914). -- Panel and caption style. -- First
   caption begins: "It was Christmas Eve, and they wanted to
   test the nerves of the village cobbler, who boasted he
   wasn't afraid of ghosts." -- Call no.: PN6738.P477no.307
-----------------------------------------------------
"What a 'Orrid Sell" p. 5 in Picture Fun, no. 307 (Dec. 26,
   1914). -- Vertical panel and caption style. -- First
   caption begins: "Well, I never, if there ain't a plum
   pudden? Wot a bit of lock."-- Call no.: PN6738.P477no.307
-----------------------------------------------------
"A Little Bit of Xmas" p. 5 in Picture Fun, no. 307 (Dec. 26,
   1914). -- Vertical panel and caption style. -- First
   caption: "'Har,' said Bill Biffkins. 'This ere bit of
   holly'll be fine for a buttonhole."  -- Call no.:
   PN6738.P477no.307
-----------------------------------------------------
"A Fair 'Cop'" p. 8 in Picture Fun, no. 307 (Dec. 26, 1914).
   -- Vertical panel and caption style. -- First caption:
   "P.C. Trotters: Ha, ha, it'll be odd if I don't catch old
   Bloskins a watering his milk this time. I'll watch till he
   does it, if it takes all night." -- Call no.:
   PN6738.P477no.307
-----------------------------------------------------
"Mrs. Sudds's Merry Christmas" p. 8 in Picture Fun, no. 307
   (Dec. 26, 1914). -- Panel and caption style. -- First
   caption begins: "'Twas Christmas Eve, and Mrs. Sudds was
   busy making mince pies, but she was much annoyed by Freddy,
   who is home for his holidays, as he would keep on trying to
   kiss her under a twig of mistletoe." -- Call no.:
   PN6738.P477no.307
-----------------------------------------------------
"Uncle Jack's Ghost" p. 8 in Picture Fun, no. 307 (Dec. 26,
   1914). -- Panel and caption style. -- First caption: "There
   was no disputing the fact that Uncle Jack had been keeping
   up Xmas." -- Call no.: PN6738.P477no.307
-----------------------------------------------------
The Funny Wonder. -- London : Amalgamated Press, 1914-1942. --
   ill. ; 38 cm. -- Published no. 40 - no. 1443, per Grand
   Comics Database. -- Continues: Halfpenny Wonder. --
   Continued by: Wonder. -- A story paper with pages of
   comics. -- LIBRARY HAS: no. 72 (1915). -- Call no.:
   PN6738.H24
-----------------------------------------------------
"The Scream of the Earth" (Charlie Chaplin) p. 1 in The Funny
   Wonder, no. 72 (Aug. 7, 1915). -- Panel and caption style.
   -- First caption begins: "Here he is, readers! Good old
   Charlie! Absolutely it! A scream from start to finish." --
   Call no.: PN6738.H24no.72
-----------------------------------------------------
"Uncle Poppem's Pop-Shop" p. 4 in The Funny Wonder, no. 72
   (Aug. 7, 1915). -- Vertical panel and caption style. --
   First caption begins: "'Such a bargain, ma tear!' said
   Unky, when he'd obtained the chest of drawers for
   elevenpence and an old knife." -- Call no.: PN6738.H24no.72
-----------------------------------------------------
"Dan the Railwayman" p. 4 in The Funny Wonder, no. 72 (Aug. 7,
   1915). -- Vertical panel and caption style. -- First
   caption begins: "Dan was doing sentry-go on the railway
   bridge, when, corks! He saw his best girl, Bessie, in a
   boat with another joint." -- Call no.: PN6738.H24no.72
-----------------------------------------------------
"It Did Come Down!" p. 4 in The Funny Wonder, no. 72 (Aug. 7,
   1915). -- Vertical panel and caption style. -- First
   caption begins: "'This wants to come down just a leetle bit
   more,' said the handy old citizen, who was laying the
   stair-carpet." -- Call no.: PN6738.H24no.72
-----------------------------------------------------
"Our Funny Wondrous Boys Willie & Wally" p. 4-5 in The Funny
   Wonder, no. 72 (Aug. 7, 1915). -- Panel and caption style.
   -- First caption begins: "Ho! Oho! Observe Willie and Wally
   tempting the domestic porker under that little trolley,
   with the succulent carrots for bait!" -- A version of the
   Katzenjammer Kids. -- Call no.: PN6738.H24no.72
-----------------------------------------------------
"Hidden Meaning" p. 4-5 in The Funny Wonder, no. 72 (Aug. 7,
   1915). -- Panel and caption style. -- First caption begins:
   "'Don't you call this clever?' croaked Freddy Frog, doing
   his great balancing act on a big egg that he'd found on the
   beach." -- Call no.: PN6738.H24no.72
-----------------------------------------------------
"Mortar-ly Offended Him" p. 5 in The Funny Wonder, no. 72
   (Aug. 7, 1915). -- Vertical panel and caption style. --
   First caption begins: "'Here's something funny going to
   happen!' chortled Charlie, the owner of the Tykelet." --
   Call no.: PN6738.H24no.72
-----------------------------------------------------
"Quite Cowed Him!" p. 5 in The Funny Wonder, no. 72 (Aug. 7,
   1915). -- Vertical panel and caption style. --- First
   caption begins: "'Dear me, what a remarkably lovely
   infant!' cried old McJorkins to the nurse." - Call no.:
   PN6738.H24no.72
-----------------------------------------------------
"Ned the Navvy" p. 5 in The Funny Wonder, no. 72 (Aug. 7,
   1915). -- Vertical panel and caption style. -- First
   caption begins: "Dear Mr. Edditer, I was a-goin' away to
   the seaside wiv my old dear larst Satterday, when my two
   young youngsters says they wants to come too." -- Call no.:
   PN6738.H24no.72
-----------------------------------------------------
"The Doings of Denny O'Dowd" p. 8 in The Funny Wonder, no. 72
   (Aug. 7, 1915). --  Single large captioned panel. --
   Caption begins: "Whurroo! The times that they had on Bank
   Holiday!" -- Call no.: PN6738.H24no.72
-----------------------------------------------------
"He Felt Quite Boughed Down!" p. 8 in The Funny Wonder, no. 72
   (Aug. 7, 1915). -- Panel and caption style. -- First aption
   begins: "'Good dog! Seize her!' cried the sportive one to
   his pedigree pup, as the pussycat skippied it up the
   tree."-- Call no.: PN6738.H24no.72
-----------------------------------------------------
**** AND FROM JASON LARSEN 6/22/21:
-----------------------------------------------------
Marvel Comics Presents. -- New York : Marvel Worldwide Inc,
   2019. -- col. ill. ; 26 cm. -- Superhero genre. -- LIBRARY
   HAS: no. 1-8. -- Call no.: PN6728.8.M3 M274
-----------------------------------------------------
Web of Spider-Man MGC. -- New York : Marvel Worldwide Inc,
   2019. -- 28 p. col. ill. ; 26 cm. -- "No. 1, July 2019." --
   "Contains material originally published in magazine form as
   Web of Spider-Man #31." -- Superhero genre. -- Call no.:
   PN6728.8.M3 W41 2019
-----------------------------------------------------
Silver Surfer MGC. -- New York : Marvel Worldwide Inc, 2019.
   -- 28 p. col. ill. ; 26 cm. -- "No. 1, July 2019." --
   "Contains material originally published in magazine form as
   Silver Surfer #51." -- Superhero genre. -- Call no.:
   PN6728.8.M3 S5145 2019
-----------------------------------------------------
Power Man MGC. -- New York : Marvel Worldwide Inc, 2019. -- 28
   p. col. ill. ; 26 cm. -- "No. 1, July 2019." -- "Contains
   material originally published in magazine form as Power Man
   #30." -- Superhero genre. -- Call no.: PN6728.8.M3 P62 2019
-----------------------------------------------------
Iron Fist MGC. -- New York : Marvel Worldwide Inc, 2019. -- 28
   p. col. ill. ; 26 cm. -- "No. 1, July 2019." -- "Contains
   material originally published in magazine form as Marvel
   Premiere #19." -- Superhero genre. -- Call no.: PN6728.8.M3
   I64501 2019
-----------------------------------------------------
The Invaders MGC. -- New York : Marvel Worldwide Inc, 2019. --
   28 p. col. ill. ; 26 cm. -- "No. 1, July 2019." --
   "Contains material originally published in magazine form as
   Invaders #1." -- Superhero genre. -- Call no.: PN6728.8.M3
   I485 2019
-----------------------------------------------------
The Incredible Hulk MGC. -- New York : Marvel Worldwide Inc,
   2019. -- 28 p. col. ill. ; 26 cm. -- "No. 1, July 2019." --
   "Contains material originally published in magazine form as
   Incredible Hulk #418." -- Superhero genre. -- Call no.:
   PN6728.8.M3 I394 2019
-----------------------------------------------------
The Avengers MGC. -- New York : Marvel Worldwide Inc, 2019. --
   28 p. col. ill. ; 26 cm. -- "No. 1, July 2019." --
   "Contains material originally published in magazine form as
   Avengers #123." -- Superhero genre. -- Call no.:
   PN6728.8.M3 A918 2019
-----------------------------------------------------
Marvel Knights 20th. -- New York : Marvel Worldwide Inc, 2019.
   -- numbers : col. ill. ; 26 cm. -- Superhero genre. --
   LIBRARY HAS: no. 2-6. -- Call no.: PN6728.8.M3 M286
-----------------------------------------------------
Marvel Super Hero Adventures : Spider-Man Web Designers. --
   New York : Marvel Worldwide Inc, 2019. -- 28 p. col. ill. ;
   26 cm. -- "No. 1, June 2019 published as a one shot." --
   Superhero genre. -- Call no.: PN6728.8.M3 M321 2019
-----------------------------------------------------
Marvel Super Hero Adventures : Spider-Man Spider-Sense of
   Adventure. -- New York : Marvel Worldwide Inc, 2019. -- 28
   p. col. ill. ; 26 cm. -- "No. 1, May 2019 published as a
   one shot." -- Superhero genre. -- Call no.: PN6728.8.M3
   M320 2019
-----------------------------------------------------
Marvel Super Hero Adventures : Spider-Man Web of Intrigue. --
   New York : Marvel Worldwide Inc, 2019. -- 28 p. col. ill. ;
   26 cm. -- "No. 1, April 2019 published as a one shot." --
   Superhero genre. -- Call no.: PN6728.8.M3 M319 2019
-----------------------------------------------------
Marvel Super Hero Adventures : Spider-Man Across the
   Spider-Verse. -- New York : Marvel Worldwide Inc, 2019. --
   28 p. col. ill. ; 26 cm. -- "No. 1, March 2019 published as
   a one shot." -- Superhero genre. -- Call no.: PN6728.8.M3
   M318 2019
-----------------------------------------------------
Marvel Super Hero Adventures : Captain Marvel Frost Giants
   Among Us! -- New York : Marvel Worldwide Inc, 2019. -- col.
   ill. ; 26 cm. -- "No. 1, February 2019" -- Superheroine
   genre. -- Call no.: PN6728.8.M3 M317 2019
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 23,
   2021 
-----------------------------------------------------
Comic Life, no. 893 (July 31, 1915)
   COMICS CONTENTS: "Our Fat Tramps make a Bust-Up With a New
   Line of Holiday Goods" p. 1 -- "Wotto the War Artist" p. 4
   -- "P.C. Neverwait" p. 4 -- "Pyjama Percy and Balmy Bill Go
   In for Scientific Warfare" p. 4-5 -- "Scientific Silas v.
   Admiral Tirpz" p. 4-5 -- "It Was Sum (Some) Feat" p. 5 --
   "Ophelia" p. 5 -- "Three Up to Archibald" p. 8 -- "Our
   Scouts Raise the Wind at the Fair" p. 8 -- Call no.:
   PN6738.C574no.893
-----------------------------------------------------
The Crunch, no. 1 (Jan. 20, 1979)
   CONTENTS: "Arena" p. 3-6 -- "The Mantracker" p. 7-11 --
   "The Kyser Experiment" p. 12-15 -- "Here Come the Walking
   Bombs" p. 16-19 -- "Hitler Lives" p. 21-25 -- "Who Killed
   Cassidy?" p. 27-31 -- Call no.: PN6738.C7no.1
-----------------------------------------------------
Lot-o-Fun, no. 453 (Nov. 14, 1914)
   COMICS CONTENTS: "Patriotic Paul Turns the Table on the
   Germans" p. 1 -- "Shipwrecked Sam and Marooned Mike" p. 4
   -- "Percy Toddlong and His Fiancee" p. 4 -- "Parkin is
   Potty on the Pictures" p. 4-5 -- "Simple Sam" p. 4-5 --
   "Paul Push, He Gets the Sack Every Week" p. 5 -- "Winkle
   and Binkle" p. 5 -- "Handy Andy and Young Sandy" p. 5 --
   "Dreamy Daniel in Training" p. 8 -- "The Doings of Old King
   Cole and His Page, Merrybell" p. 8 -- Call no.:
   PN6738.L623no.453
-----------------------------------------------------
The Rainbow, no. 168 (Apr. 28, 1917)
   COMICS CONTENTS: "Mrs. Bruin's Boarding-School : The Boys
   Have a Dinner They Don't Like!" p. 1 -- "The Funny
   Adventures of the Brownie Boys" p. 4 -- "Marzi-pan, the
   Magician, and His Magic Wand" p. 4 -- "Sing Hi and Sing Lo,
   the Chinese Twins" p.5 -- "The Dolliwogs Dolls House" p. 5
   -- "The Little Nigs are Nearly Late for School" p. 6 --
   "Susie Sunshine and Her Pretty Pet Poms" p. 7 -- "Fluff
   Helps Peter and Pauline to Get Some Dinner" (The Two
   Pickles) p. 8 -- Call no.: PN6738.R288no.168
-----------------------------------------------------
The Rainbow. -- London : The Amalgamated Press, Ltd.,
   1914-1956. -- ill. (some col.) ; 38 cm. -- Published no. 1
   (February 14, 1914) to no. 1898 (April 28, 1956), per Grand
   Comics Database.-- A story paper that includes comics. --
   "The children's paper that parents approve of." -- LIBRARY
   HAS: no. 168 (1917). -- Call no.: PN6738.R288
-----------------------------------------------------
"Mrs. Bruin's Boarding-School : The Boys Have a Dinner They
   Don't Like!" p. 1 in The Rainbow, no. 168 (Apr. 28, 1917).
   -- Panel and caption style. -- First caption begins: "It
   was the first day of the Summer term, and everybody knows
   how hard it seems to have to work after the holidays." --
   Funny animal genre. -- Call no.: PN6738.R288no.168
-----------------------------------------------------
"The Funny Adventures of the Brownie Boys" p. 4 in The
   Rainbow, no. 168 (Apr. 28, 1917). -- Panel and caption
   style. -- First caption begins: "Bluebeard is a very
   terrible old man, and we expect all the Rainbow readers
   have heard of him. The Brownie Boys happened to be walking
   in his palace grouns one day, when he took them all
   prisoners." -- Fantasy genre, with mock Arabs. -- Call no.:
   PN6738.R288no.168
-----------------------------------------------------
"Marzi-pan, the Magician, and His Magic Wand" p. 4 in The
   Rainbow, no. 168 (Apr. 28, 1917). -- Panel and caption
   style. -- First caption begins: "There was an escaped lion
   after Marzi and his poor little friend Eric. -- Bottom
   strip. -- Marzi is a stereotypical African man. -- Call
   no.: PN6738.R288no.168
-----------------------------------------------------
"Sing Hi and Sing Lo, the Chinese Twins" p. 5 in The Rainbow,
   no. 168 (Apr. 28, 1917). -- Panel and caption style. --
   First caption begins: "Puff! Swish! And away they flew the
   little twins' hats As they stood by the riverside" -- Funny
   kid genre, with twins that are stereotypical Asian boys. --
   Call no.: PN6738.R288no.168
-----------------------------------------------------
"The Dolliwogs Dolls House" p. 5 in The Rainbow, no. 168 (Apr.
   28, 1917). -- Panel and caption style. -- First caption
   begins: "It is always safest to be prepared n case of
   accidents, isn't it? That's the Boy Scouts' motto, of
   course." -- Fantasy genre. -- Call no.: PN6738.R288no.168
-----------------------------------------------------
"The Little Nigs are Nearly Late for School" p. 6 in The
   Rainbow, no. 168 (Apr. 28, 1917). -- Panel and caption
   style. -- First caption begins: "'Let's wake de Nigs up!'
   said the monkeys, one morning. 'Dey will be late for school
   else!' So they fixed a pipe to the village pump." -- Funny
   kid genre, with stereotypical African boys. -- Call no.:
   PN6738.R288no.168
-----------------------------------------------------
"Susie Sunshine and Her Pretty Pet Poms" p. 7 in The Rainbow,
   no. 168 (Apr. 28, 1917). -- Panel and caption style. --
   First caption begins: "There was a dogs' show in the town
   where Susie lives, and her two mischievous Poms soon found
   their way to the prize kennels." -- Call no.:
   PN6738.R288no.168
-----------------------------------------------------
"Fluff Helps Peter and Pauline to Get Some Dinner" (The Two
   Pickles) p. 8 in The Rainbow, no. 168 (Apr. 28, 1917). --
   Panel and caption style. -- First caption begins: "Dear
   Readers, we're always getting punished for things we don't
   do!" -- A 1-tier bottom strip is untitled. -- Call no.:
   PN6738.R288no.168
-----------------------------------------------------
Lot-o'-Fun. -- London : James Henderson & Sons, Ltd.,
   1906-1929. -- ill. (some col.) ; 38 cm. -- Published no. 1
   (17 Mar. 1906)-no. 1196 (16 Feb. 1929). -- Previously
   issued as: Nuggets. -- Continued as: Crackers. -- A story
   paper that includes comics. -- LIBRARY HAS: no. 453 (1914).
   -- Call no.: PN6738.L623
-----------------------------------------------------
"Patriotic Paul Turns the Table on the Germans" p. 1 in
   Lot-o-Fun, no. 453 (Nov. 14, 1914). -- Panel and caption
   style. -- First caption begins: "It makes me blood boil to
   see the way these German officers bully the poor innkeepers
   into supplying them with free grub." -- Call no.:
   PN6738.L623no.453
-----------------------------------------------------
"Shipwrecked Sam and Marooned Mike" p. 4 in Lot-o-Fun, no. 453
   (Nov. 14, 1914). -- Vertical panel and caption style. --
   First caption begins: "Sam was peaceably fishing off the
   rocks when suddenly a thumping great lobster nearly grabbed
   him for ever." -- Call no.: PN6738.L623no.453
-----------------------------------------------------
"Percy Toddlong and His Fiancee" p. 4 in Lot-o-Fun, no. 453
   (Nov. 14, 1914). -- Vertical panel and caption style. --
   First caption begins: "Percy was wrapt up in his usual
   occupation, the after-tea-time, and failed to observe that
   it was the fifth day of the eleventh month of the year" --
   Call no.: PN6738.L623no.453
-----------------------------------------------------
"Parkin is Potty on the Pictures : He Fancies that He is a
   Stag-Hunter, and is Staggered" p. 4-5 in Lot-o-Fun, no. 453
   (Nov. 14, 1914). -- Panel and caption style. -- First
   caption begins: "Of course, when our Parkin saw that film
   about stag-hunting he got potty upon the subject." -- Call
   no.: PN6738.L623no.453
-----------------------------------------------------
"Simple Sam" p. 4-5 in Lot-o-Fun, no. 453 (Nov. 14, 1914). --
   Panel and caption style. -- First caption begins: "'Look!'
   yelled Doris, the dairymaid, to Sam the other day, 'that
   bad lad is pinching our milk.'"-- Call no.:
   PN6738.L623no.453
-----------------------------------------------------
"Paul Push, He Gets the Sack Every Week" p. 5 in Lot-o-Fun,
   no. 453 (Nov. 14, 1914). -- Vertical panel and caption
   style. -- First caption begins: "I put meself into business
   as a lightning boy messenger, and me fust job was to take a
   letter and give it to a chap before he caught the train."
   -- Call no.: PN6738.L623no.453
-----------------------------------------------------
"Winkle and Binkle" p. 5 in Lot-o-Fun, no. 453 (Nov. 14,
   1914). -- Panel and caption style. -- First caption begins:
   "Winkle and Binkle popped down into the kitchen while cook
   was outside coaxing the grocer's assistant to enlist, and
   seeing a pan of tasty soup, our one and onlys started to
   sample it."-- Call no.: PN6738.L623no.453
-----------------------------------------------------
"Handy Andy and Young Sandy" p. 5 in Lot-o-Fun, no. 453 (Nov.
   14, 1914). -- Panel and caption style. -- First caption:
   "They were taken as stowaways. Being a cantankerous cap'n,
   instead of giving them a meal and giving 'em a chane, he
   sent them into a cell for punishment." -- Call no.:
   PN6738.L623no.453
-----------------------------------------------------
"Dreamy Daniel in Training" p. 8  in Lot-o-Fun, no. 453 (Nov.
   14, 1914). -- Panel and caption style. -- First caption
   begins: "One night last week our old friend wandered into
   Professor Strapper's military gymnasium and bashfully
   addressed the stalwart professor himself." -- Call no.:
   PN6738.L623no.453
-----------------------------------------------------
"The Doings of Old King Cole and His Page, Merrybell" p. 8 in
   Lot-o-Fun, no. 453 (Nov. 14, 1914). -- Panel and caption
   style. -- First caption begins: "The pernicious and
   obnoxious sting fly was making things hum in ye royal
   palace, and on ye pain of ye month in ye stocks, our hearty
   pal, Merrybell, has to capture ye same, but it was ye
   passing hard task, forsooth." -- Call no.:
   PN6738.L623no.453
-----------------------------------------------------
Comic Life. -- London : James Henderson & Sons, . -- ill. ; 38
   cm. -- A story paper that includes comics. -- LIBRARY HAS:
   no. 893 (1915). -- Call no.: PN6738.C574
-----------------------------------------------------
"Our Fat Tramps make a Bust-Up With a New Line of Holiday
   Goods" p. 1 in Comic Life, no. 893 (July 31, 1915). --
   Panel and caption style. -- Dialogue begins: "With our
   pneumatic furniture we've no need to pay for seaside
   lodgings." -- Call no.: PN6738.C574no.893
-----------------------------------------------------
"Wotto the War Artist : The Intelligent Whale and the
   Submarine" p. 4 in Comic Life, no. 893 (July 31, 1915). --
   Vertical panel and caption style. -- First caption begins:
   "Dear Boss and Reader, I am pleased to greet you all once
   again. Now I was crossing the channel (I must not tell you
   which one) when I made the acquaintance of a very sporty
   young whale, a prince of whales, in fact." -- Call no.:
   PN6738.C574no.893
-----------------------------------------------------
"P.C. Neverwait" p. 4 in Comic Life, no. 893 (July 31, 1915).
   -- Vertical panel and caption style. -- First caption
   begins: "Dear Mr. Editor, still hat the seaside, sir. The
   gels stll flutter round me. Comin' dahn the beach, hi wos,
   when lookin' hup hi blushed rosy red ter see a row hof
   laufin', pretty gals' 'eads hin bathing rig, watchin' me
   happroach." -- Call no.: PN6738.C574no.893
-----------------------------------------------------
"Pyjama Percy and Balmy Bill Go In for Scientific Warfare" p.
   4-5 in Comic Life, no. 893 (July 31, 1915). -- Panel and
   caption style. -- First capton begins: "One day Pyjama
   Percy and Balmy Bill were dining off the smell that came up
   through a cooks hop grating." -- Call no.:
   PN6738.C574no.893
-----------------------------------------------------
"Scientific Silas v. Admiral Tirpz" p. 4-5 in Comic Life, no.
   893 (July 31, 1915). -- Panel and caption style. -- First
   caption begins: "Tirpitz is not giong to have things all
   his own way, not by no means. Silas has got a wheeze that
   will make the U boats as harmless as blind kittens." --
   Call no.: PN6738.C574no.893
Tirpitz, Alfred von, 1849-1930.
-----------------------------------------------------
"It Was Sum (Some) Feat" p. 5 in Comic Life, no. 893 (July 31,
   1915). -- Vertical panel and caption style. -- First
   caption begins: "'I want you to cast up these books, and
   then balance them,' tootled the boss to Ned Noodle, the new
   clerk." -- Call no.: PN6738.C574no.893
-----------------------------------------------------
"Ophelia" p. 5 in Comic Life, no. 893 (July 31, 1915). --
   Vertical panel and caption style. -- First caption begins:
   "Dear Mr. Editor (my jolly old Fun Specialist). As I told
   you last week, sir, young Cuthert Eustace Montmorency is
   home for the holidays" -- Call no.: PN6738.C574no.893
-----------------------------------------------------
"Three Up to Archibald" / Burglar Bertie. p. 8 in Comic Life,
   no. 893 (July 31, 1915). -- Panel and caption style. --
   First caption begins: "Dear Mr. Editor, you might think
   from the above pickcher that me and Archibald was 'avin' a
   bit of a disagreement. But this is not so." -- Archibald is
   the burglar's mule. -- Call no.: PN6738.C574no.893
-----------------------------------------------------
"Our Scouts Raise the Wind at the Fair" p. 8 in Comic Life,
   no. 893 (July 31, 1915). -- Panel and caption style. --
   First caption begins: "I call it jolly hard lines! Here we
   are, at the fair, with not the price of an ice-cream wafer
   between us!" -- A Boy Scout story. -- Call no.:
   PN6738.C574no.893
-----------------------------------------------------
"Arena" p. 3-6 in The Crunch, no. 1 (Jan. 20, 1979). -- "The
   Crunch of the 21st Century." -- Opening caption begins:
   "Welcome to the gretest, most exciting sport ever! The
   ultimate conflict, to the death!" -- Call no.:
   PN6738.C7no.1
-----------------------------------------------------
"The Mantracker" p. 7-11 in The Crunch, no. 1 (Jan. 20, 1979).
   -- Dialogue begins: "So you are no longer on the warpath,
   grandson. Welcome home." -- Call no.: PN6738.C7no.1
-----------------------------------------------------
"The Kyser Experiment" p. 12-15 in The Crunch, no. 1 (Jan. 20,
   1979). -- Dialogue begins: "Goal! We've won the league!" --
   "The Crunch is now for every footballer in the world..." --
   Call no.: PN6738.C7no.1
-----------------------------------------------------
"Here Come the Walking Bombs" p. 16-19 in The Crunch, no. 1
   (Jan. 20, 1979). -- Dialogue begins: "Good day, General
   Bannerman. They're waiting for you inside." -- "The Crunch
   is now." -- Call no.: PN6738.C7no.1
-----------------------------------------------------
"Hitler Lives" p. 21-25 in The Crunch, no. 1 (Jan. 20, 1979).
   -- Begins: "My name is Jacob Lindt and I am dying, but
   first I must tell you my story." -- "Crunch top secret." --
   Call no.: PN6738.C7no.1
-----------------------------------------------------
"Who Killed Cassidy?" p. 27-31 in The Crunch, no. 1 (Jan. 20,
   1979). -- Begins: "For Ross Harper, traffic cop, it all
   began one Summer morning with an urgent radio call." --
   "The Crunch question is.." -- Call no.: PN6738.C7no.1
-----------------------------------------------------
Caricature. -- Ottawa, Ontario : National Archives of Canada,
   1992. -- 8, 8 p. : ill. ; 28 cm. -- English and French
   versions published back-to-back inverted. -- Contents:
   Exhibitionists show off at Cartoon Museum. p. 1, 4 ; From
   the director's desk. p. 2 ; Take care of those collections.
   p. 2-3 ; The season to be jolly. p. 5 ; Cartoons spreading
   germs of truth. p. 6 ; Northern exposure. p. 7 ; New
   directions in acquisition. p. 8. -- Contents:
   Exhibitionnisme au Musée de la caricature. p. 1, 4 ;
   Quelques mots de la directrice. p. 2 ; Faites attention à
   ces collections. p. 2-3 ; Le joyeux temps des fêtes. p. 5 ;
   Propagation de germes de vérité. p. 6 ; Instantané du Nord.
   p. 7 ; Nouvelles directions à la section d'acquisition. p.
   8. -- This is "volume 1, number 2, 1992" of a newsletter
   from Le Musée canadien de la caricature/The Canadian Museum
   of Caricature. -- Call no.: PN6705.N3 C3 1992
-----------------------------------------------------
Tarzan. -- Paris : Les Editions Mondiales, 1946- . -- col.
   ill. ; 36 cm. -- Began with: no. 1 (19 Sept. 1946). --
   Jungle adventure genre. -- LIBRARY HAS: no. 115 (1948). --
   Call no.: PN6748.T33 E3
-----------------------------------------------------
Of Ducks and Men : the Presentation : Psychology with the
   Ducks. -- United States : Larry Gooch, 1982. -- 1 sheet :
   col. ill. ; 56 x 43 cm. -- Other title: Donald Duck : His
   Ability to Love & Work. -- A poster for a presentation by
   Larry Gooch at Barkscon, June 1982, Norfolk, Virginia. --
   Call no.: PN6728.D63 O34 1982
-----------------------------------------------------
PC Fantasy Catalog. -- San Diego, California : Pacific Comics
   Distributors, . -- ill. ; 28 cm. -- Other titles: Pacific
   Comics Distributors Fantasy Catalog ; Pacific Comics
   Fantasy Catalog. -- LIBRARY HAS: Winter 1982. -- Call no.:
   PN6714.P3 F3
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 28,
   2021 
-----------------------------------------------------
European Comic Art, v. 13, no. 1 (Spring 2020)
   CONTENTS: "Editorial : Demystification and Disruption" p.
   v-ix -- "Twenty Years of IBDS" p. 1-20-- "Gauguin and Van
   Gogh Meet the Ninth Art : Postmodernism and Myths about
   Great Artists" p. 21-44 -- "Liv Strömquists's Fruit of
   Knowledge and the Gender of Comics" p. 45-69 -- "The
   Inexhaustible Surface of Things : Stefano Tamburini's Comic
   Book Work" p. 70-94 -- "Tintin and Corto Maltese : the
   European Adventure Meets the Colonial Other" p. 95-121 --
   "Book Reviews" p. 122-127 -- Call no.: PN6700.E85v.13no.1
-----------------------------------------------------
A Bibliography of Interviews, Reviews, Articles, Books, etc.
   Concerning Carl Barks / by Dana Gabbard. -- East Lansing,
   Mich. : Comic Art Collection, Michigan State University
   Libraries, 1986. -- 16 leaves ; 28 cm. --(Comic Art
   Collection Working Paper ; no. 2) -- "This is a limited
   circulation working paper and should be quoted only with
   the consent of the author." -- Call no.: PN6727.B35 Z9G3
   1986
-----------------------------------------------------
"Demystification and Disruption" / the editors. p. v-ix in
   European Comic Art, v. 13, no. 1 (Spring 2020). --
   Editorial introducing the issue. -- Call no.:
   PN6700.E85v.13no.1
-----------------------------------------------------
"Twenty Years of IBDS" / Laurence Grove. p. 1-20 in European
   Comic Art, v. 13, no. 1 (Spring 2020). -- Abstract begins:
   "Following the first Glasgow gathering in June 1999, the
   further bande dessinée conferences saw the creation of IBDS
   (2001), plans for a new journal (2005, with European Comic
   Art first appearing in 2008) and a shared gathering with
   the Graphic Novels and Comics Conference (2011 onwards)."
   -- Call no.: PN6700.E85v.13no.1
International Bande Dessinée Society.
-----------------------------------------------------
"Gauguin and Van Gogh Meet the Ninth Art : Postmodernism and
   Myths about Great Artists" / Matthew Screech. p. 21-44 in
   European Comic Art, v. 13, no. 1 (Spring 2020). -- Abstract
   begins: "This article analyses how a late
   twentieth-century/early twenty-first-century development in
   bandes dessinées, which combines historical novels with
   biographies, expresses paradoxical attitudes towards
   mythologies surrounding Paul Gauguin and Vincent Van Gogh."
   -- Call no.: PN6700.E85v.13no.1
-----------------------------------------------------
"Liv Strömquists's Fruit of Knowledge and the Gender of
   Comics" / Mike Classon Frangos. p. 45-69 in European Comic
   Art, v. 13, no. 1 (Spring 2020). -- Abstract begins: "The
   recent boom in feminist comics by Swedish artists has
   produced a body of work that has only recently come to the
   attention of English-language readers. This article focuses
   on the comics of Liv Strömquist, specifically Fruit of
   Knowledge: The Vulva vs. the Patriarchy (2018), the first
   of her book-length works to be published in English
   translation." -- Call no.: PN6700.E85v.13no.1
-----------------------------------------------------
"The Inexhaustible Surface of Things : Stefano Tamburini's
   Comic Book Work" / Simone Castaldi. p. 70-94 in European
   Comic Art, v. 13, no. 1 (Spring 2020). -- Abstract begins:
   "This article explores the work of Stefano Tmburini
   (1955-1986) in relationship to the 'high arts' in the
   1980s. By concentrating on Tamburini's least known works
   (to this day, among his many works, only the RanXerox saga
   is actually available to Englsh-speaking readers), it is
   possible to regard his art as a bridge tying comics with
   the aesthetic and theoretical preoccpations of many of the
   leading artists of the posymodern trans-avant-gard of the
   late 1970s and early 1980s in Italy." -- Call no.:
   PN6700.E85v.13no.1
-----------------------------------------------------
"Tintin and Corto Maltese : the European Adventure Meets the
   Colonial Other" / Dani Filc. p. 95-121 in European Comic
   Art, v. 13, no. 1 (Spring 2020). -- Abstract begins: "The
   Tintin and Corto Maltese series are among the most famous
   European adventure comics. The adventure, genre, both in
   novels and comics, is deeply related to nineteenth-century
   colonialism. This article compares the ways in which
   colonialism and the relationsip to the colonial Other
   appear in Hergé's and Pratt's creations, focusing on Tintin
   and Corto Maltese's adventures in Africa and Latin
   America." -- Call no.: PN6700.E85v.13no.1
-----------------------------------------------------
"Book Reviews" p. 122-127 in European Comic Art, v. 13, no. 1
   (Spring 2020). -- Reviews of Serial Selves (Fredrik Byrn
   Kohlert), The Art of Pere Joan (Benjamin Fraser), and
   Openness of Comics (Maaheen Ahmed). -- Call no.:
   PN6700.E85v.13no.1
-----------------------------------------------------
"Serial Selves : Identity and Representation in
   Autobiogrpahical Comics" / Claire Allison. p. 122-123 in
   European Comic Art, v. 13, no. 1 (Spring 2020). -- (Book
   Reviews) -- Review of the Fredrik Byrn Kohlert book. --
   Call no.: PN6700.E85v.13no.1
-----------------------------------------------------
"The Art of Pere Joan : Space, Landscape, and Comics Form" /
   Luis I. Prádanos. p. 124-125 in European Comic Art, v. 13,
   no. 1 (Spring 2020). -- (Book Reviews) -- Review of the
   Benjamin Fraser book. -- Call no.: PN6700.E85v.13no.1
-----------------------------------------------------
"Openness of Comics : Generating Meaning within Flexible
   Structures / Richard Scully. p. 126-127 in European Comic
   Art, v. 13, no. 1 (Spring 2020). -- (Book Reviews) --
   Review of the Maaheen Ahmed book. -- Call no.:
   PN6700.E85v.13no.1
-----------------------------------------------------
Empire of ij. -- Mishawaka, Ind. : Brian Earl Brown, . -- 28
   cm. -- A fanzine about comics. -- LIBRARY HAS: no. 2 (ca.
   1975). -- PN6725.B695 E5
-----------------------------------------------------
"Clothes Encounters : What Brave New Worlds of Style Await
   Us?" p. 128-133 in Details, v. 17, no. 3 (Aug. 1998). --
   "Visionary artist Charles Burns illustrateds the outerwear
   limits of the Fall '98 Milan Collections." -- Call no.:
   NX504.D47v.17no.3
-----------------------------------------------------
"Oh My God! They Made a Movie!" / by Michael Angeli ;
   photograph by Dan Winters. p. 116-121 in Details, v. 17,
   no. 2 (Aug. 1998). -- "A year ago, Matt Stone and Trey
   Parker were living on cocktail weenies. Now, the two
   creators of South Park have television's hottest show, $15
   million in future deals, and they're starring in a Big
   Summer Movie!" But is Hollywood about to give them an anal
   probe?" -- Call no.: NX504.D47v.17no.3
-----------------------------------------------------
McFarlane Toys Catalog. -- Todd McFarlane Productions, 1998.
   -- 44 p. : col. ill. ; 22 x 28 cm. -- A catalog of
   character toys. -- Call no.: NK9509.95.C43 M3 1998
-----------------------------------------------------
"Surf Park" / by Bob Strauss. p. 66-68 in Yahoo! Internet
   Life, Feb. 1998. -- "For hip cable station Comedy Central,
   the potty-mouthed third graders of South Park have become
   broadcast gold, they're the biggest TV toons since The
   Simpsons." -- Call no.: folio NC1765.S39 1998
-----------------------------------------------------
**** NEW CATALOGING, INDEXING AND CORRECTIONS FOR JUNE 29,
   2021 
-----------------------------------------------------
Superman : Peace on Earth. -- New York : DC Comics, 1998. -- 1
   sheet : col. ill. ; 99 x 66 cm. -- "The world's greatest
   super-hero takes on the world's greatest problem: Hunger."
   -- Prepublication advertising poster. -- Call no.:
   PN6728.S8 P4 P6 1998
-----------------------------------------------------
Comics Buyers Guide : 1998 Calendar. -- Iola, WI : Comics
   Buyers Guide : Comics Retailer, 1998? -- 26 p. : col. ill.
   ; 21 x 31 cm. -- Other title: Comics Buyers Guide Calendar.
   -- Call no.: PN6725.B8 C3 1998
-----------------------------------------------------
La Alta Modernidad Visual y la Intermedialidad de la
   Historieta en México / Daniel Chávez. -- England : Hispanic
   Resarch Journal, 2007. -- p. 155-169 : ill. ; 28 cm. --
   Includes bibliographical references (p. 167-169). --
   Abstract begins: "Después de una breve revisión de la
   literatura reciente sobre la historieta en México, el
   artículo propone que a pesar de la tendencia de los
   críticos a considerar el medio como una forma de extensión
   del consumismo y la dominación ideológica, las historietas
   junto con el cine y la pintura mural, establecieron en
   México la 'alta modernidad visual'." -- Separated from
   Hispanic Research Journal, v. 8, no. 2 (Apr. 2007). -- Call
   no.: PN6790.M4 C47 2007
Chávez, Daniel, 1967-
-----------------------------------------------------
PowerPack Pals : Be Safe on the Internet. -- United States :
   Boy Scouts of America, 2003. -- 8 p. : col. ill. ; 26 cm.
   -- Running title: Power Pack Pals. -- "#33981". -- Funny
   animal and educational genres, about internet safety. --
   Call no.: PN6728.25.B6 P6 2003
-----------------------------------------------------
DC Comics/2000 AD Preview. -- New York : DC Comics, 2004. --
   28 p. : col. ill. ; 26 cm. -- "#1". -- "Look inside!
   Complete stories featuring Judge Dredd, Rogue Trooper,
   Sinister Dexter and a host of series profiles from 2000 AD,
   the galaxy's greatest comic!" -- "Suggested for mature
   readers." -- Call no.: PN6728.7.D3 D17 2004
-----------------------------------------------------
Der Krieg in der deutschen Karikatur / Herausgeber, der
   Reichsfuhrer SS. Haupamt. Schulungsamt. -- Berlin : Der
   Reichsfuhrer, ca. 1942. -- 24 p. : ill. ; 22 cm. -- (SS
   Leitheft ; 7. Jhrg., Folge 12B) -- English translation of
   text (8 p.) laid in with title The War in German Cartoons.
   -- Cartoons about World War II and National socialism. --
   Call no.: D745.2 .K7 1942
-----------------------------------------------------
Applying Rhetorical Methodologies to the Study of Comics /
   Randy Duncan, Henderson State University. -- Arkansas :
   Randy Duncan, 1992. -- 24 leaves ; 28 cm. -- Includes
   bibliographical notes (leaves 21-24). -- A paper for the
   "First Annual Comic Arts Conference, San Diego, California,
   August 12, 1992." -- Call no.: PN6725.D83 A6 1992
Comic Arts Conference (1st : San Diego, Calif. : 1992)
-----------------------------------------------------
Archetypes v Stereotypes : Friday 14th November 2008 : a
   Symposium ... / devised by Gravett and Rakoff. -- London :
   V & A Museum, 2008. -- 11 leaves : col. ill. ; 30 cm. -- "A
   symposium on newspaper strips, comics and graphic novels at
   the V&A Museum to celebrate the National Art Library's
   acquisition of a collection of post-war American romance
   comics." -- Syposium handout. -- Keynote speaker is Ian
   Rakoff. -- Other title: Archetypes v Stereotypes : Comics
   and Graphic Novels. -- Call no.: PN6702.V48 A7 2008
Victoria and Albert Museum.
-----------------------------------------------------
The Cartoon Museum : an International Collection : Catalog :
   Dedicated to the Preservation of Works of Comic Art /
   curator, Jim Ivey. -- Orlando, Fla. : Cartoon Museum, 1972.
   --- 19 p. : ill. ; 28 x 11 cm. -- Call no.: NC1300.C34 C3
   1972
Cartoon Museum (Orlando, Fla.)
-----------------------------------------------------

 .